Dan Colen, Trash
"there was stuff all over. You can imagine. It was deep."
text by Josh Smith
Gagosian, New York, 2014 
9 1/8 x 12 inches (23.2 x 30.5 cm)
$60 PURCHASE

Dan Colen, Trash

"there was stuff all over. You can imagine. It was deep."

text by Josh Smith

Gagosian, New York, 2014 

9 1/8 x 12 inches (23.2 x 30.5 cm)

$60 PURCHASE

Michael Williams, Yoga Online
KARMA, New York, 2014
edition of 500
11.5 x 8.25 inches (29.21 x 20.95 cm)
$25 Purchase
—
Hobos Massaging Women
Text Obscuring Part Of A Face 
Subject Confronting The Viewer
Spiritual Crisis

Michael Williams, Yoga Online

KARMA, New York, 2014

edition of 500

11.5 x 8.25 inches (29.21 x 20.95 cm)

$25 Purchase

Hobos Massaging Women

Text Obscuring Part Of A Face

Subject Confronting The Viewer

Spiritual Crisis

Joe Bradley, The SS Potlicker And Friends
"I am a rare flower!"
KARMA, New York, 2014
Edition of 500
10.5 x 8.75 inches (26.67 x 22.23 cm)
$20 Purchase
PHOTOS

Joe Bradley, The SS Potlicker And Friends

"I am a rare flower!"

KARMA, New York, 2014

Edition of 500

10.5 x 8.75 inches (26.67 x 22.23 cm)

$20 Purchase

PHOTOS

Amy O’Neill, Red Headed Stranger
KARMA, New York, 2014
28 pages
10.5 x 7 inches (26.67 x 17.78 cm)
edition of 500
$10 Purchase
PHOTOS
—Everything we think is governed by impulses firing across synapses, the spaces between cells that guide communication in the brain. When any pattern is repeated enough, the synaptic pathways associated with that pattern get used to being accessed. As a result, it becomes easier for impulses to travel and the behavior seems “natural.” In Red Headed Stranger, Amy O’Neill presents us with the image of auburn haired beauty queens placed atop elaborate floats—the portraits quickly begin to dispel our ideal of classic beauty. Psychologists believe it takes approximately twenty repetitions before something feels natural; Red Headed Stranger contains fourteen images.

Amy O’Neill, Red Headed Stranger

KARMA, New York, 2014

28 pages

10.5 x 7 inches (26.67 x 17.78 cm)

edition of 500

$10 Purchase

PHOTOS



Everything we think is governed by impulses firing across synapses, the spaces between cells that guide communication in the brain. When any pattern is repeated enough, the synaptic pathways associated with that pattern get used to being accessed. As a result, it becomes easier for impulses to travel and the behavior seems “natural.” In Red Headed Stranger, Amy O’Neill presents us with the image of auburn haired beauty queens placed atop elaborate floats—the portraits quickly begin to dispel our ideal of classic beauty. Psychologists believe it takes approximately twenty repetitions before something feels natural; Red Headed Stranger contains fourteen images.

Brice Marden, Graphite Drawings 
"Can a plane be both a single surface and a conglomeration of individual surfaces, a ‘plane made of planes’?”
Matthew Marks Gallery, New York 2013
8.75 x 10.25 inches (22.25 x 26 cm)
$45 PURCHASE

Brice Marden, Graphite Drawings 

"Can a plane be both a single surface and a conglomeration of individual surfaces, a ‘plane made of planes’?”

Matthew Marks Gallery, New York 2013

8.75 x 10.25 inches (22.25 x 26 cm)

$45 PURCHASE

Pawel Althamer, The Neighbors
"The revolution in Althamer’s mind is smooth and gentle"
New Museum of Contemporary Art & Skira Rizzoli, New York, 2014
11 x 8.5 inches (27.94 x 29.59cm)
$50 PURCHASE

Pawel Althamer, The Neighbors

"The revolution in Althamer’s mind is smooth and gentle"

New Museum of Contemporary Art & Skira Rizzoli, New York, 2014

11 x 8.5 inches (27.94 x 29.59cm)

$50 PURCHASE

George Pendle, Happy Failure
KARMA, New York, 2014
188 pages
edition of 500
9 x 6 1/4 inches (22.86 x 15.88 cm)
$20 Purchase
—
At times Evel Knievel could seem like the world’s least successful suicide.

George Pendle, Happy Failure

KARMA, New York, 2014

188 pages

edition of 500

9 x 6 1/4 inches (22.86 x 15.88 cm)

$20 Purchase

At times Evel Knievel could seem like the world’s least successful suicide.

