Blue Pencil Drawing (Zinnia Omelette),
Inkjet and White Out on paper, cast polyester resin frame, plexiglass, mat-board, coroplast, wooden
17 3/16 x 14 13/16 in (43.66 x 37.62 cm)
Courtesy of the artist and Karma, NY
December 10, 2019
Alex Da Corte in the Space 1026 Art Auction
Friday, December 13th, 2019
6 pm Space 1026
844 North Broad Street
Philedelphia, PA 19130
Alex Da Corte, Blue Pencil Drawing (Big Chill Spook), 2019, Inkjet and White Out on paper, cast polyester resin frame, plexiglass, mat-board, coroplast, wooden strainer, hardware, 17 3/16 x 14 13/16 inches
November 10, 2019
Alex Da Corte in The Swiss Institute’s 2019 Benefit Auction
November 10, 2019, 6:30 pm
Angel Orensanz Foundation
172 Norfolk Street
New York, NY 10002 swissinstitute.net
SI Artist Tribute
SI Special Tribute
SI Visionary Award
ANTONIE & PHILIPPE BERTHERAT
and saluting SI’s education partner
THE EDUCATIONAL ALLIANCE SIROVICH CENTER
RAÚL DE NIEVES
SIMON DE PURY
Akris, Larry Gagosian, LUMA Foundation, Stiftung Usine
Shelley Fox Aarons and Philip E. Aarons, Monique and Max Burger and the TOY Family, Massimo De Carlo, Milan/London/Hong Kong, Consulate General of Switzerland in New York, Paula Cooper, Florian Gutzwiller, Hauser & Wirth, Lévy Gorvy, Luhring Augustine, Ricola, Lisa Schiff
Sarah Arison, James Keith Brown and Eric Diefenbach, Sadie Coles HQ, Beat Curti, Matthew Dontzin and Elissa Doyle, Eurostruct, Mark Fletcher and Tobias Meyer, Heather Flow, Gladstone Gallery, David Kordansky, Maren Krass, Caroline Lang, Rachel and Jean-Pierre Lehmann, Pierre-André Maus, Marjorie Mayrock, Susanne von Meiss, Metro Pictures, Melanie Munk, Carolina Nitsch, PIN-UP, Galerie Eva Presenhuber, Almine Rech, Thaddaeus Ropac, Melissa Stewart, Clarice O. Tavares, Begum Yasar
Mathew Cerletty, Crying As Architecture, 2019, oil on linen, 52 × 40 inches
Darren Bader, crying as architecture
October 30, 2019
Mathew Cerletty in Words at Alexander Berggruen Gallery
October 11–November 26, 2019
1018 Madison Avenue, Floor 3
New York, NY 10075 www.alexanderberggruen.com
John Baldessari, Jean-Michel Basquiat, David Bates, Alighiero Boetti, Margaret Bourke-White, Georges Braque, Mathew Cerletty, Walker Evans, Danny Fox, Charles Gaines, Philip Guston, David Hockney, Robert Indiana, On Kawara, Paul Klee, Joseph Kosuth, Barbara Kruger, Tony Lewis, Kerry James Marshall, Ryan Morozowski, Yoshitomo Nara, Ed Ruscha, Emily Mae Smith, Cy Twombly, Lawrence Weiner, Jonas Wood, and Christopher Wool.
Mathew Cerletty in conversation with Lucy Kim in Boston University’s Tuesday Night MFA Lecture Series Boston University
Room 410, 808 Commonwealth Avenue
Brookline, MA 02446
Tuesday, October 29, 7:30 pm bu.edu
Hosted by the graduate programs in Painting and Sculpture at Boston University, the Tuesday Night MFA Lecture series brings practicing artists to campus to present their work. All lectures are free and open to the public.
Mathew Cerletty (CFA’02) utilizes a hyper-realistic approach to painting that marries the quotidian and the surreal within a range of motifs and subjects. While an undergraduate at Boston University, Cerletty developed the ability to carefully paint the figure in the academic, representational mode. Today, he has developed a practice in which virtuosic yet slightly uncanny depictions of human subjects, corporate logos, and domestic objects are rendered in high-key color and with flat precision. Pervading Cerletty’s paintings is a deadpan sense of humor tempered by a disarming sincerity towards his seemingly banal subjects.
