Calvin Marcus
Untitled, 2024. Oil on oil primed linen, 60 × 43 in. (152.4 × 109.22 cm)
Untitled, 2024. Oil on oil primed linen, 30 × 22 in. (76.2 × 55.88 cm)
Untitled, 2023. Oil on oil primed linen, 30 × 22 in. (76.2 × 55.88 cm)
Untitled (Patch), 2023. Oil on canvas, 36¼ × 54 in. (92.08 × 137.16 cm)
Untitled (Serving bowl), 2023. Glazed ceramic, 7 1⁄2 × 10 × 7 1⁄2 in. (19.1 × 25.4 × 19.1 cm)
Untitled (grass), 2023. Oil and emulsified gesso on canvas/linen blend, 60 × 60 in. (152.4 × 152.4 × 2.9 cm)
Untitled, 2022. Watercolor, oil, vinyl and emulsified gesso on linen/canvas blend, 62 1⁄4 × 79 1⁄2 × 1 1⁄8 in. (158.1 × 201.9 × 2.7 cm )
Lamp, 2022. Ceramic, bamboo, silicone, hardware, electrical cord, paper, wood, glue, socket
Begonia, 2020. Water color, vinyl and oil paint, 71 × 79 in. (180.34 × 200.66 cm)
Cows +/- 30%, 2020. Watercolor, oil, vinyl and emulsified gesso on linen/canvas blend, 79 × 101 1⁄2 in. (206.6 × 258 cm)
Green Felt Table, 2020. Watercolor, oil, vinyl, and emulsified gesso on linen/canvas blend, 101 1⁄2 × 79 in. (257.8 × 200.7 cm)
Entertaining A Dog, 2020. Watercolor, oil, vinyl and emulsified gesso on linen/canvas blend, 101 1⁄2 × 79 in. (258 × 200.6 cm)
Everything Going Through Itself, 2020. Watercolor, oil, vinyl and emulsified gesso on linen/canvas blend, 79 × 101 1⁄2 in. (206,6 × 258 cm). Collection of the Louisiana Museum of Modern Art, Humlebaek, Denmark
Office Dance, 2020. Watercolor, oil, vinyl and emulsified gesso on linen/canvas blend, 101 1⁄2 × 79 in. (258 × 200.6 cm)
Wild Salmon, spaghetti in red sauce and peas, 2022. Glazed ceramic, 6 7 /8 × 10 × 2 1⁄4 in. (17.5 × 25.4 × 5.7 cm)
Beach Elephant, 2020. Watercolor, oil, vinyl and emulsified gesso on linen/canvas blend, 101 1⁄2 × 79 in. (258 × 200.6 cm)
GO HANG A SALAMI IM A LASAGNA HOG, installation view, David Kordansky Gallery, Los Angeles, November 1, 2019–January 11, 2020
GO HANG A SALAMI IM A LASAGNA HOG, installation view, David Kordansky Gallery, Los Angeles, November 1, 2019–January 11, 2020
Untitled, 2019. Watercolor, oil, vinyl, graphite, and emulsified gesso on linen/canvas blend, 79 × 1011/2 in. (200. 7 × 257.8 cm)
Orange Room, 2019. Watercolor, vinyl, and emulsified gesso on linen/canvas blend 101, 5/8 × 79 in. (258.1 × 200.7 cm)
You See Me, 2019. Watercolor, oil, vinyl, and emulsified gesso on linen/canvas blend, 79 × 1011/2 in. (200.7 × 257.8 cm)
Structure Series, installation view, K11 Art Foundation, Hong Kong, November 21, 2019–June 30, 2020
Structure Featuring Michael Williams, 2016. Inkjet printed glazed ceramic mugs, Mod Podge, paper, bass wood, masonite, LED lights, AA batteries, Flashe paint, wood stain, hot glue, 24 × 13 5⁄16 × 20 9⁄16 in. (61 × 34 × 53.3 cm)
Whitney Biennial 2019, installation view, Whitney Museum of American Art, New York, May 17–September 22, 2019. Photo by Ron Amstutz
Whitney Biennial 2019, installation view, Whitney Museum of American Art, New York, May 17–September 22, 2019. Photo by Ron Amstutz
Whitney Biennial 2019, installation view, Whitney Museum of American Art, New York, May 17–September 22, 2019. Photo by Ron Amstutz
Los Angeles Painting, 2018. Watercolor and vinyl paint on linen, 79 × 101 5⁄8 in. (200.6 × 258 cm)
Conspiracy of Asses, 2019. Watercolor and vinyl paint on linen, 79 1⁄4 × 101 5⁄8 in. (201.3 × 258.1 cm) Collection of the Whitney Museum of American Art, New York
Ghost of Younger Self, 2019. Watercolor and vinyl paint on linen, 101 5⁄8 × 79 in. (258 × 200.6 cm)
No Need Here, 2019. Watercolor and vinyl paint on linen, 79 × 101 5⁄8 in. (200.6 × 258 cm)
Dog and Rabbit, 2019. Watercolor, oil, vinyl and emulsified gesso on linen/canvas blend, 79 × 101 5⁄8 × 1 in. (200.7 × 258.1 × 2.5 cm)
City Pig/Wild Boar, 2019. Watercolor, vinyl, and emulsified gesso on linen/canvas blend, 101 5⁄8 × 79 × 1 1⁄8 in. (258.1 × 200.7 × 2.9 cm)
