John McCracken, Heroic stance: The sculpture of John McCracken
"architectonic peristyle or colonnade that displaces"
P.S. 1, The Institute for Art and Urban Resources, Inc, The Newport Harbor Art Museum, HoffmanBorman Gallery, New York, Santa Monica, 1987
11 X 8.5 inches (28 x 21.6 cm)
$55 Purchase

John McCracken, Heroic stance: The sculpture of John McCracken

"architectonic peristyle or colonnade that displaces"

P.S. 1, The Institute for Art and Urban Resources, Inc, The Newport Harbor Art Museum, HoffmanBorman Gallery, New York, Santa Monica, 1987

11 X 8.5 inches (28 x 21.6 cm)

$55 Purchase

John Chamberlain
“les cavernes, les tunnels, les creux et les gorges ont besoin d’être examinés”
Ileana Sonnabend, Paris, 1964
7 x 10 inches (17.75 x 25.4 cm)
$95 PURCHASE

John Chamberlain

les cavernes, les tunnels, les creux et les gorges ont besoin d’être examinés”

Ileana Sonnabend, Paris, 1964

7 x 10 inches (17.75 x 25.4 cm)

$95 PURCHASE

Contemporary Sculpture : Arts Yearbook 8
edited by William Seitz
“The motive to change is always some uneasiness: nothing setting us upon the change of state, or upon any new action, but some uneasiness”
Texts by William Seitz, Donald Judd, Sidney Geist, Gene Baro, Clement Greenberg, Werner Hofmann, Vivien Raynor, Annette Michelson, Dora Vallier, Anita Ventura, Mercedes Molleda, José María Moreno Galván, Lyman Kipp, George Sugarman, David Weinrib, Richard Stankiewicz, Richard Hamilton, George Rickey, Herbert Bronstein, Anne Hoene,Jacqueline Barnitz, Margaret Buhler and more
The Art Digest, 1965
9 x 12 (30.3 x 23 cm)
SOLD

Contemporary Sculpture : Arts Yearbook 8

edited by William Seitz

“The motive to change is always some uneasiness: nothing setting us upon the change of state, or upon any new action, but some uneasiness”

Texts by William Seitz, Donald Judd, Sidney Geist, Gene Baro, Clement Greenberg, Werner Hofmann, Vivien Raynor, Annette Michelson, Dora Vallier, Anita Ventura, Mercedes Molleda, José María Moreno Galván, Lyman Kipp, George Sugarman, David Weinrib, Richard Stankiewicz, Richard Hamilton, George Rickey, Herbert Bronstein, Anne Hoene,Jacqueline Barnitz, Margaret Buhler and more

The Art Digest, 1965

9 x 12 (30.3 x 23 cm)

SOLD

Larry Bell, On the Ellipse
"Everything begins with subjectivity; nothing ends there."
Webb-Pantaleoni/Design and Columbine Printing Co., 1982
11 x 8.5 inches (27.9 x 21.5 cm)
$95 PURCHASE

Larry Bell, On the Ellipse

"Everything begins with subjectivity; nothing ends there."

Webb-Pantaleoni/Design and Columbine Printing Co., 1982

11 x 8.5 inches (27.9 x 21.5 cm)

$95 PURCHASE

Walker Art Center, Works for New Spaces
Larry Bell, Lynda Benglis, Dan Flavin, Sam Gilliam, Donald Judd, Robert Rauschenberg, Richard Serra, et al.
Walker Art Center, Minneapolis, 1971
11 x 8.5 inches (27.9 x 21.6 cm)
$75 PURCHASE

Walker Art Center, Works for New Spaces

Larry Bell, Lynda Benglis, Dan Flavin, Sam Gilliam, Donald Judd, Robert Rauschenberg, Richard Serra, et al.

