MESSR-UND AUSSTELLUNGSBAUTEN, HORST DOHNERT
“MATERIAL, KONSTRUKTION, WIRKUNG”
VERLAG CALLWEY, MUNCHEN, 1961
10 X 8 INCHES (25.4 X 20.32 CM)
SOLD

MESSR-UND AUSSTELLUNGSBAUTEN, HORST DOHNERT

“MATERIAL, KONSTRUKTION, WIRKUNG”

VERLAG CALLWEY, MUNCHEN, 1961

10 X 8 INCHES (25.4 X 20.32 CM)

SOLD

Andrea Branzi, Domestic Animals: The Neoprimitive Style
“The object seat is presented as a sort of drawing-board, on which are arranged pieces of raw wood…The presence moreover, of fabric, which looks as if it has been draped over chair bones like an animal skin, heightens this first impression, this startling of our attention.”
MIT press, Cambridge, 1987
8.5 x 6.5 inches (21.5 x 16.5 cm)
SOLD

Andrea Branzi, Domestic Animals: The Neoprimitive Style

“The object seat is presented as a sort of drawing-board, on which are arranged pieces of raw wood…The presence moreover, of fabric, which looks as if it has been draped over chair bones like an animal skin, heightens this first impression, this startling of our attention.”

MIT press, Cambridge, 1987

8.5 x 6.5 inches (21.5 x 16.5 cm)

SOLD

Wallace Berman, Camden Arts Centre / September — November 2008
“Art is Love is God”
Camden Arts Center, London, 2008
6 x 8¼ inches (15¼ x 21 cm)
$40 PURCHASE

Wallace Berman, Camden Arts Centre / September — November 2008

“Art is Love is God”

Camden Arts Center, London, 2008

6 x 8¼ inches (15¼ x 21 cm)

$40 PURCHASE

Beauty and The Book
“What constitutes a Swiss Book?”
Bundesamt Fur Kultur / Niggli, Zurich, SW, 2004
6½ x 9½ inches (16 x 24 cm)
$700 Purchase

Beauty and The Book

“What constitutes a Swiss Book?”

Bundesamt Fur Kultur / Niggli, Zurich, SW, 2004

6½ x 9½ inches (16 x 24 cm)

$70Purchase

 
Bjarne Melgaard, Penetration is Hetero-Sexist Normative Behavior
Made on the occasion of Baton Sinister, Norwegian Entry to Venice Biennale, 2011
23 ½ X 33 ¼ Inches (59.5 X 84 CM)
$30 Purchase

Bjarne Melgaard, Penetration is Hetero-Sexist Normative Behavior

Made on the occasion of Baton Sinister, Norwegian Entry to Venice Biennale, 2011

23 ½ X 33 ¼ Inches (59.5 X 84 CM)

$30 Purchase

 
Bjarne Melgaard, Don’t Get Fucked Up The Ass. Period.
Made on the occasion of Baton Sinister, Norwegian Entry to Venice Biennale, 2011
23 ½ X 33 ¼ Inches (59.5 X 84 CM)
$30 Purchase

Bjarne Melgaard, Don’t Get Fucked Up The Ass. Period.

Made on the occasion of Baton Sinister, Norwegian Entry to Venice Biennale, 2011

23 ½ X 33 ¼ Inches (59.5 X 84 CM)

$30 Purchase

 
Bjarne Melgaard, Terroraddict.com
Made on the occasion of Baton Sinister, Norwegian Entry to Venice Biennale, 2011
23 ½ X 33 ¼ Inches (59.5 X 84 CM)
$30 Purchase

Bjarne Melgaard, Terroraddict.com

Made on the occasion of Baton Sinister, Norwegian Entry to Venice Biennale, 2011

23 ½ X 33 ¼ Inches (59.5 X 84 CM)

$30 Purchase

 
Bjarne Melgaard, Don’t Get Fucked Up The Ass. Period
Made on the occasion of Baton Sinister, Norwegian Entry to Venice Biennale, 2011
23 ½ X 33 ¼ Inches (59.5 X 84 CM)
$30 Purchase

Bjarne Melgaard, Don’t Get Fucked Up The Ass. Period

Made on the occasion of Baton Sinister, Norwegian Entry to Venice Biennale, 2011

23 ½ X 33 ¼ Inches (59.5 X 84 CM)

$30 Purchase

Bjarne Melgaard, Why Didn’t Any Safe Sex Campaigns Say:
Made on the occasion of Baton Sinister, Norweigan Entry to Venice Biennale, 2011
23 ½ X 33 ¼ INCHES (59.5 X 84 CM)
$30 Purchase

Bjarne Melgaard, Why Didn’t Any Safe Sex Campaigns Say:

Made on the occasion of Baton Sinister, Norweigan Entry to Venice Biennale, 2011

23 ½ X 33 ¼ INCHES (59.5 X 84 CM)

$30 Purchase

Hans Wingler, Bauhaus
“The primary purpose of this publication is documentation.”
The MIT Press, 1969
14¾ x 10¼ inches (27 x 37 cm)
SOLD

Hans Wingler, Bauhaus

“The primary purpose of this publication is documentation.”

The MIT Press, 1969

14¾ x 10¼ inches (27 x 37 cm)

SOLD

robin cameron, the book that makes itself
“feel the fear and do it anyway”
robin cameron, new york, 2011
6 ½ x 9 inches (16 ½ x 22 cm)
$40 Purchase

robin cameron, the book that makes itself

“feel the fear and do it anyway”

robin cameron, new york, 2011

6 ½ x 9 inches (16 ½ x 22 cm)

$40 Purchase

Karel Martens, Printed Matter (true 1st ed. in white covers, edition of 800 produced for Heineken prize)
“This is an account of work in progress.”
Hyphen Press, London, 1996
9¼ x 7 inches (3½ x 2¾ cm)
$1500 Purchase

Karel Martens, Printed Matter (true 1st ed. in white covers, edition of 800 produced for Heineken prize)

“This is an account of work in progress.”

Hyphen Press, London, 1996

9¼ x 7 inches (3½ x 2¾ cm)

$1500 Purchase


Karel Martens, Printed Matter (3rd edition)
“There is an open-ness, textures you can feel with your hands, marvellous colors: meaning, life.”
Hyphen Press, London, 2010
9¼ x 7 inches (3½ x 2¾ cm)
$100 Purchase

Karel Martens, Printed Matter (3rd edition)

“There is an open-ness, textures you can feel with your hands, marvellous colors: meaning, life.”

Hyphen Press, London, 2010

9¼ x 7 inches (3½ x 2¾ cm)

$100 Purchase


Sico Carlier, Com’on the gold coast
“Touch… accent lighting… rekl… cowboy…sucking…”
S. Carlier. 1997 
5½ x 8½ inches (22 x 15 cm)

SOLD

Sico Carlier, Com’on the gold coast

“Touch… accent lighting… rekl… cowboy…sucking…”

S. Carlier. 1997 

5½ x 8½ inches (22 x 15 cm)

SOLD

Karel Maartens, Printed Matter \ Drukwerk
“There is openness, textures that you can feel with your hands…”

Second Edition
Hyphen Press, London, 2001
9¼ x 6¾ inches (23.5 x 17 cm)
$250 Purchase

Karel Maartens, Printed Matter \ Drukwerk

“There is openness, textures that you can feel with your hands…”


Second Edition

Hyphen Press, London, 2001

9¼ x 6¾ inches (23.5 x 17 cm)

$250 Purchase

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