Fish Head, 2019. Watercolor, vinyl, and emulsified gesso on linen/canvas blend, 101 5⁄8 × 79 in. (258.1 × 200.7 cm)
blue devil, 2018. Eel-vinyl, ceramic, and flashe on aluminum panel in artists frame, 36 1⁄2 × 24 1⁄2 × 5 in. (92.7 × 62.2 × 12.7 cm)
Lamp, 2017. Ceramic, bamboo, silicone, hardware, electrical cord, paper, wood, glue, socket, 22 × 11 × 10 1⁄4 in. (55.9 × 27.9 × 26 cm)
the outer is the inner of the other, installation view, The Power Station, Dallas, October 27–December 15, 2017
the outer is the inner of the other, installation view, The Power Station, Dallas, October 27–December 15, 2017
the outer is the inner of the other, installation view, The Power Station, Dallas, October 27–December 15, 2017
Dry Cleaned Shirt with Martinis, 2016. Screen printed shirt commercially dry cleaned, 40 5⁄8 × 26 × 3/4 in. (103.2 × 66 × 1.9 cm). Collection of the Whitney Museum of American Art, New York
Dry Cleaned Shirt with Martinis, 2016. Screen printed shirt commercially dry cleaned, 41 3⁄4 × 22 1⁄2 × 3/4 in. (106 × 57.2 × 1.9 cm). Collection of the Whitney Museum of American Art, New York
WERE GOOD MEN, installation view, Clearing, New York, January 8–March 5, 2016
WERE GOOD MEN, installation view, Clearing, New York, January 8–March 5, 2016
Dead Soldier, 2016. Oil stick, Cel-vinyl, liquid water color, and emulsified gesso on linen/canvas blend, 101 1⁄2 × 79 × 1 in. (257.8 × 200.7 × 2.5 cm)
Dead Soldier, 2016. Oil stick, Cel-vinyl, liquid water color, and emulsified gesso on linen/canvas blend, 101 1⁄2 × 79 × 1 in. (257.8 × 200.7 × 2.5 cm)
Dead Soldier, 2018. Oil stick, Cel-vinyl, liquid water color, and emulsified gesso on linen/canvas blend, 101 1⁄2 × 79 × 1 1⁄8 in. (257.8 × 200.7 × 2.9 cm)
Dead Soldier, 2017. Oil stick, Cel-vinyl, liquid water color, and emulsified gesso on linen/canvas blend, 101 1⁄2 × 79 × 1 in. (257.8 × 200.7 × 2.5 cm)
Calvin Marcus & Chadwick Rantanen, M*A*S*H, installation view, Clearing, Brussels, January 8–March 5, 2016
Calvin Marcus & Chadwick Rantanen, M*A*S*H, installation view, Clearing, Brussels, January 8–March 5, 2016
Dead Soldier, 2015. Crayon on paper, 14 3⁄4 × 11 1⁄4 in. (37.5 × 28.5 cm) (framed)
Calvin Marcus at Peep-Hole, installation view, Peep-Hole, Milan, November 20, 2015–January 23, 2016. Photo by Laura Fantacuzzi - Maxime Galati-Fourcade
Calvin Marcus at Peep-Hole, installation view, Peep-Hole, Milan, November 20, 2015–January 23, 2016. Photo by Laura Fantacuzzi - Maxime Galati-Fourcade
Calvin Marcus at Peep-Hole, installation view, Peep-Hole, Milan, November 20, 2015–January 23, 2016. Photo by Laura Fantacuzzi - Maxime Galati-Fourcade
Me With Tongue, 2015. Oil crayon, Gel-Vinyl, liquid watercolor, emulsified gesso on linen/canvas blend, 84 × 60 in. (213.36 × 152.4 cm). Photo by Laura Fantacuzzi - Maxime Galati-Fourcade. Collection of Musée D'Art Moderne de Paris.
Me With Tongue, 2015. Oil stick, Cel-vinyl, liquid water color, and emulsified gesso on linen/canvas blend, 84 × 60 in. (213.36 × 152.4 cm)
Me With Tongue, 2015. Oil stick, Cel-vinyl, liquid water color, and emulsified gesso on linen/canvas blend, 84 × 60 in. (213.36 × 152.4 cm)
Untitled, 2015. Glazed ceramic, 2 3⁄4 × 5 × 7 in. (6.98 × 12.7 × 17.78). Photo by Laura Fantacuzzi - Maxime Galati-Fourcade
Automatic Drawing #3, 2015. Oil crayon and flashe on gessoed linen, Triptych, each panel: 96 × 41 in. (243.8 × 104.1 cm)
Automatic Drawing #, 2015. Oil crayon and flashe on gessoed linen, 48 × 96 in. (121.9 × 243.8 cm)
Automatic Drawing #, 2015. Oil crayon and flashe on gessoed linen, 48 × 96 in. (121.9 × 243.8 cm)
Green Calvin, 2014. Cel-vinyl on high fired ceramic over eel-vinyl on tempered hardboard, artist's frame, 48 1⁄2 × 96 1⁄2 × 5 in. (123 × 245 × 12.7 cm)
Green Calvin, 2014. Cel-vinyl on high fired ceramic over eel-vinyl on tempered hardboard, artist's frame, 48 1⁄2 × 96 1⁄2 × 5 in. (123 × 245 × 12.7 cm) (detail)
