Maja Ruznic
The Pillars, installation view, The National Museum, Oslo, Norway, 2025
Installation view, 12th SITE SANTA FE International, Once Within a Time, curated by Cecilia Alemani. Courtesy of SITE SANTA FE. Photo: Brad Trone, 2025
Installation view, 12th SITE SANTA FE International, Once Within a Time, curated by Cecilia Alemani. Courtesy of SITE SANTA FE. Photo: Brad Trone, 2025
Installation view, 12th SITE SANTA FE International, Once Within a Time, curated by Cecilia Alemani. Courtesy of SITE SANTA FE. Photo: Brad Trone, 2025
Installation view, 12th SITE SANTA FE International, Once Within a Time, curated by Cecilia Alemani. Courtesy of SITE SANTA FE. Photo: Brad Trone, 2025
Whitney Biennial 2024: Even Better Than the Real Thing, installation view, Whitney Museum of American Art, New York, 2024. Photograph by Ron Amstutz
The Past Awaiting the Future/Arrival of Drummers, 2023. Oil on linen, 99½ × 151½ in. (252.73 × 384.81 cm)
Deep Calls to Deep, 2023. Oil on canvas, 100 × 150 in. (254 × 381 cm)
The World Doesn’t End, installation view, Karma, New York, 2024
The World Doesn’t End, installation view, Karma, New York, 2024
On the Other Side, 2023. Oil on canvas, 100 × 150 in. (254 × 381 cm)
The Dark Place of Star Lines and Electricity, 2023. Oil on canvas 100 × 150 in. (254 × 381 cm)
Geometry of Exile, installation view, Karma, Los Angeles, 2023
Geometry of Exile, installation view, Karma, Los Angeles, 2023
Geometry of Exile, installation view, Karma, Los Angeles, 2023
Maja Ruznic, The Holographic Child, 2023, oil on linen, 60 × 48 inches; 152.4 × 121.92 cm
Lila, 2023, oil on linen, 100 × 76 inches; 254 × 193.04 cm
Lungs, 2022, gouache on paper, 21⅞ × 16⅛ inches; 55.58 × 40.97 cm, 29⅜ × 23½ inches; 74.63 × 59.69 cm (framed)
Heart, 2023, gouache on paper, 16⅝ × 11¾ inches; 42.24 × 29.84 cm, 24 × 19⅛ inches; 60.96 × 48.59 cm (framed)
Liver, 2023, gouache on paper, 16½ × 11¾ inches; 41.91 × 29.84 cm, 24 × 19⅛ inches; 60.96 × 48.59 cm (framed)
Invocation II, 2022, oil on linen, 90 × 70 inches; 228.6 × 177.8 cm
Family (And They Drummed Themselves Into Existence), 2022, oil on linen, 94 × 76 inches; 238.8 × 193 cm
The Child and Her Helpers, 2022, oil on linen, 70 × 50 inches; 177.80 × 127.00 cm
Mila (Sometimes A Wild God), 2022, oil on linen, 100 × 76 inches; 254 × 193.04 cm
The Unlikely Place Where Gifts Are Given, 2022, oil on linen, 100 × 76 inches; 254 × 193.04 cm
Maja (Sometimes A Wild God), 2022, oil on linen, 100 × 76 inches; 254 × 193.04 cm
Mother/The Snake Catcher, 2022, oil on linen, 76 × 100 inches; 193.04 × 254.00 cm
Shadow Tracer: Works on Paper, installation view, Aspen Art Museum, Colorado, 2023. Photo by Carter Seddon
Shadow Tracer: Works on Paper, installation view, Aspen Art Museum, Colorado, 2023. Photo by Carter Seddon
Shadow Tracer: Works on Paper, installation view, Aspen Art Museum, Colorado, 2023. Photo by Carter Seddon
Shadow Tracer: Works on Paper, installation view, Aspen Art Museum, Colorado, 2023. Photo by Carter Seddon
Consulting With Shadows, installation view, Karma, New York, 2022
Consulting With Shadows, installation view, Karma, New York, 2022
Consulting With Shadows, installation view, Karma, New York, 2022
Consulting With Shadows, installation view, Karma, New York, 2022
Consulting With Shadows, installation view, Karma, New York, 2022
Consulting With Shadows, installation view, Karma, New York, 2022
Consulting With Shadows, installation view, Karma, New York, 2022
Father (Consulting Shadows II), 2021, oil on linen, 94 × 76 inches; 238.8 × 193 cm
Father & Child (Ochre), 2021, oil on linen, 70 × 60 inches; 178 × 152 cm
Mother & Father (Purple), 2021, oil on linen, 94 × 76 inches; 238.8 × 193 cm
Mother & Child (Green), 2021, oil on linen, 12 × 9 inches; 30.5 × 22.9 cm
Son (Blue), 2021, oil on linen, 10 × 8 inches; 25.4 × 20.3 cm
Father Daughter Mother 4, 2021, gouache on paper, 8 × 6 inches; 20.3 × 15.2 cm
Hi Woman!, curated by Francesco Bonami, installation view, Museo di Palazzo Pretorio di Prato, Italy, 2021– 2022. Photo by Ivan D’Alì
Hi Woman!, curated by Francesco Bonami, installation view, Museo di Palazzo Pretorio di Prato, Italy, 2021–2022. Photo by Ivan D’Alì
Her Arrival III, 2020, oil on linen, 94 × 76 inches; 238.8 × 193 cm
In the Sliver of the Sun, installation view, The Harwood Museum of Art, Taos, New Mexico, 2021
In the Sliver of the Sun, installation view, The Harwood Museum of Art, Taos, New Mexico, 2021
The Visitor, 2020, oil on linen, 50 × 40 inches; 127 × 101.6 cm
The Painters and Their Daughter III, 2020, acrylic and oil on canvas, 70 × 60 inches ; 177.8 × 152.4 cm
Ancestors II, 2020, acrylic and oil on linen, 100 × 76 inches; 254 × 193.04 cm
The Called, 2020, acrylic and oil on canvas, 67 1⁄2 × 53 1⁄2 in; 171.5 × 136 cm
Ghost Dancers , 2021, ink on paper, 55 × 34 inches; 140 × 86 cm
Soil Cleaners 3, 2020, ink and graphite on paper, 59 × 42 inches; 149.86 × 106.68 cm
Sleep Seekers 2, 2020, ink and graphite on paper, 22½ × 38 inches; 57.2 × 96.5 cm
Sleep Seekers 5, 2020, ink and graphite on paper, 15¼ × 22½ inches; 38.7 × 57.2 cm
Yarrow Pickers, 2019, oil on canvas, 77 × 70 inches; 195.5 × 177.8 cm
Invocation, 2019, oil on canvas, 84 × 74 inches; 213.3 × 187.9 cm
Three Women, 2019, oil on canvas, 60 × 48 inches; 152.4 × 121.9 cm
Reshuffling For Tomorrow's Ghosts, 2018, oil on canvas, 84 × 72 inches; 213.3 × 182.8 cm
Obloga, 2018, oil on canvas, 62 × 49 inches; 157.4 × 124.4 cm
