Sam Falls, Rocks Waves
Karma, New York, 2014
58 pages
edition of 500
10.5 x 8 inches (26.67 x 20.32 cm)
$25 Purchase
PHOTOS

Sam Falls, Rocks Waves

Karma, New York, 2014

58 pages

edition of 500

10.5 x 8 inches (26.67 x 20.32 cm)

$25 Purchase

PHOTOS

Will Boone
KARMA, New York. 2014
32 pages
edition of 500
10.5 x 8 inches (26.67 x 20.32 cm)
$15 Purchase
PHOTOS

Will Boone

KARMA, New York. 2014

32 pages

edition of 500

10.5 x 8 inches (26.67 x 20.32 cm)

$15 Purchase

PHOTOS

Amy O’Neill, Red Headed Stranger
KARMA, New York, 2014
28 pages
edition of 500
10.5 x 7 inches (26.67 x 17.78 cm)
$15 Purchase
PHOTOS

Amy O’Neill, Red Headed Stranger

KARMA, New York, 2014

28 pages

edition of 500

10.5 x 7 inches (26.67 x 17.78 cm)

$15 Purchase

PHOTOS

Prince Igor, Imaginary Portraits
conceived by Dodie Kazanjian
The Song of Igor’s Campaign
translated by Vladimir Nabakov
—

KARMA, New York, 2013 
88 pages
Edition of 800, of which 50 are specially bound, signed, numbered
5.75 x 7.5 inches (14.6 x 19 cm)
$30 PURCHASE
—
David Adjaye, Kristin Baker, John Baldessari, Thome Browne, Jake and Dinos Chapman, Francesco Clemente, Peter Doig, Rachel Feinstein, Ryan Johnson, Alex Katz, Ragnar Kjartansson, Thomas Lawson, Raymond Pettibon, Elizabeth Peyton, Peter Saul, Peter Schjeldahl, Peter Schlesinger, Dana Schutz, Dasha Shishkin, Sophie von Hellerman, Charline von Heyl, Michael Williams

Prince Igor, Imaginary Portraits

conceived by Dodie Kazanjian

The Song of Igor’s Campaign

translated by Vladimir Nabakov

KARMA, New York, 2013 

88 pages

Edition of 800, of which 50 are specially bound, signed, numbered

5.75 x 7.5 inches (14.6 x 19 cm)

$30 PURCHASE

David Adjaye, Kristin Baker, John Baldessari, Thome Browne, Jake and Dinos Chapman, Francesco Clemente, Peter Doig, Rachel Feinstein, Ryan Johnson, Alex Katz, Ragnar Kjartansson, Thomas Lawson, Raymond Pettibon, Elizabeth Peyton, Peter Saul, Peter Schjeldahl, Peter Schlesinger, Dana Schutz, Dasha Shishkin, Sophie von Hellerman, Charline von Heyl, Michael Williams

Andro Wekua, Gems Survey 
"they are inner cathedrals built by that fanciful architect known as nostalgia"
Essay by Masimiliano Gioni
Karma, New York, 2014
400 Pages
Edition of 750
8.125 x 5.875 inches (20.6 x 14.9 cm)
$40 PURCHASE
PHOTOS

Andro Wekua, Gems Survey 

"they are inner cathedrals built by that fanciful architect known as nostalgia"

Essay by Masimiliano Gioni

Karma, New York, 2014

400 Pages

Edition of 750

8.125 x 5.875 inches (20.6 x 14.9 cm)

$40 PURCHASE

PHOTOS

Brice Marden, Book of Images 1970
224 pages
KARMA, New York, 2013
Edition of 1,000
7 x 4 1/4 inches (17.78 x 10.79 cm)
OUT OF PRINT
PHOTOS
—
The forgoing suite:
work same shapes only so I can
push differences more.
work faster
work them all together
ponder them all as group
push differences and samenesses at
same time

Brice Marden, Book of Images 1970

224 pages

KARMA, New York, 2013

Edition of 1,000

7 x 4 1/4 inches (17.78 x 10.79 cm)

