Mungo Thomson
Mungo Thomson, Time Life, Karma, New York, 2022, installation view
Geyser (Year), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 67 × 87½ × 3½ inches; 170.2 × 222.3 × 8.9 cm
Wildfire (June), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 77 × 77 × 3.5 inches; 195.6 × 195.6 × 8.9 cm
Mountain (November/December), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 62½ × 96 × 3½ inches; 158.8 × 243.8 × 8.9 cm
Wave (October), 2022, double-sided UV-cured print on samba fabric, custom LED lightbox, 67½ × 87½ × 3½ inches; 171.5 × 222.3 × 8.9 cm
Nagori Yuki, 2021, Maki Gallery/Isetan, Tokyo, installation view
October 3 – October 12, 2020 (Ruth Bader Ginsburg 1933–2020), 2020, enamel on low-iron mirror, poplar and aluminum 74 × 56 × 2½ inches; 188 × 142.2 × 6.4 cm
Snowman, 2021, painted bronze, 36 × 11 3⁄8 × 11 1⁄4 inches; 91 × 29 × 29 cm
Snowman, 2021, painted bronze, 19 1⁄8 × 24 1⁄4 × 18 3⁄4 in.; 49 × 62 × 48 cm
November 3, 1986 (Viruses) 2, 2022, enamel on low-iron mirror, poplar and aluminum, 74 × 56 inches; 188 × 142.2 cm
October 13, 1967 (Sculptor Tony Smith), 2020, enamel on low-iron mirror, poplar and aluminum, 74 × 56 × 2½ inches; 188 × 142.2 × 6.4 cm
Special Edition (Prince 1958–2016), 2021, enamel on low-iron mirror, poplar and aluminum, 40 × 29½ × 1½ inches; 101.6 × 74.9 × 3.8 cm
Snowman, 2020, painted bronze, 32 × 18⅛ × 18 inches; 81.3 × 46.1 × 45.7 cm
National Parks 2019 (November), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 96 × 3 1⁄2 inches; 243.8 × 243.8 × 7.6 cm
Mungo Thomson: Background Extinction, Galerie Frank Elbaz, Dallas, 2019, installation view
Wild & Scenic California 2019 (September-December), 2019, double-sided UV-cured print on samba fabric, custom LED lightbox, 96 × 112 × 3 1⁄2 inches; 243.8 × 284.4 × 7.6 cm
Mail, 2013-2015, Gallery mail accumulates unopened during run of exhibition, Hammer Museum, Los Angeles, installation view, Stories of Almost Everyone, 2018
Mail, 2013-2015, Gallery mail accumulates unopened during run of exhibition, Contemporary Art Gallery, Vancouver, installation view, Mungo Thomson: Time, People, Money, Crickets, 2015
Composition for 52 Keys, 2018, custom code, computer components, Yamaha Disklavier piano, duration variable
Composition #24, 2016, embroidery on linen, 63½ × 61½ inches; 161.3 × 156.2 cm
February 5, 1996 (Is Anybody Out There?), 2013, 2013, enamel and printed vinyl on low-iron mirror, poplar and anodized aluminum, 74 × 56 × 2 1⁄2 inches; 187.9 × 142.2 × 5.1 cm
Crickets, 2012-2013, Performance, Runtime 17:25, composed with and conducted by Michael Webster, The High Line, New York
Negative Space (STScI-PRC2012-10a), 2012, photographic mural, 180 × 1,116 inches; 457.2 × 2834.6 cm, Walker Art Center, Minneapolis
Negative Space (STScI-PRC2007-41a) and Negative Space (STScI-PRC2003-24), 2008, photographic murals, Hammer Museum, Los Angeles, installation view
Untitled (Margo Leavin Gallery, 1970– ) 2009, super-16mm film, color, silent, runtime 5:11
Untitled (Margo Leavin Gallery, 1970– ) still, 2009, super-16mm film, color, silent, runtime 5:11
Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, Whitney Museum of American Art, New York, installation View, Whitney Biennial Exhibition
Coat Check Chimes, 2008, nickel-plated aluminum and steel, 1,200 pieces overall, Whitney Museum of American Art, New York, installation View, Whitney Biennial Exhibition