His work has been exhibited in museums including Whitney Museum of American Art, the Hermitage Museum in St. Petersburg, and the Museum of Contemporary Art in San Diego; and at galleries including Rivington Arms, Team Gallery, Plum and Poe in New York, and the Boston University Art Galleries. He is represented by Office Baroque in Brussels, Belgium and Standard in Oslo, Norway.
Dike Blair, Untitled, oil on wooden panel, 10 x 7 1/2 inches
October 22, 2019
Dike Blair, Robert Duran, Marley Freeman, and Paul Mogensen in TWO × TWO for Aids and Art Auction
October 26, 2019
The Rachofsky House
8605 Preston Road
Dallas, TX 75225 twoxtwo.org
The 21st annual benefit dinner and art auction that jointly benefits amfAR and the Dallas Museum of Art. The black-tie gala dinner will feature a live and silent auction of significant contemporary art, as well as the presentation of amfAR’s 2019 Award of Excellence for Artistic Contributions to the Fight Against AIDS. Sponsored by Sotheby’s, Highland Park Village, Headington Companies, Neiman Marcus, Chubb Personal Insurance / IMA | Waldman, and Todd Events.
We are deeply saddened to announce the sudden passing of our friend, Matthew Wong. Our heartfelt condolences go out to his family and friends.
A service in celebration of Matthew’s life will be held at Connelly-McKinley Funeral Homes on Monday, October 21, 2019 from 1 to 2:30 p.m., followed by the burial at Rosehill Cemetery from 3 to 5 p.m. A reception will be held afterwards at the Cactus Club Cafe from 5:30 p.m. onwards.
Matthew Wong, The Stranger, 2019, acrylic on paper, 16 x 12 1/4 inches
September 11, 2019
Alex Da Corte and Matthew Wong in The Drawing Center’s 2019 Benefit Auction
September 19, 2019, 6:30 pm
35 Wooster Street
New York, NY 10013 DrawingCenter.org
Join the Drawing Center on Thursday, September 19 for an evening of music, cocktails, and a silent auction featuring works generously donated by over 40 leading artists.
Participating artists include; Tomma Abts, Richard Aldrich, Noel W Anderson, Kamrooz Aram, Attributed to Arrow (Southern Cheyenne), Tauba Auerbach, Joe Bradley, George Condo, John Currin, Alex Da Corte, Trisha Donnelly, Leonardo Drew, Isa Genzken, John Giorno, Maryam Hoseini, Rashid Johnson, Anna K.E., Brad Kahlhamer, Fernanda Laguna, Bill Lynch, Calvin Marcus, Park McArthur, Hugo McCloud, Troy Michie, Jeanette Mundt, Oscar Murillo, Chris Ofili, Laura Owens, Maia Cruz Palileo, Adam Pendleton, Ronny Quevedo, Jessi Reaves, Ugo Rondinone, Alan Shields, Josh Smith, Cauleen Smith, Rudolf Stingel, Ryan Sullivan, Henry Taylor, Johanna Unzueta, Cecilia Vicuña, Adrián Villar Rojas, Mary Weatherford, Michael Williams, and Matthew Wong.
Da Corte will discuss his reworking of American pop culture as well as his recent contributions to the 57th Carnegie International in Pittsburgh and the 58th La Biennale di Venezia. His most recent solo exhibition was held at Kölnischer Kunstverein, Köln, Germany (2018). Other recent solo exhibitions include Karma, New York (2018); Secession, Vienna, Austria; Art + Practice, Hammer Museum, Los Angeles (2016); MASS MoCA, North Adams, Massachusetts (2016); Museum Boijmans van Beuningen, Rotterdam, Netherlands (2015); and Institute of Contemporary Art, Philadelphia (2014, together with Jayson Musson).