OUT OF PRINT

PHOTOS

The forgoing suite:

work same shapes only so I can

push differences more.

work faster

work them all together

ponder them all as group

push differences and samenesses at

same time

Roe Ethridge & Zin Taylor, The Ceremony And The Spirit
72 pages
KARMA, New York, 2013
edition of 500
13 x 9 inches (33.02 x 22.86 cm)
$35 PURCHASE
PHOTOS
—
I guess I’m trying to find a structure where you and I get to throw in our opinions about stuff, our ideas about stuff and have those negotiated within the composition… this way we could use the star motif, and anything else we wanted, as we’re at the service of the building…

Roe Ethridge & Zin Taylor, The Ceremony And The Spirit

72 pages

KARMA, New York, 2013

edition of 500

13 x 9 inches (33.02 x 22.86 cm)

$35 PURCHASE

PHOTOS

I guess I’m trying to find a structure where you and I get to throw in our opinions about stuff, our ideas about stuff and have those negotiated within the composition… this way we could use the star motif, and anything else we wanted, as we’re at the service of the building…

Rosy Keyser, My Heads Are My Hands Karma, New York, 2014 112 pages
Edition of 500
Softcover
8.25 x 10.5 (21 x 26.75 cm) $30 Purchase
PHOTOS

Rosy Keyser, My Heads Are My Hands
Karma, New York, 2014
112 pages

Edition of 500

Softcover

8.25 x 10.5 (21 x 26.75 cm)
$30 Purchase

PHOTOS

Joe Bradley, Our Gang
Karma, New York, 2014
32 Pages
Edition of 500
8.25 x 10.5 inches (21 x 26.7 cm)
$20 PURCHASE
PHOTOS

Joe Bradley, Our Gang

Karma, New York, 2014

32 Pages

Edition of 500

8.25 x 10.5 inches (21 x 26.7 cm)

$20 PURCHASE

PHOTOS

George Pendle, Happy Failure
KARMA, New York, 2014
188 pages
edition of 500
9 x 6 1/4 inches (22.86 x 15.88 cm)
$20 Purchase
—
At times Evel Knievel could seem like the world’s least successful suicide.

George Pendle, Happy Failure

KARMA, New York, 2014

188 pages

edition of 500

9 x 6 1/4 inches (22.86 x 15.88 cm)

$20 Purchase

At times Evel Knievel could seem like the world’s least successful suicide.

Joshua Abelow, Art Fiction
KARMA, New York, 2013
384 pages
edition of 1000
8.3 x 6 inches (21.08 x 15.24 cm)
$30 Purchase
PHOTOS
—
MR. BIG DICK
NO=YES YES=NO
BLOG ME
DUMB AND EASY
ART IS SO GAY
CALL ME ABSTRACT
BLONDE CAT
337. BACK OF A PAINTING


Joshua Abelow, Art Fiction

KARMA, New York, 2013

384 pages

edition of 1000

8.3 x 6 inches (21.08 x 15.24 cm)

$30 Purchase

PHOTOS

MR. BIG DICK

NO=YES YES=NO

BLOG ME

DUMB AND EASY

ART IS SO GAY

CALL ME ABSTRACT

BLONDE CAT

337. BACK OF A PAINTING

Peter Schumann, Shatterer Book
water, nut, thought, orange, grey, done, wide-open, knight, night…
Edition of 500
208 Pages
KARMA, New York, 2013
7.875 x 10 inches (20 x 25.4 cm)
$20 PURCHASE
PHOTOS
—
Published on the occasion of Peter Schumann’s exhibition The Shatterer 
Curated by Jonathan Berger at The Queens Museum
November 09, 2013 — March 30, 2014

Peter Schumann, Shatterer Book

water, nut, thought, orange, grey, done, wide-open, knight, night…

Edition of 500

208 Pages

KARMA, New York, 2013

7.875 x 10 inches (20 x 25.4 cm)

