Thaddeus Mosley
Recent Sculpture, 2023, Karma, New York, installation view
Recent Sculpture, 2023, Karma, New York, installation view
Recent Sculpture, 2023, Karma, New York, installation view
Recent Sculpture, 2023, Karma, New York, installation view
Elegiac Stanza for Sam Gilliam, 2022, walnut and cherry, 93½ × 33 × 42 inches; 237.49 × 83.82 × 106.68 cm
Air Step - for Fayard and Harold Nicholas, 2021, walnut, 103½ × 55 × 27 inches; 243.84 × 91.44 × 91.44 cm
Southwestern Suite, 2021, walnut, 104½ × 72 × 45 inches; 265.43 × 182.88 × 114.3 cm
Circular Fable, 2021, walnut, 48½ × 17¼ × 16½ inches; 121.92 × 50.8 × 2.54 cm
Symbiosis, 2022, Berkshire Botanical Garden, Stockbridge, Massachusetts, installation view
La Suite de l’Histoire, 2022, Musée National Eugène-Delacroix, Paris, France, curated by Annabelle Ténèze, installation view
La Suite de l’Histoire, 2022, Musée National Eugène-Delacroix, Paris, France, curated by Annabelle Ténèze, installation view
La Suite de l’Histoire, 2022, Musée National Eugène-Delacroix, Paris, France, curated by Annabelle Ténèze, installation view
Courage Before Expectation, 2022, The FLAG Art Foundation, New York, installation view, photography by Steven Probert
Courage Before Expectation, 2022, The FLAG Art Foundation, New York, installation view, photography by Steven Probert
File Under Freedom, 2022, Bergen Kunsthall, Bergen, Norway, installation view, photography by Thor Brødreskift
File Under Freedom, 2022, Bergen Kunsthall, Bergen, Norway, installation view, photography by Thor Brødreskift
Illusory Progression, 2020, and Rhizogenic Rhythm, 2020, Installation view, Schwartz Common, Harvard Business School. Photo courtesy Steve Briggs.
Thaddeus Mosley: Forest, 2021, Baltimore Museum of Art, installation view
Frieze Sculpture at Rockefeller Center, 2020, installation view
Frieze Sculpture at Rockefeller Center, 2020, installation view
Region in Suspension, 1996, walnut, 88 × 72 × 48 inches; 223.5 × 182.8 × 121.9 cm
Repetitive Reference, 2015, walnut, 88 × 52 × 26 inches; 223.5 × 132.1 × 66 cm
Propelled Simulation, 2001, railroad switch, walnut, red sandstone, 101 × 74 × 18 inches; 256.5 × 187.9 × 45.7 cm
Perge Modo, 2005, walnut, 96 × 55 × 24 inches; 243.8 × 139.7 × 60.9 cm
2020, Karma, New York, installation view
2020, Karma, New York, installation view
2020, Karma, New York, installation view
Misterioso - T. Sphere Monk, 2008, locust, 78 × 28 × 24 inches; 198.1 × 71.1 × 60.9 cm
Thaddeus Mosley, First Port, 2008, walnut, 79 × 51 × 17 inches; 200.6 × 129.5 × 43.1 cm
Georgia Gate #1, 1975, pine, marble, 132 × 134 inches; 335.2 × 340.3 cm, Collection of The Carnegie Museum of Art, Pittsburgh
Cross Current 2014, walnut, cherry, 90 × 42 × 19 inches; 228.6 × 106.6 × 48.2 cm
Countee's Leaf—for Countee Cullen, 1992, carved walnut and cherry, 79 × 30 × 20 inches; 200.6 × 76.2 × 50.8 cm
The Carnegie International, 57th Edition, 2018, curated by Ingrid Schaffner, The Carnegie Museum of Art, Pittsburgh, installation view
The Carnegie International, 57th Edition, 2018, curated by Ingrid Schaffner, The Carnegie Museum of Art, Pittsburgh, installation view
Masked Extension, 2011, walnut, cherry, 48 × 52 × 26 inches; 121.9 × 132.1 × 66 cm
Invictus, 2019, walnut, 75 × 29 × 24 inches; 190.5 × 73.6 × 60.9 cm
Opposing Parallels - Blues Up and Down for G. Ammons and S. Stitt, 2015, walnut, 88 × 36 × 28 inches; 223.5 × 91.4 × 71.1 cm
Inverted Dancer, 2007, bass, hickory, 102 × 36 × 18 inches; 259.1 × 91.4 × 45.7 cm
Ovals as Boulders, 1976, sycamore, 82 × 26 × 20 inches; 208.2 × 66 × 50.8 cm
Cove for Chillida, 1994, walnut, 114 × 37 × 30 inches; 289.5 × 93.9 × 76.2 cm
Thaddeus Mosley studio, Pittsburgh
Thaddeus Mosley studio, Pittsburgh
Thaddeus Mosley studio, Pittsburgh
Thaddeus Mosley studio, Pittsburgh
