Mathew Cerletty
End of the Line, installation view, Karma, New York, 2025
Cheaters, 2025. Oil on linen, 40 × 32 in. (101.60 × 81.28 cm)
End of the Line, installation view, Karma, New York, 2025
Egyptian Cotton, 2025. Oil on linen, 28 × 35 in. (71.12 × 88.90 cm)
Lickety Split, 2025. Oil on linen, two parts; 64 × 48 in. (162.56 × 121.92 cm) each
Empty, 2026. Colored pencil on paper, 18 × 23 inches (45.72 × 58.42 cm); 24⅜ × 29⅜ in. (61.93 × 74.63 cm) framed
Chore Boy, 2026. Colored pencil on paper, 18 × 14 in. (45.72 × 35.56 cm); 24½ × 20⅜ in. (62.23 × 51.77 cm) framed
Bended Knee, installation view, Herald St | Museum St, London, 2024. Photograph by Andy Keate
Bended Knee, installation view, Herald St | Museum St, London, 2024. Photograph by Andy Keate
Bended Knee, installation view, Herald St | Museum St, London, 2024. Photograph by Andy Keate
Bended Knee, installation view, Herald St | Museum St, London, 2024. Photograph by Andy Keate
True Believer, installation view, Karma, Los Angeles, 2022
True Believer, installation view, Karma, Los Angeles, 2022
True Believer, installation view, Karma, Los Angeles, 2022
Moving, 2022, oil on linen, 68 × 95 inches; 172.72 × 241.30 cm
Fuel 5G, 2022, oil on linen, 72 × 58 1⁄2 inches; 182.88 × 148.59 cm
Sconce, 2022, oil on linen, 58 1⁄4 × 64 inches; 147.96 × 162.56 cm
Second Marriage, 2022, oil on linen, 61 × 61 inches; 154.94 × 154.94 cm
Unplugged, 2022, oil on linen, 70 × 49 inches; 177.80 × 124.46 cm
Band-Aid, 2022, oil on linen, 56 × 53 1⁄2 inches; 142.24 × 135.89 cm
Ellsworth Kelly, 2022, oil on linen, 45 × 36 inches; 114.30 × 91.44 cm
Full Length Mirror, installation view, The Power Station, Dallas, 2021
Full Length Mirror, installation view, The Power Station, Dallas, 2021
Manilla Envelopes, 2020, oil on linen, 58 1⁄4 × 56 1⁄4 inches; 148 × 142.9 cm
Dry, 2020, oil on linen, 69 1⁄4 × 52 inches; 175.9 × 132 cm
Long Distance, 2020, oil on linen, 56 × 42 inches; 142.2 × 106.7 cm
Mathew Cerletty, Crying As Architecture, 2019, oil on linen, 52 × 40 inches Darren Bader, crying as architecture
Female, 2020, oil on linen, 47 ½ × 62 inches; 120.7 × 157.5 cm
Bashful Lilac, 2020, oil on linen, 51¼ × 51¼ inches; 130.2 × 130.2 cm
Nike, 2019, oil on linen, 46 × 69 inches; 116.8 × 175.3 cm
Shelf Life, installation view, Karma, New York, 2018
Shelf Life, installation view, Karma, New York, 2018
Workforce, 2018, oil on linen, 60 × 60 inches; 152.4 × 152.4 cm
Keeper, 2018, oil on linen, 56 × 56 inches; 142.2 × 142.2 cm
Mut(u)ate; (Un)ity, 2017, oil on linen, 43 × 43 inches; 109.2 × 109.2 cm
What's the Feels Like?, 2017, oil on linen, 68 × 62 inches; 172.7 × 157.4 cm
Alison Brie, 2016, oil on linen, 18 × 14 inches; 45.7 × 35.5 cm
Yellow Pages, 2015, oil on linen, 26 × 48 inches; 66 × 121.9 cm
Almost Done, 2015, oil on linen, 48 × 72 inches; 121.9 × 182.8 cm
Flatlands, , installation view, Whitney Museum of American Art, New York, 2016
Shelf Life, 2015, oil on linen, 50 × 60 inches; 127 × 152.4 cm
Night Puddle, 2013, oil on linen, 50 × 102 inches; 127 × 259.1 cm
Night of Our Lives, 2014, oil on linen, 66 × 66 inches; 167.6 × 167.6 cm
David Brooks, 2009, oil on linen, 19 1⁄4 × 15 1⁄4 inches; 48.8 × 38.7 cm
The North Face, 2008, oil on linen, 59 × 59 inches; 149.8 × 149.8 cm
Roses, 2008, oil on linen, 67 1⁄4 × 67 1⁄4 inches; 170.8 × 170.8 cm
Sink, 2007, graphite on paper, 12 1⁄2 × 16 3⁄4 inches; 31.7 × 42.5 cm
Yoplait, 2007, colored pencil and gouache on paper, 14 × 13 1⁄4 inches; 35.5 × 33.6 cm