Walker Art Center, Minneapolis, 1971

11 x 8.5 inches (27.9 x 21.6 cm)

$75 PURCHASE

Nancy Haynes, Donald Judd, Carole Seborovski
June 9-July 8
John Good Gallery, New York,  1988
9.5 x 6.7 inches (24 x 17 cm)
$50 PURCHASE

Nancy Haynes, Donald Judd, Carole Seborovski

June 9-July 8

John Good Gallery, New York,  1988

9.5 x 6.7 inches (24 x 17 cm)

$50 PURCHASE

Donald Judd, Zeichnungen / Drawings 1956 -1976
"the popular dichotomy of thought and feeling provides no information and causes a lot of trouble."
Kunstmuseum Basel, 1976
The Press of the Nova Scotia College/New York University Press
8.5 x 11 inches (21.5 x 28 cm)
$300 PURCHASE
 

Donald Judd, Zeichnungen / Drawings 1956 -1976

"the popular dichotomy of thought and feeling provides no information and causes a lot of trouble."

Kunstmuseum Basel, 1976

The Press of the Nova Scotia College/New York University Press

8.5 x 11 inches (21.5 x 28 cm)

$300 PURCHASE

 

Donald Judd
text by Barbara Haskell 
"They brooked no deceit; their straightforward materiality made no claims for knowledge of a higher reality"
Whitney Museum of American Art, New York, 1988
11.75 x 9.5 (39 x 24.25 cm)
$65 PURCHASE

Donald Judd

text by Barbara Haskell 

"They brooked no deceit; their straightforward materiality made no claims for knowledge of a higher reality"

Whitney Museum of American Art, New York, 1988

11.75 x 9.5 (39 x 24.25 cm)

$65 PURCHASE

Donald Judd, Sculpture
September 16 - October 15, 1994
PaceWildenstein, New York, 1994
10 x  9.5 inches (25.4 x 24.1 cm)
SOLD

Donald Judd, Sculpture

September 16 - October 15, 1994

PaceWildenstein, New York, 1994

10 x  9.5 inches (25.4 x 24.1 cm)

SOLD

Donald Judd, Late Work
October 27 - November 25, 2000
PaceWildenstein, New York, 2000
11 x 9.75 inches (28 x 25 cm)
SOLD

Donald Judd, Late Work

October 27 - November 25, 2000

PaceWildenstein, New York, 2000

11 x 9.75 inches (28 x 25 cm)

SOLD

Donald Judd, Reperes: cahiers d’art contemporain
Galerie Lelong, Paris, 1987
12 x 9.75 inches (30.5 x 24.8 cm)
SOLD

Donald Judd, Reperes: cahiers d’art contemporain

Galerie Lelong, Paris, 1987

12 x 9.75 inches (30.5 x 24.8 cm)

SOLD

Dan Graham, Performance
"two correlated rotations"
John Gibson, 1970
11 x 8.5 inches (27.9 x 21.6 cm)
$800 PURCHASE

Dan Graham, Performance

"two correlated rotations"

John Gibson, 1970

11 x 8.5 inches (27.9 x 21.6 cm)

$800 PURCHASE

Dan Graham, Schema (March, 1966)
"depression of type into surface of page"
Lisson Publications, Koening Publishing, 1972
11 x 8.5 inches (27.9 x 21.6 cm)
$220 PURCHASE

Dan Graham, Schema (March, 1966)

"depression of type into surface of page"

Lisson Publications, Koening Publishing, 1972

11 x 8.5 inches (27.9 x 21.6 cm)

$220 PURCHASE

Robert Rauschenberg
"Under the auspices of the Jewish Theological Seminary of America"
Jewish Museum, New York, 1963
9.5 x 8 inches (24.13 x 20.32 cm)
SOLD

Robert Rauschenberg

"Under the auspices of the Jewish Theological Seminary of America"

Jewish Museum, New York, 1963

9.5 x 8 inches (24.13 x 20.32 cm)

SOLD

Richard Hamilton
Image & Process: Studies, Stage, and Final proofs from the graphic works 1952-82
Tate Gallery, London, 1983
8.9 x 7.7 inches (22.60 x 19.55 cm)
SOLD

Richard Hamilton

Image & Process: Studies, Stage, and Final proofs from the graphic works 1952-82

Tate Gallery, London, 1983

8.9 x 7.7 inches (22.60 x 19.55 cm)

SOLD

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