Joshua Abelow, Art Fiction
KARMA, New York, 2013
384 pages
edition of 1000
8.3 x 6 inches (21.08 x 15.24 cm)
$30 Purchase
PHOTOS
—
MR. BIG DICK
NO=YES YES=NO
BLOG ME
DUMB AND EASY
ART IS SO GAY
CALL ME ABSTRACT
BLONDE CAT
337. BACK OF A PAINTING


Joshua Abelow, Art Fiction

KARMA, New York, 2013

384 pages

edition of 1000

8.3 x 6 inches (21.08 x 15.24 cm)

$30 Purchase

PHOTOS

MR. BIG DICK

NO=YES YES=NO

BLOG ME

DUMB AND EASY

ART IS SO GAY

CALL ME ABSTRACT

BLONDE CAT

337. BACK OF A PAINTING

Dash Snow, I Love You, Stupid!
"There is no real New York."
Verlag der Buchhandlung Walther König, Köln, 2013
11 x 7.2 inches (27.9 x 18.4 cm)
$55 Purchase 

Dash Snow, I Love You, Stupid!

"There is no real New York."

Verlag der Buchhandlung Walther König, Köln, 2013

11 x 7.2 inches (27.9 x 18.4 cm)

$55 Purchase 

Roberto Cuoghi, 2000 Words
Text by Ali Subotnick
"Complex ideas iconographically"
DESTE Foundation for Contemporary Art, 2013, Athens
9.5 x 7.25 inches (24.13 x 18.41 cm)
$22 Purchase

Roberto Cuoghi, 2000 Words

Text by Ali Subotnick

"Complex ideas iconographically"

DESTE Foundation for Contemporary Art, 2013, Athens

9.5 x 7.25 inches (24.13 x 18.41 cm)

$22 Purchase

Carroll Dunham, Bathers Trees
"Why? Is pink a crutch?"
96 pages
Gladstone Gallery, New York & Verlag der Buchhandlung Walther Konig, Koln, 2013 
11.5 x 8.5 inches (29.21 x 21.59 cm)
$50 Purchase

Carroll Dunham, Bathers Trees

"Why? Is pink a crutch?"

96 pages

Gladstone Gallery, New York & Verlag der Buchhandlung Walther Konig, Koln, 2013 

11.5 x 8.5 inches (29.21 x 21.59 cm)

$50 Purchase

 Michael St. John, These Days
A text by Patrick Owens
Special Hardcover edition of 50
210 pages
KARMA, New York, 2013
11 x 8.5 inches (27.94 x 21.59 cm)
$150 Purchase
PHOTOS
—
And while it might be tempting or easy to dismiss St. John’s works as purposefully opaque and inscrutable remixes of art history and pop culture, they are not. They are wonderfully seductive, deeply personal, accessible celebrations of the familiar and sometimes uncomfortable landscape of Americana. 

 Michael St. John, These Days

A text by Patrick Owens

Special Hardcover edition of 50

210 pages

KARMA, New York, 2013

11 x 8.5 inches (27.94 x 21.59 cm)

$150 Purchase

PHOTOS

And while it might be tempting or easy to dismiss St. John’s works as purposefully opaque and inscrutable remixes of art history and pop culture, they are not. They are wonderfully seductive, deeply personal, accessible celebrations of the familiar and sometimes uncomfortable landscape of Americana. 

Sverre Bjertnes
If you really loved me you would be able to admit that you’re ashamed of me.
A Projective Identification by Bjarne Melgaard
My Friend Robert The paintings of Robert Loughlin 
"Adderall Egg"
White Columns, New York, 2013
12 x 9 inches (30.48 x 22.86 cm)
$50 Purchase
PHOTOS

Sverre Bjertnes

If you really loved me you would be able to admit that you’re ashamed of me.

A Projective Identification by Bjarne Melgaard

My Friend Robert The paintings of Robert Loughlin 

"Adderall Egg"

White Columns, New York, 2013

12 x 9 inches (30.48 x 22.86 cm)

$50 Purchase

PHOTOS

Eva Hesse, 1965
Edited by Barry Rosen
Yale University Press, New Haven, CT, 2013
9.5 x 11 inches (24.1 × 27.9 cm)
$60 Purchase

Eva Hesse, 1965

Edited by Barry Rosen

Yale University Press, New Haven, CT, 2013

9.5 x 11 inches (24.1 × 27.9 cm)

$60 Purchase

Empire State: New York Art Now!
"He thinks thinking means something to chew on. He, i.e., ruminates."
Curated by Alex Gartenfeld and Norman Rosenthal
Skira and Rizzoli, New York, 2013
8.75 x 11.75 inches (22.25 x 30 cm)
$45 PURCHASE

Empire State: New York Art Now!

"He thinks thinking means something to chew on. He, i.e., ruminates."

Curated by Alex Gartenfeld and Norman Rosenthal

Skira and Rizzoli, New York, 2013

8.75 x 11.75 inches (22.25 x 30 cm)

$45 PURCHASE

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