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Mathew Cerletty

born 1980, Milwaukee, Wisconsin
lives and works in New York

Education

2002

Boston University, Boston; BFA

Selected Solo Exhibitions

2019

Standard, Oslo, Whiskers (forthcoming)

2018

Karma, New York, Shelf Life

2014

Office Baroque, Brussels, Weird Vibe

2013

Blum and Poe, Los Angeles, Kitchen Island

2011

Algus Greenspon, New York, Susan

2008

Office Baroque, Antwerp, Belgium, Hotpoints

2007

Team Gallery, New York, The Feeling Is Mutual

2006

Rivington Arms, New York; Sherman Gallery, Boston University, Boston, Fallingwater

2004

Rivington Arms, New York, Alter Ego

2003

Rivington Arms, New York, Trying to Live Beside the Point

Selected Group Exhibitions

2019

Super Dakota, Think about all the James Deans and what it means (forthcoming)

2018

Herald St, London, Use Your Illusion
Tanya Bonakdar, New York, Pine Barrens
Mitchell Algus Gallery, New York, FOTG
Museo Madre, Naples, Italy, Per formare una collezione: The Show Must Go_ON

2017

Office Baroque, Brussels, Fleming Faloon
Galerie Maria Bernheim, Zurich, Switzerland, Friend ? ?
Metro Pictures, New York, Sputterances; curated by Sanya Kantarovsky

2016

Galerie Patrick Seguin, Paris, Olympia; organized by Karma, New York
Carl Kostyál, Stockholm, For Pete’s Sake
Karma, Amagansett, New York, Before Midnight
Performance Ski, Aspen, Colorado, Mount Analogue; curated by Neville Wakefield
Bureau, New York, Seek Professional Help; curated by Mary Grace Wright
Marlborough Chelsea, New York, Landscapes; curated by Jake Palmert and Nolan Simon
Hannah Hoffman Gallery, Los Angeles, A Change of Heart; curated by Chris Sharp
Whitney Museum of American Art, New York, Flatlands

2015

Klaus von Nichtssagend, New York, Drawings
Lisa Cooley, New York, I Dropped the Lemon Tart
Arcade, London, Paw
Office Baroque, Brussels, Rio; curated by Louis-Philippe Van Eeckhoutte
Anton Kern Gallery, New York, The Painter of Modern Life; organized by Bob Nickas
Museum of Contemporary Art San Diego, San Diego, California, Laugh-in: Art, Comedy, Performance

2014

Office Baroque, Brussels, Nuit Américaine
High Art, Paris, Significant Others (I am small, it’s the pictures that got big)

2013

Whitney Museum of American Art, New York, Test Pattern
Hotel de Miramion, Paris, More Young Americans; curated by Susanne van Hagen and Marc-Olivier Wahler
Studio Voltaire, London, Notes on Neo-Camp; curated by Chris Sharp
Office Baroque, Antwerp, Belgium, Notes on Neo-Camp; curated by Chris Sharp
Algus Greenspon, New York, The Stairs; co-curated with Sebastian Black

2012

Mary Mary, Glasgow, United Kingdom, Mathew Cerletty, Sean Kennedy, Mateo Tannat
New Jersey, Basel, Switzerland, A Post-Posteriori; curated by Perro Negros
Marc Jancou Contemporary, New York, I Know This But You Feel Different; curated by Shara Hughes & Meredith James

2011

Harris Lieberman Gallery, New York, Heads with Tails
Klaus von Nichtssagend, New York, Discursive Arrangements, or Stubbornly Persisent Illusions
Brooklyn Academy of Music, Brooklyn, New York, Cover Version LP; curated by Timothy Hull

2010

MuZee, Oostende, Belgium, Public Private Paintings. 2000 – 2010: tien jaar schilderkunst uit publieke en privécollecties in Vlaanderen en Brussel
New Jersey Moca, New Jersey, It’s All American, Inaugural Exhibition; curated by Alex Gartenfeld and Haley Mellon
Three’s Company, New York, A Night Without Armor
Office Baroque, Antwerp, Belgium, Matthew Brannon, Mathew Cerletty, David Diao and Daniel Sinsel

2009

Museum Dhondt-Dhaenens, Deurle, Belgium, When The Mood Strikes… verzameling Wilfried & Yannicke Cooreman
Eleven Rivington, New York, Character Generator
Gavin Brown’s enterprise, New York, The Living and the Dead

2008

James Fuentes LLC, New York, 8 1/2 × 11 / A4
Matthew Marks Gallery / Greene Naftali, New York, Painting Now and Forever, Part II
Casey Kaplan Gallery, New York, Not So Subtle Subtitle; curated by Matthew Brannon
Taylor de Cordoba Gallery, Los Angeles, Cover Version
Office Baroque, Brussels, Artists of the Gallery

2007

Arndt & Partner, Berlin, Sweet Bird of Youth
Daniel Weinberg, Los Angeles, Block Party II
Office Baroque, Antwerp, Belgium, On the Marriage Broker Joke

2006

State Hermitage Museum, St. Petersburg, Russia; Royal Academy of Arts, London, USA Today
Mary Boone Gallery, New York, I Love My Scene
Rivington Arms, New York, Goodbye To All That

2005

Galerie Ghislaine Hussenot, Paris
Gavin Brown’s Enterprise at Passerby, New York, Neocon
Phillips, de Pury & Company, New York, Art Review 25: Emerging US Artists

2004

Andrea Rosen Gallery, New York, Now Is A Good Time
Peres Projects, Los Angeles, Such things I do just to make myself more attractive to you

2003

Rivington Arms, New York, Be In
John Connelly Presents, New York; Hiromi Yoshii Gallery, Tokyo, Today’s Man

2002

Rivington Arms, New York, I Kept All Your Letters

Publications

2018

Mathew Cerletty, Shelf Life
Karma, New York
232 pages, Hardcover
11 × 9 7/8 inches