Carol Bove, The Middle Pillar
text by Cathleen Chafee
Karma, New York, 2013
28 pages
Hardcover special edition of 50
$200 Purchase 
PHOTOS
—The Middle Pillar: A Retrospective Introduction: In 2004 Carol Bove described her interest in what she called the provocative “shady places” of display: “a gradient that starts with a small, personal domestic object and goes through art objects, installation art, site-specific works, environments, installation design, architecture, etc.” Her use of historical objects and texts belongs to this larger project dedicated to undermining binaries, often the either/or distinctions between site-specific installations and autonomous artworks.

Carol Bove, The Middle Pillar

text by Cathleen Chafee

Karma, New York, 2013

28 pages

Hardcover special edition of 50

$200 Purchase 

PHOTOS



The Middle Pillar: A Retrospective Introduction: In 2004 Carol Bove described her interest in what she called the provocative “shady places” of display: “a gradient that starts with a small, personal domestic object and goes through art objects, installation art, site-specific works, environments, installation design, architecture, etc.” Her use of historical objects and texts belongs to this larger project dedicated to undermining binaries, often the either/or distinctions between site-specific installations and autonomous artworks.

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