Mathew Cerletty
Sea Doo, 2020, oil on linen, 58 1⁄2 × 78 inches; 148.6 × 198.1 cm
Bashful Lilac, 2020, oil on linen, 51¼ × 51¼ inches; 130.2 × 130.2 cm
Manilla Envelopes, 2020, oil on linen, 58 1⁄4 × 56 1⁄4 inches; 148 × 142.9 cm
Nike, 2019, oil on linen, 46 × 69 inches; 116.8 × 175.3 cm
You're the One, 2019, oil on linen, 48 × 40 inches; 121.9 × 101.6 cm
Shelf Life, 2018, Karma, New York, installation view
Shelf Life, 2018, Karma, New York, installation view
Workforce, 2018, oil on linen, 60 × 60 inches; 152.4 × 152.4 cm
Keeper, 2018, oil on linen, 56 × 56 inches; 142.2 × 142.2 cm
Mut(u)ate; (Un)ity, 2017, oil on linen, 43 × 43 inches; 109.2 × 109.2 cm
What's the Feels Like?, 2017, oil on linen, 68 × 62 inches; 172.7 × 157.4 cm
Alison Brie, 2016, oil on linen, 18 × 14 inches; 45.7 × 35.5 cm
Yellow Pages, 2015, oil on linen, 26 × 48 inches; 66 × 121.9 cm
Almost Done, 2015, oil on linen, 48 × 72 inches; 121.9 × 182.8 cm
Shelf Life, 2015, oil on linen, 50 × 60 inches; 127 × 152.4 cm
Night Puddle, 2013, oil on linen, 50 × 102 inches; 127 × 259.1 cm
Flatlands, Whitney Museum of American Art, New York, 2016, installation view
Night of Our Lives, 2014, oil on linen, 66 × 66 inches; 167.6 × 167.6 cm
David Brooks, 2009, oil on linen, 19 1⁄4 × 15 1⁄4 inches; 48.8 × 38.7 cm
The North Face, 2008, oil on linen, 59 × 59 inches; 149.8 × 149.8 cm
Roses, 2008, oil on linen, 67 1⁄4 × 67 1⁄4 inches; 170.8 × 170.8 cm
Wire 154, 2007, oil on linen, 68 1⁄2 × 70 1⁄2 inches; 173.9 × 179.1 cm
1959, 2007, graphite on paper, 30 × 41 inches; 76.2 × 104.1 cm
Sink, 2007, graphite on paper, 12 1⁄2 × 16 3⁄4 inches; 31.7 × 42.5 cm
The Economist, 2007, oil on linen, 42 × 84 inches; 106.6 × 213.3 cm
Yoplait, 2007, colored pencil and gouache on paper, 14 × 13 1⁄4 inches; 35.5 × 33.6 cm
N, 2006, oil on linen, 20 × 17 inches; 50.8 × 43.2 cm
Untitled, 2006, oil on linen, 48 × 38 inches; 121.9 × 96.5 cm
Trying to Live Beside the Point, 2003, colored pencil, graphite, and pastel on paper, 35 × 55 inches; 88.9 × 139.7 cm
