Peter Halley
Peter Halley: The Mirror Stage, installation view, NSU Art Museum, Fort Lauderdale, Florida, September 8, 2024– January 12, 2025. Courtesy the NSU Art Museum Fort Lauderdale
Peter Halley: The Mirror Stage, installation view, NSU Art Museum, Fort Lauderdale, Florida, September 8, 2024– January 12, 2025. Courtesy the NSU Art Museum Fort Lauderdale
Peter Halley: The Mirror Stage, installation view, NSU Art Museum, Fort Lauderdale, Florida, September 8, 2024– January 12, 2025. Courtesy the NSU Art Museum Fort Lauderdale
Peter Halley: The Mirror Stage, installation view, NSU Art Museum, Fort Lauderdale, Florida, September 8, 2024– January 12, 2025. Courtesy the NSU Art Museum Fort Lauderdale
Intention, 2024. Acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 86 1⁄4 × 72 1⁄4 in. (219.07 × 183.51 cm)
Untitled (12.18.18.2), 2022. Acrylic and fluorescent acrylic on digitally-printed paper, 21 × 16 in. (53.34 × 40.64 cm), 25⅝ × 20⅝ in. (65.1 × 52.4 cm) framed
Hustle, 2022 Acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 82 × 51½ × 4 in. (208.28 × 130.81 × 10.16 cm)
Babylon, 2022. Acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 85¼ × 91¼ in. (216.53 × 231.78 cm)
Fall, 2022. Acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 99 × 85½ × 4 in. (251.46 × 217.17 × 10.16 cm)
Blue Cell, 2022. Acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 44½ × 42 in. (113 × 106.7 cm)
Untitled (7.20.18.1), 2021. Acrylic and fluorescent acrylic on digitally printed paper, 21 × 16 in. (53.3 × 40.6 cm), 28 × 23 in. (71.12 × 58.42 cm) framed
Mass, 2021. Acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 83¼ × 70 in. (211.46 × 177.80 cm)
Untitled (6.28.20.1), 2022. Acrylic and fluorescent acrylic on digitally-printed paper, 21 × 16 in. (53.34 × 40.64 cm), 25⅝ × 20⅝ in. (65.1 × 52.4 cm) framed
Untitled (12.22.21.1), 2022. Acrylic, fluorescent acrylic, and Flashe on digitally printed paper, 21 × 16 in. (53.34 × 40.64 cm), 25¾ × 21 in. (65.41 × 52.7 cm) framed
The Outpost, 2019, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 83 1⁄2 × 76 1⁄2 inches; 212 × 184.31 cm
Against the Clock, 2019, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 80 1⁄2 × 74 inches; 204.47 × 187.96 cm
646, 2018, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 83 × 104 inches; 210.82 × 264.16 cm
959, 2018, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 83 1⁄2 × 80 inches; 212 × 203.2 cm
Bright, 2018, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 72 × 74 inches; 182.88 × 187.96 cm
The Warning, 2018, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 99 1⁄4 × 102 1⁄2 inches; 252 × 260.35 cm
Here and Now, 2018, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 70 × 108 in., Collection: Sprengel Museum, Hannover, Germany
The Line, 2017, acrylic, fluorescent acrylic, Flashe and Roll-A-Tex on canvas, 72 1⁄2 × 77 inches; 184.15 × 195.58 cm
The Intervention, 2016, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 45 3⁄4 × 47 inches; 116.2 × 119.38 cm
Association IV, 2016, acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 77 × 77 1⁄2 inches; 195.58 × 196.85 cm
The Choice, 2016, acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 71 1⁄2 × 78 inches; 181.6 × 198.1 cm
Scandal, 2013, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 53 × 52 inches; 134.62 × 132 cm
The 5th Wave, 2016, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 72 × 75 1⁄2 inches; 182.88 × 191.77 cm
Entourage, 2015, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 96 × 84 inches; 243.84 × 213.36 cm
Mystica, 2012, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 78 × 83 inches; 198.1 × 210.82 cm
Win Win, 2011, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 72 × 80 inches; 182.88 × 203.2 cm
The Science of Cool, 2011, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 72 × 80 inches; 182.88 × 203.2 cm, Collection: Museé d’art modern, Saint Étienne Métropole, France
