Alan Saret

True Jungle: Canopy Forest, 1968, painted wire, 108 × 216 × 48 inches; 274.3 × 548.6 × 121.9 cm, Collection of the Whitney Museum of American Art, New York, NY

Green Wave of Air,1968–1969, chicken wire, 54 × 60 × 46 inches; 137.2 × 152.4 × 116.8 cm

Queen's Mesh, 1967, enamel paint on wire mesh, Collection of the High Museum of Art, Atlanta, GA

Untitled, 1968, insulated copper wire, 108 × 216 inches; 274.3 cm × 5 m 48.6 cm, Collection of the Detroit Institute of Art, Detroit, MI

Four Piece Folding Glade, 1970, painted wire mesh, 144 × 60 × 36 inches; 366 × 152 × 91 cm, Collection of the Glenstone Museum, Potomac, Maryland, Photo: Ron Amstutz

Untitled, 1969, vinyl-coated hexagonal wire netting, 86 3⁄4 × 49 × 41 5⁄8 inches; 220.3 × 124.5 × 105.5 cm, Collection of the Museum of Modern Art, New York, NY

Autumn Cumulus, 1980, lacquered wire, 48 × 40 × 36 inches; 122 × 101.6 × 91.4 cm, Collection of the Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2004

Zinc Cloud, 1990, galvanized steel mesh, 71 × 82 × 36 inches; 180.34 × 208.28 × 91.4 cm

Open O, 1985-2005, various steel alloys, 57 × 42 × 51 inches; 144.8 × 106.7 × 129.5 cm

Blazing Be, 2008, copper, 84 × 53 × 36 inches; 213.4 × 134.6 × 91.4 cm

Pentathor, 2016, brass wire and magnet wire, 14 × 16 × 9½ inches; 35.56 × 40.6 × 24 cm

Living Waters, 1999, magnet wire, brass, stainless steel, 45 × 19 × 15 inches; 114 × 48.3 × 38 cm

Alagalaxis, 2013, brass wire and thread, 22 × 10 × 14 inches; 56 × 25 × 35.5 cm

Illusionexus, 1975, brass, 20 × 24 × 20 inches; 51 × 61 × 51 cm

Thara Ensoulment, 1989/2005, pencil on paper, 21⅞ × 18⅛ inches, 55.6 × 46.1 cm; 24½ × 20¾ inches, 62.2 × 52.7 cm (framed)

Field Joy Trace, 1989/1996/2005, pencil on paper, 16⅝ × 12½ inches, 42.2 × 31.8 cm; 19¼ × 15¼ inches, 48.9 × 38.7 cm (framed)