Join artist Ann Craven and Christopher B. Crosman, founding curator, Crystal Bridges Museum of American Art and former director, Farnsworth Art Museum, as they discuss her current exhibition on view at CMCA, Birds We Know.
Gertrude Abercrombie, Ross Bleckner, Chen Ching-Yuan, Van Hanos, Brook Hsu, Helen Johnson, Jennifer J. Lee, Sally Michel, Jonny Negron, Alexandra Noel, Jules Olitski, Lauren Satlowski, Hiroshi Sugito, Issy Wood, and Matthew Wong
Alvin Loving, Septehedron 34, 1970, Acrylic on shaped canvas, 88 5/8 × 102 1/2 inches, Whitney Museum of American Art, New York; gift of William Zierler, Inc. in honor of John I. H. Baur 74.65. Courtesy the Estate of Al Loving and Garth Greenan Gallery, New York
Join artist Alex Da Corte and David Breslin, DeMartini Family Curator and Director of the Collection and curator of the exhibition Spilling Over: Painting Color in the 1960s, for a conversation about abstraction, color, and optical perception in painting and related media.
Alex Da Corte creates vibrant and immersive large-scale installations that include wall-based works, sculptures, and videos. Colorful and humorous, his work combines personal narrative, art-historical references, pop-culture characters, and the glossy aesthetics of commercial advertising to explore the absurdity and psychological complexity of the images and stories that pervade contemporary American life.
With Charles Avery, Katherine Bradford, Peter Doig, Alex Dordoy, Loie Hollowell, Matthew Day Jackson, Claudia Martínez Garay, Benny Merris, William Monk, Ciarán Murphy, Rosalind Nashashibi, Lucy Skaer, Matthias Weischer, and Letha Wilson
Walter Price, Afro blue 5, 2017, acrylic and ink on paper, 17 1/2 × 23 5/8 inches (framed).
February 17, 2019
Walter Price in Uptown to Harlem: African American Works from the Collection of Martin & Rebecca Eisenberg
April 2018 – April 2019 Riverview School
Cape Cod, Massachusets
Derrick Alexis Coard, David Hammons, Dave McKenzie, Julie Mehrutu, Wardell Milan, Jason Moran, Wangechi Mutu, William Pope L., Walter Price, Gary Simmons, Henry Taylor, Kara Walker, Nari Ward, Jack Whitten
Installation view, Techniques of the Observer, 2019. Courtesy of Greene Naftali, New York.
January 30, 2019
Walter Price in Techniques of the Observer
February 5 – March 9, 2019 Greene Naftali
508 West 26th Street
New York, NY 10001
Gillian Carnegie, Lois Dodd, Thomas Eggerer, Michael Fullerton, Michael Krebber, Stuart Middleton, Elizabeth Peyton, Walter Price, Elliot Jamal Robbins, Giangiacomo Rossetti, Nolan Simon, Katharina Wulff
Alex Da Corte, Rubber Pencil Devil, 2018, HD Digital video, Runtime: 2 hours, 55 mins, 52 seconds
January 1, 2019
Alex Da Corte in the 57th edition of the Carnegie International.
Curated by Ingrid Schaffner
October 13, 2018 – March 25, 2019
Carnegie International, 57th Edition Carnegie Museum of Art
4400 Forbes Ave.
Pittsburgh, PA 15213
Nicolas Party “Arches” M WOODS
November 30, 2018 – February 24, 2019
Opening in November 2018, M WOODS presents a solo exhibition by Swiss artist Nicolas Party. Working across painting, pastel, sculpture, video and installation, Party is renowned for a deep sense of site specificity and temporality in his projects, which often feature hand-painted murals that exist on gallery walls only for the duration of an exhibition. Within these painted environments sit two and three dimensional works which, through a style and colour system unique to the artist, offer a contemporary take on traditional subjects such as still life, portraiture, landscape and the sculptural bust.
Party’s exhibition at M WOODS will be his first at a non-profit institution in Asia and his largest to date, bringing together recent works with a suite of new sculptures and wallpaintings created on site at the museum.