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Mungo Thomson

Nagori Yuki, 2021, Maki Gallery/Isetan, Tokyo, installation view

Nagori Yuki, 2021, Maki Gallery/Isetan, Tokyo, installation view


October 3 – October 12, 2020 (Ruth Bader Ginsburg 1933–2020), 2020, enamel on low-iron mirror, poplar and aluminum
74 x 56 x 2½ inches; 188 x 142.2 x 6.4 cm

October 3 – October 12, 2020 (Ruth Bader Ginsburg 1933–2020), 2020, enamel on low-iron mirror, poplar and aluminum 74 × 56 × 2½ inches; 188 × 142.2 × 6.4 cm

SNOWMAN, 2020, painted bronze,
32 x 18⅛ x 18 inches; 81.3 x 46.1 x 45.7 cm

SNOWMAN, 2020, painted bronze, 32 × 18⅛ × 18 inches; 81.3 × 46.1 × 45.7 cm

December 27, 1968 (Johann Sebastian Bach), 2020, enamel on low-iron mirror, poplar and aluminum,
74 x 56 x 2.5 inches; 187.96 x 142.24 x 6.35 cm

December 27, 1968 (Johann Sebastian Bach), 2020, enamel on low-iron mirror, poplar and aluminum, 74 × 56 × 2.5 inches; 187.96 × 142.24 × 6.35 cm

SNOWMAN, 2020, painted bronze,
16¼ x 13¼ x 18 inches; 41.2 x 33.6 x 45.7 cm

SNOWMAN, 2020, painted bronze, 16¼ × 13¼ × 18 inches; 41.2 × 33.6 × 45.7 cm

National Parks 2019 (November), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 96 × 3 1/2 inches; 243.8 × 243.8 × 7.6 cm

National Parks 2019 (November), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 96 × 3 12 inches; 243.8 × 243.8 × 7.6 cm

Mungo Thomson: Background Extinction, Galerie Frank Elbaz, Dallas, 2019, installation view

Mungo Thomson: Background Extinction, Galerie Frank Elbaz, Dallas, 2019, installation view

Wild & Scenic California 2019 (September-December), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 112 × 3 1/2 inches; 243.8 × 284.4 × 7.6 cm

Wild & Scenic California 2019 (September-December), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 112 × 3 12 inches; 243.8 × 284.4 × 7.6 cm

Mail, 2013-2015, Gallery mail accumulates unopened during run of exhibition, Hammer Museum, Los Angeles,  installation view, Stories of Almost Everyone, 2018

Mail, 2013-2015, Gallery mail accumulates unopened during run of exhibition, Hammer Museum, Los Angeles, installation view, Stories of Almost Everyone, 2018

Mail, 2013-2015, Gallery mail accumulates unopened during run of exhibition, Contemporary Art Gallery, Vancouver, installation view, Mungo Thomson: Time, People, Money, Crickets, 2015

Mail, 2013-2015, Gallery mail accumulates unopened during run of exhibition, Contemporary Art Gallery, Vancouver, installation view, Mungo Thomson: Time, People, Money, Crickets, 2015

Composition for 52 Keys, 2018, custom code, computer components, Yamaha Disklavier piano, duration variable

Composition for 52 Keys, 2018, custom code, computer components, Yamaha Disklavier piano, duration variable

Composition #7, 2016, embroidery on linen, 29 1/4 × 27 1/4 inches; 74.2 × 69.2 cm

Composition #7, 2016, embroidery on linen, 29 14 × 27 14 inches; 74.2 × 69.2 cm

April 22, 2013 (Made in the USA), 2014, enamel on low-iron mirror, poplar and anodized aluminum, 74 × 56 × 2 1/2 inches; 187.9 × 142.2 × 5.1 cm

April 22, 2013 (Made in the USA), 2014, enamel on low-iron mirror, poplar and anodized aluminum, 74 × 56 × 2 12 inches; 187.9 × 142.2 × 5.1 cm

February 5, 1996 (Is Anybody Out There?), 2013, 2013, enamel and printed vinyl on low-iron mirror, poplar and anodized aluminum, 74 × 56 × 2 1/2 inches; 187.9 × 142.2 × 5.1 cm

February 5, 1996 (Is Anybody Out There?), 2013, 2013, enamel and printed vinyl on low-iron mirror, poplar and anodized aluminum, 74 × 56 × 2 12 inches; 187.9 × 142.2 × 5.1 cm

Crickets, 2012-2013, Performance, Runtime 17:25

Crickets, 2012-2013, Performance, Runtime 17:25

Negative Space (STScI-PRC2012-10a), 2012, photographic mural, 180 × 1,116 inches; 457.2 × 2834.6 cm, Walker Art Center, Minneapolis

Negative Space (STScI-PRC2012-10a), 2012, photographic mural, 180 × 1,116 inches; 457.2 × 2834.6 cm, Walker Art Center, Minneapolis

Negative Space (STScI-PRC2007-41a) and Negative Space (STScI-PRC2003-24), 2008, photographic murals, Hammer Museum, Los Angeles, installation view

Negative Space (STScI-PRC2007-41a) and Negative Space (STScI-PRC2003-24), 2008, photographic murals, Hammer Museum, Los Angeles, installation view

Untitled (Margo Leavin Gallery, 1970– ) 2009, super-16mm film, color, silent, runtime 5:11

Untitled (Margo Leavin Gallery, 1970– ) 2009, super-16mm film, color, silent, runtime 5:11

Untitled (Margo Leavin Gallery, 1970– ) still, 2009, super-16mm film, color, silent, runtime 5:11

Untitled (Margo Leavin Gallery, 1970– ) still, 2009, super-16mm film, color, silent, runtime 5:11

Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, Whitney Museum of American Art, New York, installation View, Whitney Biennial Exhibition

Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, Whitney Museum of American Art, New York, installation View, Whitney Biennial Exhibition

Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, Whitney Museum of American Art, New York, installation View, Whitney Biennial Exhibition

Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, Whitney Museum of American Art, New York, installation View, Whitney Biennial Exhibition

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