Alan Saret
Installation view of the gallery “Touching the Void” in the exhibition "Collection 1940s–1970s,” November 14, 2020 - Ongoing. Photographed in October 2023. The Museum of Modern Art, New York. Digital Image © 2023 The Museum of Modern Art, New York. Photo by Jonathan Dorado.
The Rest of Me, installation view, Karma, New York, May 3–June 22, 2024
The Rest of Me, installation view, Karma, New York, May 3–June 22, 2024
The Rest of Me, installation view, Karma, New York, May 3–June 22, 2024
Centered Quarter, 2024. Colored pencil and pencil on vellum, 25 3⁄4 × 25 3⁄4 in. (65.41 × 65.41 cm)(diagonal); 20 7⁄8 × 20 7⁄8 in. (53.02 × 53.02 cm) framed
Three Four Five Alive, 1997, 2024. Colored pencil on paper, 8½ × 11 in. (21.6 × 27.9 cm); 11 1⁄4 × 13 3⁄4 in. (28.57 × 34.92 cm) framed
Core Master Two, ca. 2006, 2024. Ink, colored ink, and pencil on vellum, 36 × 36 in. (91.44 × 91.44 cm); 38 7⁄8 × 38 7⁄8 in. (98.74 × 98.74 cm) framed
Sachem Scents the Center Home, 2006, 2010, 2011. Colored pencil and ink on paper, 11 × 8⅜ in. (27.94 × 21.27 cm); 13 3⁄4 × 11 1⁄4 in. (34.92 × 28.57 cm) framed
Triple Concentric Octoring Complex, 2004. Gouache on paper, 19 × 19 in. (48.3 × 48.3 cm); 21 5⁄8 × 21 5⁄8 in. (54.93 × 54.93 cm) framed
Day for Night: New American Realism, curated by Massimiliano Gioni and Flaminia Gennari Santori, installation view, Gallerie Nazionali di Arte Antica in collaboration with Aïshti Foundation, Palazzo Barberini, Rome, April 14–September 8, 2024
A Walk on the Wild Side, installation view, The Museum of Contemporary Art Jacksonville, Florida, December 2, 2023–July 7, 2024
Long Story Short, installation view, MOCA Grand Avenue, Los Angeles, January 15, 2023–May 5, 2024. Courtesy of The Museum of Contemporary Art (MOCA), photo by Jeff McLane
Allies, installation view, Karma, New York, April 21–June 4, 2022
True Jungle: Canopy Forest, 1968, painted wire, 108 × 216 × 48 inches; 274.3 × 548.6 × 121.9 cm, Collection of the Whitney Museum of American Art, New York, NY
Green Wave of Air,1968–1969, chicken wire, 54 × 60 × 46 inches; 137.2 × 152.4 × 116.8 cm
Queen's Mesh, 1967, enamel paint on wire mesh, Collection of the High Museum of Art, Atlanta, GA
Untitled, 1968, insulated copper wire, 108 × 216 inches; 274.3 cm × 5 m 48.6 cm, Collection of the Detroit Institute of Art, Detroit, MI
Four Piece Folding Glade, 1970, painted wire mesh, 144 × 60 × 36 inches; 366 × 152 × 91 cm, Collection of the Glenstone Museum, Potomac, Maryland, Photo: Ron Amstutz
Untitled, 1969, vinyl-coated hexagonal wire netting, 86 3⁄4 × 49 × 41 5⁄8 inches; 220.3 × 124.5 × 105.5 cm, Collection of the Museum of Modern Art, New York, NY
Autumn Cumulus, 1980, lacquered wire, 48 × 40 × 36 inches; 122 × 101.6 × 91.4 cm, Collection of the Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2004
Zinc Cloud, 1990, galvanized steel mesh, 71 × 82 × 36 inches; 180.34 × 208.28 × 91.4 cm
Open O, 1985-2005, various steel alloys, 57 × 42 × 51 inches; 144.8 × 106.7 × 129.5 cm
Blazing Be, 2008, copper, 84 × 53 × 36 inches; 213.4 × 134.6 × 91.4 cm
Pentathor, 2016, brass wire and magnet wire, 14 × 16 × 9½ inches; 35.56 × 40.6 × 24 cm
Living Waters, 1999, magnet wire, brass, stainless steel, 45 × 19 × 15 inches; 114 × 48.3 × 38 cm
Alagalaxis, 2013, brass wire and thread, 22 × 10 × 14 inches; 56 × 25 × 35.5 cm
Illusionexus, 1975, brass, 20 × 24 × 20 inches; 51 × 61 × 51 cm
Thara Ensoulment, 1989/2005, pencil on paper, 21⅞ × 18⅛ inches, 55.6 × 46.1 cm; 24½ × 20¾ inches, 62.2 × 52.7 cm (framed)
Field Joy Trace, 1989/1996/2005, pencil on paper, 16⅝ × 12½ inches, 42.2 × 31.8 cm; 19¼ × 15¼ inches, 48.9 × 38.7 cm (framed)
