Thaddeus Mosley

Installation view of Courage Before Expectation at The FLAG Art Foundation, 2022, photography by Steven Probert

File Under Freedom, 2022, Bergen Kunsthall, Bergen, Norway, installation view, photography by Thor Brødreskift

Illusory Progression, 2020, and Rhizogenic Rhythms, 2020, Harvard Business School, installation view

Thaddeus Mosley: Forest, 2021, Baltimore Museum of Art, installation view

Frieze Sculpture at Rockefeller Center, 2020, installation view

Region in Suspension, 1996, walnut, 88 x 72 x 48 inches; 223.5 × 182.8 × 121.9 cm

Region in Suspension, 1996, walnut, 88 × 72 × 48 inches; 223.5 × 182.8 × 121.9 cm

Repetitive Reference, 2015, walnut, 88 x 52 x 26 inches; 223.5 × 132.1 × 66 cm

Repetitive Reference, 2015, walnut, 88 × 52 × 26 inches; 223.5 × 132.1 × 66 cm

Propelled Simulation, 2001, railroad switch, walnut, red sandstone, 101 x 74 x 18 inches; 256.5 × 187.9 × 45.7 cm

Propelled Simulation, 2001, railroad switch, walnut, red sandstone, 101 × 74 × 18 inches; 256.5 × 187.9 × 45.7 cm

Perge Modo, 2005, walnut, 96 x 55 x 24 inches; 243.8 × 139.7 × 60.9 cm

Perge Modo, 2005, walnut, 96 × 55 × 24 inches; 243.8 × 139.7 × 60.9 cm

2020, Karma, New York, installation view

Misterioso - T. Sphere Monk, 2008, locust, 78 x 28 x 24 inches; 198.1 × 71.1 × 60.9 cm

Misterioso - T. Sphere Monk, 2008, locust, 78 × 28 × 24 inches; 198.1 × 71.1 × 60.9 cm

Thaddeus Mosley, First Port, 2008, walnut, 79 x 51 x 17 inches; 200.6 × 129.5 × 43.1 cm

Thaddeus Mosley, First Port, 2008, walnut, 79 × 51 × 17 inches; 200.6 × 129.5 × 43.1 cm

Georgia Gate #1, 1975, pine, marble, 132 x 134 inches; 335.2 × 340.3 cm, Collection of The Carnegie Museum of Art, Pittsburgh

Georgia Gate #1, 1975, pine, marble, 132 × 134 inches; 335.2 × 340.3 cm, Collection of The Carnegie Museum of Art, Pittsburgh

Cross Current 2014, walnut, cherry, 90 x 42 x 19 inches; 228.6 × 106.6 × 48.2 cm

Cross Current 2014, walnut, cherry, 90 × 42 × 19 inches; 228.6 × 106.6 × 48.2 cm

Countee's Leaf—for Countee Cullen, 1992, carved walnut and cherry, 79 x 30 x 20 inches; 200.6 × 76.2 × 50.8 cm

Countee's Leaf—for Countee Cullen, 1992, carved walnut and cherry, 79 × 30 × 20 inches; 200.6 × 76.2 × 50.8 cm

The Carnegie International, 57th Edition, 2018, curated by Ingrid Schaffner, The Carnegie Museum of Art, Pittsburgh, installation view

Masked Extension, 2011, walnut, cherry, 48 x 52 x 26 inches; 121.9 × 132.1 × 66 cm

Masked Extension, 2011, walnut, cherry, 48 × 52 × 26 inches; 121.9 × 132.1 × 66 cm

Invictus, 2019, walnut, 75 x 29 x 24 inches; 190.5 × 73.6 × 60.9 cm

Invictus, 2019, walnut, 75 × 29 × 24 inches; 190.5 × 73.6 × 60.9 cm

Opposing Parallels - Blues Up and Down for G. Ammons and S. Stitt, 2015, walnut, 88 x 36 x 28 inches; 223.5 × 91.4 × 71.1 cm

Opposing Parallels - Blues Up and Down for G. Ammons and S. Stitt, 2015, walnut, 88 × 36 × 28 inches; 223.5 × 91.4 × 71.1 cm

Inverted Dancer, 2007, bass, hickory, 102 x 36 x 18 inches; 259.1 × 91.4 × 45.7 cm

Inverted Dancer, 2007, bass, hickory, 102 × 36 × 18 inches; 259.1 × 91.4 × 45.7 cm

Ovals as Boulders, 1976, sycamore, 82 × 26 × 20 inches; 208.2 × 66 × 50.8 cm

Cove for Chillida, 1994, walnut, 114 x 37 x 30 inches; 289.5 × 93.9 × 76.2 cm

Cove for Chillida, 1994, walnut, 114 × 37 × 30 inches; 289.5 × 93.9 × 76.2 cm

Thaddeus Mosley studio, Pittsburgh

News

Screening of WITH PETER BRADLEY, a documentary by Alex Rappoport

Screening of WITH PETER BRADLEY
at Fine Arts Theatre, Los Angeles
Saturday October 1, 5pm PDT

A Conversation on Peter Bradley, Ruling Light: Paintings from the 1970s
at Karma, Los Angeles
Friday September 30, 4pm PDT

Woody De Othello in Hear Me Now: The Black Potters of Old Edgefield, South Carolina
at The Metropolitan Museum of Art, New York
September 9, 2022–February 5, 2023

Tamarind Talks: Maja Ruznic
at the Albuquerque Museum
Thursday September 29, 2022 at 6 pm MDT