Thaddeus Mosley

Recent Sculpture, 2023, Karma, Los Angeles, installation view

Thaddeus Mosley: Forest, 2023, Nasher Sculpture Center, Dallas, Texas, installation view. Photo by Conny Fridh

Recent Sculpture, 2023, Karma, New York, installation view

Elegiac Stanza for Sam Gilliam, 2022, walnut and cherry, 93½ x 33 x 42 inches; 237.49 x 83.82 x 106.68 cm

Elegiac Stanza for Sam Gilliam, 2022, walnut and cherry, 93½ × 33 × 42 inches; 237.49 × 83.82 × 106.68 cm

Air Step - for Fayard and Harold Nicholas, 2021, walnut, 103½ x 55 x 27 inches; 243.84 x 91.44 x 91.44 cm

Air Step - for Fayard and Harold Nicholas, 2021, walnut, 103½ × 55 × 27 inches; 243.84 × 91.44 × 91.44 cm

Southwestern Suite, 2021, walnut, 104½ x 72 x 45 inches; 265.43 x 182.88 x 114.3 cm

Southwestern Suite, 2021, walnut, 104½ × 72 × 45 inches; 265.43 × 182.88 × 114.3 cm

Circular Fable, 2021, walnut, 48½ x 17¼ x 16½ inches; 121.92 x 50.8 x 2.54 cm

Circular Fable, 2021, walnut, 48½ × 17¼ × 16½ inches; 121.92 × 50.8 × 2.54 cm

Thaddeus Mosley: Forest , 2022–2023, Art + Practice, Los Angeles, installation view. Courtesy Art + Practice and the California African American Museum. Photo by Joshua White.

Symbiosis, 2022, Berkshire Botanical Garden, Stockbridge, Massachusetts, installation view

La Suite de l’Histoire, 2022, Musée National Eugène-Delacroix, Paris, France, curated by Annabelle Ténèze, installation view

Courage Before Expectation, 2022, The FLAG Art Foundation, New York, installation view, photography by Steven Probert

File Under Freedom, 2022, Bergen Kunsthall, Bergen, Norway, installation view, photography by Thor Brødreskift

Illusory Progression, 2020, and Rhizogenic Rhythm, 2020, Installation view, Schwartz Common, Harvard Business School. Photo courtesy Steve Briggs.

Thaddeus Mosley: Forest, 2021, Baltimore Museum of Art, installation view

Frieze Sculpture at Rockefeller Center, 2020, installation view

Region in Suspension, 1996, walnut, 88 x 72 x 48 inches; 223.5 × 182.8 × 121.9 cm

Region in Suspension, 1996, walnut, 88 × 72 × 48 inches; 223.5 × 182.8 × 121.9 cm

Repetitive Reference, 2015, walnut, 88 x 52 x 26 inches; 223.5 × 132.1 × 66 cm

Repetitive Reference, 2015, walnut, 88 × 52 × 26 inches; 223.5 × 132.1 × 66 cm

Propelled Simulation, 2001, railroad switch, walnut, red sandstone, 101 x 74 x 18 inches; 256.5 × 187.9 × 45.7 cm

Propelled Simulation, 2001, railroad switch, walnut, red sandstone, 101 × 74 × 18 inches; 256.5 × 187.9 × 45.7 cm

Perge Modo, 2005, walnut, 96 x 55 x 24 inches; 243.8 × 139.7 × 60.9 cm

Perge Modo, 2005, walnut, 96 × 55 × 24 inches; 243.8 × 139.7 × 60.9 cm

2020, Karma, New York, installation view

Misterioso - T. Sphere Monk, 2008, locust, 78 x 28 x 24 inches; 198.1 × 71.1 × 60.9 cm

Misterioso - T. Sphere Monk, 2008, locust, 78 × 28 × 24 inches; 198.1 × 71.1 × 60.9 cm

Thaddeus Mosley, First Port, 2008, walnut, 79 x 51 x 17 inches; 200.6 × 129.5 × 43.1 cm

Thaddeus Mosley, First Port, 2008, walnut, 79 × 51 × 17 inches; 200.6 × 129.5 × 43.1 cm

Georgia Gate #1, 1975, pine, marble, 132 x 134 inches; 335.2 × 340.3 cm, Collection of The Carnegie Museum of Art, Pittsburgh

Georgia Gate #1, 1975, pine, marble, 132 × 134 inches; 335.2 × 340.3 cm, Collection of The Carnegie Museum of Art, Pittsburgh

Cross Current 2014, walnut, cherry, 90 x 42 x 19 inches; 228.6 × 106.6 × 48.2 cm

Cross Current 2014, walnut, cherry, 90 × 42 × 19 inches; 228.6 × 106.6 × 48.2 cm

Countee's Leaf—for Countee Cullen, 1992, carved walnut and cherry, 79 x 30 x 20 inches; 200.6 × 76.2 × 50.8 cm

Countee's Leaf—for Countee Cullen, 1992, carved walnut and cherry, 79 × 30 × 20 inches; 200.6 × 76.2 × 50.8 cm

The Carnegie International, 57th Edition, 2018, curated by Ingrid Schaffner, The Carnegie Museum of Art, Pittsburgh, installation view

Masked Extension, 2011, walnut, cherry, 48 x 52 x 26 inches; 121.9 × 132.1 × 66 cm

Masked Extension, 2011, walnut, cherry, 48 × 52 × 26 inches; 121.9 × 132.1 × 66 cm

Invictus, 2019, walnut, 75 x 29 x 24 inches; 190.5 × 73.6 × 60.9 cm

Invictus, 2019, walnut, 75 × 29 × 24 inches; 190.5 × 73.6 × 60.9 cm

Opposing Parallels - Blues Up and Down for G. Ammons and S. Stitt, 2015, walnut, 88 x 36 x 28 inches; 223.5 × 91.4 × 71.1 cm

Opposing Parallels - Blues Up and Down for G. Ammons and S. Stitt, 2015, walnut, 88 × 36 × 28 inches; 223.5 × 91.4 × 71.1 cm

Inverted Dancer, 2007, bass, hickory, 102 x 36 x 18 inches; 259.1 × 91.4 × 45.7 cm

Inverted Dancer, 2007, bass, hickory, 102 × 36 × 18 inches; 259.1 × 91.4 × 45.7 cm

Ovals as Boulders, 1976, sycamore, 82 × 26 × 20 inches; 208.2 × 66 × 50.8 cm

Cove for Chillida, 1994, walnut, 114 x 37 x 30 inches; 289.5 × 93.9 × 76.2 cm

Cove for Chillida, 1994, walnut, 114 × 37 × 30 inches; 289.5 × 93.9 × 76.2 cm

Thaddeus Mosley studio, Pittsburgh

News

Marley Freeman
Book Signing and Reading by Eileen Myles
Wednesday, October 4, 6–8 pm

Breathwork Workshop: Maja Ruznic, Geometry of Exile
at Karma Los Angeles
Saturday, September 23, 6:30 – 7:30 pm

A Conversation: Jane Dickson, Promised Land NY 2023

A Conversation:
Jane Dickson, Promised Land
Wednesday, September 20, 6:30 pm

A Conversation: Maja Ruznic and Simone Krug, KARMA LA 2023

A Conversation: Maja Ruznic and Simone Krug
at Karma, Los Angeles
Saturday, September 16, 4–5 pm