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EXPO Chicago 2026
Navy Pier
600 E Grand Ave
Chicago, Illinois

Booth 108

EXPO Chicago 2026
Navy Pier
600 E Grand Ave
Chicago, Illinois

Booth 108

Gertrude Abercrombie, Home Run at White Sox Park, 1964. Oil on Masonite, 7¾ x 9⅝ in. (19.68 x 24.46 cm); 12⅛ x 14½ in. (30.81 x 36.83 cm) framed

Gertrude Abercrombie, Home Run at White Sox Park, 1964. Oil on Masonite, 7¾ × 9⅝ in. (19.68 × 24.46 cm); 12⅛ × 14½ in. (30.81 × 36.83 cm) framed

Peter Bradley, Waltz for Debby, 2021. Acrylic and oil on canvas, 43 x 88 in. (109.2 x 223.5 cm); 44 x 87⅛ in. (111.76 x 221.31 cm) framed

Peter Bradley, Waltz for Debby, 2021. Acrylic and oil on canvas, 43 × 88 in. (109.2 × 223.5 cm); 44 × 87⅛ in. (111.76 × 221.31 cm) framed

Jane Dickson, High Stryker, 2005. Oil stick on vinyl, 32⅛ x 23 in. (81.60 x 58.42 cm); 32⅞ x 24 in. (83.50 x 60.96 cm) framed

Jane Dickson, High Stryker, 2005. Oil stick on vinyl, 32⅛ × 23 in. (81.60 × 58.42 cm); 32⅞ × 24 in. (83.50 × 60.96 cm) framed

Yvonne Jacquette, Columbus Drive Bridge (Chicago), 1999–2000. Oil on canvas, 55 x 70 in. (139.70 x 177.80 cm)

Yvonne Jacquette, Columbus Drive Bridge (Chicago), 1999–2000. Oil on canvas, 55 × 70 in. (139.70 × 177.80 cm)

Maja Ruznic, The Big Yellow Empty, 2026. Oil on linen, 60 x 48 in. (152.40 x 121.92 cm)

Maja Ruznic, The Big Yellow Empty, 2026. Oil on linen, 60 × 48 in. (152.40 × 121.92 cm)

Kathleen Ryan, Bad Lemon (Adrift), 2026. Citrine, amazonite, agate, turquoise, malachite, aquamarine, pyrite, serpentine, rose quartz, quartz, celestite, jasper, amethyst, magnesite, aventurine, dolomite and fuchsite, amber, abalone, freshwater pearls, marble, glass, steel pins on coated polystyrene, and Volkswagen fender, 26 1/2 x 25 x 11 1/2 in. (67.31 x 63.50 x 22.86 cm)

Kathleen Ryan, Bad Lemon (Adrift), 2026. Citrine, amazonite, agate, turquoise, malachite, aquamarine, pyrite, serpentine, rose quartz, quartz, celestite, jasper, amethyst, magnesite, aventurine, dolomite and fuchsite, amber, abalone, freshwater pearls, marble, glass, steel pins on coated polystyrene, and Volkswagen fender, 26 1⁄2 × 25 × 11 1⁄2 in. (67.31 × 63.50 × 22.86 cm)

Tabboo!, Maxwell's Silver Snow Scene, 2026. Acrylic on canvas, 42 x 38 1/4 in. (106.68 x 97.16 cm)

Tabboo!, Maxwell's Silver Snow Scene, 2026. Acrylic on canvas, 42 × 38 1⁄4 in. (106.68 × 97.16 cm)

Jeremy Frey, Fine weave, 2007. Ash and sweetgrass, 5½ x 6¼ x 6¼ in. (13.97 x 15.88 x 15.88 cm)

Jeremy Frey, Fine weave, 2007. Ash and sweetgrass, 5½ × 6¼ × 6¼ in. (13.97 × 15.88 × 15.88 cm)

Jeremy Frey, Untitled, 2004. Black ash, 4 7/8 x 6 1/8 x 6 1/8 in. (12.40 x 15.57 x 15.57 cm)

Jeremy Frey, Untitled, 2004. Black ash, 4 7⁄8 × 6 1⁄8 × 6 1⁄8 in. (12.40 × 15.57 × 15.57 cm)

Jeremy Frey, Urchin, 2007. Ash, sweetgrass and synthetic dye, 2⅞ x 4⅛ x 4⅛ in. (7.32 x 10.49 x 10.49 cm)

Jeremy Frey, Urchin, 2007. Ash, sweetgrass and synthetic dye, 2⅞ × 4⅛ × 4⅛ in. (7.32 × 10.49 × 10.49 cm)

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Mungo Thomson’s Time Life series acquired by the Walker Art Center

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A Conversation on Milton Avery at Karma Los Angeles

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Dike Blair in conversation with Naomi Fry

Dike Blair in conversation with Naomi Fry Saturday, February 21, 3 pm