Louise Fishman
Untitled, 1962, oil on canvas, 51 × 41⅞ × ¾ inches; 129.5 × 106.4 × 1.9 cm
Untitled, 1962, oil on canvas, 35⅝ × 29⅞ × ⅜ inches; 90.5 × 75.9 × 1 cm
Untitled, 1962, oil on canvas, 33⅞ × 45⅝ × ⅞ inches; 86.1 × 115.9 × 2.2 cm
1960s: Darkness and Light, installation view, Karma, New York, January 14–February 26, 2022
1960s: Darkness and Light, installation view, Karma, New York, January 14–February 26, 2022
1960s: Darkness and Light, installation view, Karma, New York, January 14–February 26, 2022
View from 38, 2020, oil on primed cotton, 36 × 24 inches; 91.4 × 61 cm
Red Rover, 2020, acrylic and flashe on canvas, 30 × 30 inches; 76.2 × 76.2 cm
Too Much, Too Much, 2020, oil and flashe on linen, 66 × 57 inches; 167.64 × 144.78 cm
Allegro Ma Non Troppo, 2020, oil on linen, 30 × 30 inches; 76.2 × 76.2 cm
Fughetta, 2020, oil on linen, 34 × 30 inches; 86.4 × 76.2 cm
Skagerrak, 2020, oil on linen, 40 × 30 inches; 101.6 × 76.2 cm
Ballin' the Jack, 2019, oil on linen, 74 × 86 inches; 188 × 218.4 cm
By the Elms, 2019, oil on linen, 40 × 40 inches; 101.6 × 101.6 cm
Weather, 2019, oil on linen, 36 × 24 inches; 91.4 × 61 cm
Unbinding, 2019, oil on linen, 36 × 24 inches; 91.4 × 61 cm
Flyover, 2019, oil on linen, 90 × 70 inches; 228.6 × 177.8 cm
Mondrian's Grave, 2018, oil on linen, 110 × 70 inches; 279.4 × 177.8 cm
Choral Fantasy, 2018, oil on linen, 66 × 55 inches; 167.6 × 139.7 cm
Ballin' the Jack, installation view, Karma, New York, November 5–December 20, 2020
Ballin' the Jack, installation view, Karma, New York, November 5–December 20, 2020
Ballin' the Jack, installation view, Karma, New York, November 5–December 20, 2020
Avalon, 2014, oil on linen, 66 × 57 inches; 167.6 × 144.8 cm
The Foot Upon the Earth, 2014, oil on linen, 70 × 88 inches; 177.8 × 223.5 cm
9/11 Redux, 2013, oil on linen, 70 × 88 inches; 177.8 × 223.5 cm
Zero at the Bone, 2010, oil on linen, 70 × 60 inches; 177.8 × 152.4 cm
Pink and Blue and You, 2003, oil on linen, 80 × 70 inches; 203.2 × 177.8 cm
Rock and Roll, 2003, oil on linen, 80 × 60 inches; 203.2 × 152.4 cm
Stone Out of Sleep, 2003, oil on linen, 84 × 72 inches; 213.4 × 182.9 cm
Perilous Things, 2003, oil on canvas, 90 × 60 inches; 228.6 × 152.4 cm
The Key of Water, 2003, oil on linen, 66 × 39 inches; 167.6 × 99.1 cm
The End of a Perfect Day, 2002, oil on linen, 72 × 83 3⁄4 inches; 182.9 × 212.7 cm
Moving Shadows, 2001, oil on linen, 76 × 57 inches; 193 × 144.8 cm
A Stranger, 2000, oil on linen, 60 × 65 inches; 152.4 × 165.1 cm
Odd Mercy, 2000, oil on linen, 66 × 33 inches; 167.6 × 83.8 cm
October, 1998, oil on linen, 76 × 46 inches; 193 × 116.8 cm
September, 1998, oil on linen, 76 × 46 inches; 193 × 116.8 cm
Narrow Fellow in the Grass, 1997, oil on linen, 50 × 65 inches; 127 × 165.1 cm
Heavy is the Root of Light, 1997, oil on linen, 30 × 23 inches; 76.2 × 58.4 cm
Blonde Ambition, 1995, oil on linen, 90 × 65 inches; 228.6 × 165.1 cm
Karpas #4, 1988, oil on linen, 32 1⁄2 × 24 inches; 82.6 × 61 cm
Haggadah, 1988, oil on linen, 37 × 50 inches; 94 × 127 cm
Untitled, 1975, oil and wax on wood, diptych, 22 × 40 inches; 55.9 × 101.6 cm
Eos, 1974, oil and wax on plywood, 43 × 29 7⁄8 inches; 109.2 × 75.9 cm
Angry Women, 1973, acrylic on paper, in 30 parts, 26 × 40 inches; 66 × 101.6 cm each
Angry Louise, 1973, acrylic on paper, 26 × 40 inches; 66 × 101.6 cm
Angry Hillary, 1973, acrylic on paper, 26 × 40 inches; 66 × 101.6 cm
Angry Gertrude, 1973, acrylic on paper, 26 × 40 inches; 66 × 101.6 cm
Angry Marilyn, 1973, acrylic on paper, 26 × 40 inches; 66 × 101.6 cm