$20 PURCHASE

PHOTOS

Published on the occasion of Peter Schumann’s exhibition The Shatterer 

Curated by Jonathan Berger at The Queens Museum

November 09, 2013 — March 30, 2014

Cassandra Macleod
Fourth Act: Reunion (1944-1954)
November 9 - November 30, 2013
Edition of 100 signed and numbered copies
KARMA, New York, 2013
8.5 x 11 inches (21.6 x 28 cm)
$20 PURCHASE
PHOTOS

Cassandra Macleod

Fourth Act: Reunion (1944-1954)

November 9 - November 30, 2013

Edition of 100 signed and numbered copies

KARMA, New York, 2013

8.5 x 11 inches (21.6 x 28 cm)

$20 PURCHASE

PHOTOS

 Michael St. John, These Days
A text by Patrick Owens
210 pages
KARMA, New York, 2013
Edition of 1,000
11 x 8.5 inches (27.94 x 21.59 cm)
$30 Purchase
Photos
—
And while it might be tempting or easy to dismiss St. John’s works as purposefully opaque and inscrutable remixes of art history and pop culture, they are not. They are wonderfully seductive, deeply personal, accessible celebrations of the familiar and sometimes uncomfortable landscape of Americana. 

 Michael St. John, These Days

A text by Patrick Owens

210 pages

KARMA, New York, 2013

Edition of 1,000

11 x 8.5 inches (27.94 x 21.59 cm)

$30 Purchase

Photos

And while it might be tempting or easy to dismiss St. John’s works as purposefully opaque and inscrutable remixes of art history and pop culture, they are not. They are wonderfully seductive, deeply personal, accessible celebrations of the familiar and sometimes uncomfortable landscape of Americana. 

CAROL BOVE, THE MIDDLE PILLAR
A TEXT BY CATHLEEN CHAFEE
28 PAGES
KARMA, NEW YORK, 2013
EDITION OF 1,000
$25 PURCHASE
PHOTOS
—
THE MIDDLE PILLAR: A RETROSPECTIVE INTRODUCTION
IN 2004 CAROL BOVE DESCRIBED HER INTEREST IN WHAT SHE CALLED THE PROVOCATIVE “SHADY PLACES” OF DISPLAY: “A GRADIENT THAT STARTS WITH A SMALL, PERSONAL DOMESTIC OBJECT AND GOES THROUGH ART OBJECTS, INSTALLATION ART, SITE-SPECIFIC WORKS, ENVIRONMENTS, INSTALLATION DESIGN, ARCHITECTURE, ETC.” HER USE OF HISTORICAL OBJECTS AND TEXTS BELONGS TO THIS LARGER PROJECT DEDICATED TO UNDERMINING BINARIES, OFTEN THE EITHER/OR DISTINCTIONS BETWEEN SITE-SPECIFIC INSTALLATIONS AND AUTONOMOUS ARTWORKS. 

CAROL BOVE, THE MIDDLE PILLAR

A TEXT BY CATHLEEN CHAFEE

28 PAGES

KARMA, NEW YORK, 2013

EDITION OF 1,000

$25 PURCHASE

PHOTOS

THE MIDDLE PILLAR: A RETROSPECTIVE INTRODUCTION

IN 2004 CAROL BOVE DESCRIBED HER INTEREST IN WHAT SHE CALLED THE PROVOCATIVE “SHADY PLACES” OF DISPLAY: “A GRADIENT THAT STARTS WITH A SMALL, PERSONAL DOMESTIC OBJECT AND GOES THROUGH ART OBJECTS, INSTALLATION ART, SITE-SPECIFIC WORKS, ENVIRONMENTS, INSTALLATION DESIGN, ARCHITECTURE, ETC.” HER USE OF HISTORICAL OBJECTS AND TEXTS BELONGS TO THIS LARGER PROJECT DEDICATED TO UNDERMINING BINARIES, OFTEN THE EITHER/OR DISTINCTIONS BETWEEN SITE-SPECIFIC INSTALLATIONS AND AUTONOMOUS ARTWORKS. 

Thanks

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