Mungo Thomson
Collection in Focus: Mungo Thomson, installation view, Walker Art Center, Minneapolis, June 20–November 17, 2024. Courtesy Walker Art Center, photograph by Eric Mueller
Collection in Focus: Mungo Thomson, installation view, Walker Art Center, Minneapolis, June 20–November 17, 2024. Courtesy Walker Art Center, photograph by Eric Mueller
Collection in Focus: Mungo Thomson, installation view, Walker Art Center, Minneapolis, June 20–November 17, 2024. Courtesy Walker Art Center, photograph by Eric Mueller
Collection in Focus: Mungo Thomson, installation view, Walker Art Center, Minneapolis, June 20–November 17, 2024. Courtesy Walker Art Center, photograph by Eric Mueller
Collection in Focus: Mungo Thomson, installation view, Walker Art Center, Minneapolis, June 20–November 17, 2024. Courtesy Walker Art Center, photograph by Eric Mueller
Snowman, 2023, painted bronze, 31¾ × 18 × 22 inches; 80.64 × 45.72 × 55.88 cm
Time Life, installation view, Karma, Los Angeles, January 14–March 4, 2023
Time Life, installation view, Karma, Los Angeles, January 14–March 4, 2023
Time Life, installation view, Karma, Los Angeles, January 14–March 4, 2023
Mungo Thomson: Sculptures, installation view, Aspen Art Museum, December 9, 2022–April 2, 2023
Mungo Thomson: Sculptures, installation view, Aspen Art Museum, December 9, 2022–April 2, 2023
Building and Dreaming, installation view, BY ART MATTERS, Hangzhou, China, May 28–October 16, 2022, credit to BY ART MATTERS天目里美术馆, photo by Wu Qingshan
Building and Dreaming, installation view, BY ART MATTERS, Hangzhou, China, May 28–October 16, 2022, credit to BY ART MATTERS天目里美术馆, photo by Wu Qingshan
Time Life, installation view, Karma, New York, March 5–April 16, 2022
Time Life, installation view, Karma, New York, March 5–April 16, 2022
Time Life, installation view, Karma, New York, March 5–April 16, 2022
Time Life, installation view, Karma, New York, March 5–April 16, 2022
Time Life, installation view, Karma, New York, March 5–April 16, 2022
Time Life, installation view, Karma, New York, March 5–April 16, 2022
Time Life, installation view, Karma, New York, March 5–April 16, 2022
Geyser (Year), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 67 × 87½ × 3½ inches; 170.2 × 222.3 × 8.9 cm
Wildfire (June), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 77 × 77 × 3.5 inches; 195.6 × 195.6 × 8.9 cm
Mountain (November/December), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 62½ × 96 × 3½ inches; 158.8 × 243.8 × 8.9 cm
Wave (October), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 67½ × 87½ × 3½ inches; 171.5 × 222.3 × 8.9 cm
Nagori Yuki, installation view, Maki Gallery/Isetan, Tokyo, April 14–April 27, 2021
October 3 – October 12, 2020 (Ruth Bader Ginsburg 1933–2020), 2020, enamel on low-iron mirror, poplar and aluminum 74 × 56 × 2½ inches; 188 × 142.2 × 6.4 cm
Snowman, 2021, painted bronze, 36 × 11 3⁄8 × 11 1⁄4 inches; 91 × 29 × 29 cm
Snowman, 2021, painted bronze, 19 1⁄8 × 24 1⁄4 × 18 3⁄4 in.; 49 × 62 × 48 cm
November 3, 1986 (Viruses) 2, 2022, enamel on low-iron mirror, poplar and aluminum, 74 × 56 inches; 188 × 142.2 cm
October 13, 1967 (Sculptor Tony Smith), 2020, enamel on low-iron mirror, poplar and aluminum, 74 × 56 × 2½ inches; 188 × 142.2 × 6.4 cm
Special Edition (Prince 1958–2016), 2021, enamel on low-iron mirror, poplar and aluminum, 40 × 29½ × 1½ inches; 101.6 × 74.9 × 3.8 cm
Snowman, 2020, painted bronze, 32 × 18⅛ × 18 inches; 81.3 × 46.1 × 45.7 cm
National Parks 2019 (November), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 96 × 3 1⁄2 inches; 243.8 × 243.8 × 7.6 cm
Mungo Thomson: Background Extinction, Galerie Frank Elbaz, Dallas, 2019, installation view
Wild & Scenic California 2019 (September-December), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 112 × 3 1⁄2 inches; 243.8 × 284.4 × 7.6 cm
Stories of Almost Everyone, installation view, Hammer Museum, Los Angeles, January 28–May 6, 2018
Mungo Thomson: Time, People, Money, Crickets, installation view, Contemporary Art Gallery, Vancouver, July 10–August 30, 2015
Composition for 52 Keys, 2018, custom code, computer components, Yamaha Disklavier piano, duration variable
Composition #24, 2016, embroidery on linen, 63½ × 61½ inches; 161.3 × 156.2 cm
February 5, 1996 (Is Anybody Out There?), 2013, 2013, enamel and printed vinyl on low-iron mirror, poplar and anodized aluminum, 74 × 56 × 2 1⁄2 inches; 187.9 × 142.2 × 5.1 cm
Crickets, Performance, Runtime 17:25, composed with and conducted by Michael Webster, The High Line, New York, June 21, 2013
Negative Space (STScI-PRC2012-10a), 2012, photographic mural, 180 × 1,116 inches; 457.2 × 2834.6 cm, Walker Art Center, Minneapolis
Negative Space (STScI-PRC2007-41a) and Negative Space (STScI-PRC2003-24), 2008, photographic murals, installation view, Hammer Museum, Los Angeles
Untitled (Margo Leavin Gallery, 1970– ) 2009, super-16mm film, color, silent, runtime 5:11
Untitled (Margo Leavin Gallery, 1970– ) still, 2009, super-16mm film, color, silent, runtime 5:11
Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, , installation view, Whitney Museum of American Art, New York, March 6–June 1, 2008
Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, , installation view, Whitney Museum of American Art, New York, March 6–June 1, 2008
