Mungo Thomson
Nagori Yuki, 2021, Maki Gallery/Isetan, Tokyo, installation view
October 3 – October 12, 2020 (Ruth Bader Ginsburg 1933–2020), 2020, enamel on low-iron mirror, poplar and aluminum 74 × 56 × 2½ inches; 188 × 142.2 × 6.4 cm
SNOWMAN, 2020, painted bronze, 32 × 18⅛ × 18 inches; 81.3 × 46.1 × 45.7 cm
December 27, 1968 (Johann Sebastian Bach), 2020, enamel on low-iron mirror, poplar and aluminum, 74 × 56 × 2.5 inches; 187.96 × 142.24 × 6.35 cm
SNOWMAN, 2020, painted bronze, 16¼ × 13¼ × 18 inches; 41.2 × 33.6 × 45.7 cm
National Parks 2019 (November), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 96 × 3 1⁄2 inches; 243.8 × 243.8 × 7.6 cm
Mungo Thomson: Background Extinction, Galerie Frank Elbaz, Dallas, 2019, installation view
Wild & Scenic California 2019 (September-December), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 112 × 3 1⁄2 inches; 243.8 × 284.4 × 7.6 cm
Mail, 2013-2015, Gallery mail accumulates unopened during run of exhibition, Hammer Museum, Los Angeles, installation view, Stories of Almost Everyone, 2018
Mail, 2013-2015, Gallery mail accumulates unopened during run of exhibition, Contemporary Art Gallery, Vancouver, installation view, Mungo Thomson: Time, People, Money, Crickets, 2015
Composition for 52 Keys, 2018, custom code, computer components, Yamaha Disklavier piano, duration variable
Composition #7, 2016, embroidery on linen, 29 1⁄4 × 27 1⁄4 inches; 74.2 × 69.2 cm
April 22, 2013 (Made in the USA), 2014, enamel on low-iron mirror, poplar and anodized aluminum, 74 × 56 × 2 1⁄2 inches; 187.9 × 142.2 × 5.1 cm
February 5, 1996 (Is Anybody Out There?), 2013, 2013, enamel and printed vinyl on low-iron mirror, poplar and anodized aluminum, 74 × 56 × 2 1⁄2 inches; 187.9 × 142.2 × 5.1 cm
Crickets, 2012-2013, Performance, Runtime 17:25
Negative Space (STScI-PRC2012-10a), 2012, photographic mural, 180 × 1,116 inches; 457.2 × 2834.6 cm, Walker Art Center, Minneapolis
Negative Space (STScI-PRC2007-41a) and Negative Space (STScI-PRC2003-24), 2008, photographic murals, Hammer Museum, Los Angeles, installation view
Untitled (Margo Leavin Gallery, 1970– ) 2009, super-16mm film, color, silent, runtime 5:11
Untitled (Margo Leavin Gallery, 1970– ) still, 2009, super-16mm film, color, silent, runtime 5:11
Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, Whitney Museum of American Art, New York, installation View, Whitney Biennial Exhibition
Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, Whitney Museum of American Art, New York, installation View, Whitney Biennial Exhibition
