Thaddeus Mosley

Recent Sculpture, 2023, Karma, New York, installation view

Recent Sculpture, 2023, Karma, New York, installation view

Recent Sculpture, 2023, Karma, New York, installation view

Recent Sculpture, 2023, Karma, New York, installation view

Elegiac Stanza for Sam Gilliam, 2022, walnut and cherry, 93½ × 33 × 42 inches; 237.49 × 83.82 × 106.68 cm

Air Step - for Fayard and Harold Nicholas, 2021, walnut, 103½ × 55 × 27 inches; 243.84 × 91.44 × 91.44 cm

Southwestern Suite, 2021, walnut, 104½ × 72 × 45 inches; 265.43 × 182.88 × 114.3 cm

Circular Fable, 2021, walnut, 48½ × 17¼ × 16½ inches; 121.92 × 50.8 × 2.54 cm

Symbiosis, 2022, Berkshire Botanical Garden, Stockbridge, Massachusetts, installation view

La Suite de l’Histoire, 2022, Musée National Eugène-Delacroix, Paris, France, curated by Annabelle Ténèze, installation view

La Suite de l’Histoire, 2022, Musée National Eugène-Delacroix, Paris, France, curated by Annabelle Ténèze, installation view

La Suite de l’Histoire, 2022, Musée National Eugène-Delacroix, Paris, France, curated by Annabelle Ténèze, installation view

Courage Before Expectation, 2022, The FLAG Art Foundation, New York, installation view, photography by Steven Probert

Courage Before Expectation, 2022, The FLAG Art Foundation, New York, installation view, photography by Steven Probert

File Under Freedom, 2022, Bergen Kunsthall, Bergen, Norway, installation view, photography by Thor Brødreskift

File Under Freedom, 2022, Bergen Kunsthall, Bergen, Norway, installation view, photography by Thor Brødreskift

Illusory Progression, 2020, and Rhizogenic Rhythm, 2020, Installation view, Schwartz Common, Harvard Business School. Photo courtesy Steve Briggs.

Thaddeus Mosley: Forest, 2021, Baltimore Museum of Art, installation view

Frieze Sculpture at Rockefeller Center, 2020, installation view

Frieze Sculpture at Rockefeller Center, 2020, installation view

Region in Suspension, 1996, walnut, 88 × 72 × 48 inches; 223.5 × 182.8 × 121.9 cm

Repetitive Reference, 2015, walnut, 88 × 52 × 26 inches; 223.5 × 132.1 × 66 cm

Propelled Simulation, 2001, railroad switch, walnut, red sandstone, 101 × 74 × 18 inches; 256.5 × 187.9 × 45.7 cm

Perge Modo, 2005, walnut, 96 × 55 × 24 inches; 243.8 × 139.7 × 60.9 cm

2020, Karma, New York, installation view

2020, Karma, New York, installation view

2020, Karma, New York, installation view

Misterioso - T. Sphere Monk, 2008, locust, 78 × 28 × 24 inches; 198.1 × 71.1 × 60.9 cm

Thaddeus Mosley, First Port, 2008, walnut, 79 × 51 × 17 inches; 200.6 × 129.5 × 43.1 cm

Georgia Gate #1, 1975, pine, marble, 132 × 134 inches; 335.2 × 340.3 cm, Collection of The Carnegie Museum of Art, Pittsburgh

Cross Current 2014, walnut, cherry, 90 × 42 × 19 inches; 228.6 × 106.6 × 48.2 cm

Countee's Leaf—for Countee Cullen, 1992, carved walnut and cherry, 79 × 30 × 20 inches; 200.6 × 76.2 × 50.8 cm

The Carnegie International, 57th Edition, 2018, curated by Ingrid Schaffner, The Carnegie Museum of Art, Pittsburgh, installation view

The Carnegie International, 57th Edition, 2018, curated by Ingrid Schaffner, The Carnegie Museum of Art, Pittsburgh, installation view

Masked Extension, 2011, walnut, cherry, 48 × 52 × 26 inches; 121.9 × 132.1 × 66 cm

Invictus, 2019, walnut, 75 × 29 × 24 inches; 190.5 × 73.6 × 60.9 cm

Opposing Parallels - Blues Up and Down for G. Ammons and S. Stitt, 2015, walnut, 88 × 36 × 28 inches; 223.5 × 91.4 × 71.1 cm

Inverted Dancer, 2007, bass, hickory, 102 × 36 × 18 inches; 259.1 × 91.4 × 45.7 cm

Ovals as Boulders, 1976, sycamore, 82 × 26 × 20 inches; 208.2 × 66 × 50.8 cm

Cove for Chillida, 1994, walnut, 114 × 37 × 30 inches; 289.5 × 93.9 × 76.2 cm

Thaddeus Mosley studio, Pittsburgh

Thaddeus Mosley studio, Pittsburgh

Thaddeus Mosley studio, Pittsburgh

Thaddeus Mosley studio, Pittsburgh