Mungo Thomson
Building and Dreaming, BY ART MATTERS, Hangzhou, China, 2022, installation view, credit to BY ART MATTERS天目里美术馆, photo by Wu Qingshan
Building and Dreaming, BY ART MATTERS, Hangzhou, China, 2022, installation view, credit to BY ART MATTERS天目里美术馆, photo by Wu Qingshan
Mungo Thomson, Time Life, Karma, New York, 2022, installation view
Geyser (Year), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 67 × 87½ × 3½ inches; 170.2 × 222.3 × 8.9 cm
Wildfire (June), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 77 × 77 × 3.5 inches; 195.6 × 195.6 × 8.9 cm
Mountain (November/December), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 62½ × 96 × 3½ inches; 158.8 × 243.8 × 8.9 cm
Wave (October), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 67½ × 87½ × 3½ inches; 171.5 × 222.3 × 8.9 cm
Nagori Yuki, 2021, Maki Gallery/Isetan, Tokyo, installation view
October 3 – October 12, 2020 (Ruth Bader Ginsburg 1933–2020), 2020, enamel on low-iron mirror, poplar and aluminum 74 × 56 × 2½ inches; 188 × 142.2 × 6.4 cm
Snowman, 2021, painted bronze, 36 × 11 3⁄8 × 11 1⁄4 inches; 91 × 29 × 29 cm
Snowman, 2021, painted bronze, 19 1⁄8 × 24 1⁄4 × 18 3⁄4 in.; 49 × 62 × 48 cm
November 3, 1986 (Viruses) 2, 2022, enamel on low-iron mirror, poplar and aluminum, 74 × 56 inches; 188 × 142.2 cm
October 13, 1967 (Sculptor Tony Smith), 2020, enamel on low-iron mirror, poplar and aluminum, 74 × 56 × 2½ inches; 188 × 142.2 × 6.4 cm
Special Edition (Prince 1958–2016), 2021, enamel on low-iron mirror, poplar and aluminum, 40 × 29½ × 1½ inches; 101.6 × 74.9 × 3.8 cm
Snowman, 2020, painted bronze, 32 × 18⅛ × 18 inches; 81.3 × 46.1 × 45.7 cm
National Parks 2019 (November), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 96 × 3 1⁄2 inches; 243.8 × 243.8 × 7.6 cm
Mungo Thomson: Background Extinction, Galerie Frank Elbaz, Dallas, 2019, installation view
Wild & Scenic California 2019 (September-December), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 112 × 3 1⁄2 inches; 243.8 × 284.4 × 7.6 cm
Mail, 2013-2015, Gallery mail accumulates unopened during run of exhibition, Hammer Museum, Los Angeles, installation view, Stories of Almost Everyone, 2018
Mail, 2013-2015, Gallery mail accumulates unopened during run of exhibition, Contemporary Art Gallery, Vancouver, installation view, Mungo Thomson: Time, People, Money, Crickets, 2015
Composition for 52 Keys, 2018, custom code, computer components, Yamaha Disklavier piano, duration variable
Composition #24, 2016, embroidery on linen, 63½ × 61½ inches; 161.3 × 156.2 cm
February 5, 1996 (Is Anybody Out There?), 2013, 2013, enamel and printed vinyl on low-iron mirror, poplar and anodized aluminum, 74 × 56 × 2 1⁄2 inches; 187.9 × 142.2 × 5.1 cm
Crickets, 2012-2013, Performance, Runtime 17:25, composed with and conducted by Michael Webster, The High Line, New York
Negative Space (STScI-PRC2012-10a), 2012, photographic mural, 180 × 1,116 inches; 457.2 × 2834.6 cm, Walker Art Center, Minneapolis
Negative Space (STScI-PRC2007-41a) and Negative Space (STScI-PRC2003-24), 2008, photographic murals, Hammer Museum, Los Angeles, installation view
Untitled (Margo Leavin Gallery, 1970– ) 2009, super-16mm film, color, silent, runtime 5:11
Untitled (Margo Leavin Gallery, 1970– ) still, 2009, super-16mm film, color, silent, runtime 5:11
Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, Whitney Museum of American Art, New York, installation View, Whitney Biennial Exhibition
Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, Whitney Museum of American Art, New York, installation View, Whitney Biennial Exhibition