Thinking Speed, 2010, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 75 × 72 inches; 190.5 × 182.88 cm
Abstruse Character, 2010, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 80 × 90 inches; 203.2 × 228.6 cm
Indexed, 2007, acrylic, fluorescent acrylic, pearlescent acrylic, and Roll-a-Tex, 96 × 150 inches; 243.84 × 381 cm
Lost Signal, 2006, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 80 × 75 inches; 203.2 × 190.5 cm
Personalization, 2002, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 96 × 115 inches; 241.3 × 292.1 cm, Collection: Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Condition, 2001, acrylic, metallic acrylic, pearlescent acrylic, and Roll-a-Tex on canvas, 73 × 72 inches; 185.42 × 182.88 cm
Blowout, 2000, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic, and Roll-a-Tex on canvas, 96 × 85 in., Collection: The Essl Collection, Albertina Museum, Vienna, Austria
Human Nature, 2001, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 88 × 72 inches; 223.52 × 182.88 cm
Twisted Metal, 1998, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 92 × 69 inches; 233.68 × 175.26 cm
Anti-Trust, 2000, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 103 × 66 inches; 261.62 × 167.64 cm
Figuration, 1998, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 92 × 133 inches; 233.68 × 337.82 cm
Sixth Sense, 1999, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic, and Roll-a-Tex on canvas, 72 × 72 in., Collection: Centre Pompidou, Paris
Joy Pop, 1998, metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 75 × 74 inches; 190.5 × 187.96 cm
Cartoon Network, 1997, acrylic, fluorescent acrylic,metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 102 × 124 inches; 259 × 314.96 cm
Total Recall, 1990, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 85 × 97 inches; 215.9 × 246.38 cm
The Outer Limit, 1994, acrylic, fluorescent acrylic, metallic acrylic and Roll-a-Tex on canvas, 121 × 109 inches; 307.34 × 276.86 cm
The Fast and the Furious, 2000, acrylic, pearlescent acrylic, and Roll-a-Tex on canvas, 89 × 82 inches; 226 × 208.28 cm
Terminal, 1993, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 97 × 84 inches; 246.38 × 213.36 cm, Collection: Murderme Collection, London
Auto Zone, 1992, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 96 × 97 inches; 243.84 × 246.38 cm
The Acid Test, 1991-92, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 90 × 182 inches; 228.6 × 462.28 cm, Collection: Whitney Museum of American Art, New York
Double Elvis, 1990, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 98 × 190 inches; 248.92 × 482.6 cm
Rob and Jack, 1990, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 97.5 × 190.25 in., Collection: The Tate Modern, London
Superdream, 1991, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 93 × 95 inches; 236.22 × 241.3 cm
The Moment Passed, 1989, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 97 3⁄4 × 95 inches; 248.28 × 241.3 cm
A Monstrous Paradox, 1989, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 90 1⁄4 × 195 inches; 229.23 × 495.3 cm
Weekend, 1988, acrylic and Flashe on canvas, 62 1⁄4 × 192 inches; 158.1 × 487.68 cm
Two Cells with Conduit, 1987, acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 78 × 154 ¾ in., Collection: Solomon R. Guggenheim Museum, New York
Three Sectors, 1986, acrylic and fluorescent acrylic on canvas, 62 × 192 inches; 157.48 × 487.68 cm
Blue Cell with Triple Conduit, 1986, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 77 × 77 inches; 195.58 × 195.58 cm
Day One, 1986, acrylic and fluorescent acrylic on canvas, 60 × 64 inches; 152.4 × 162.56 cm
Conduit without Cell, 1986, acrylic, fluorescent acrylic, and Flashe on canvas, 64 × 64 inches; 162.56 × 162.56 cm
Prison with Conduit, 1986, acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 58 ¼ × 112 inches, Collection: The Museum of Contemporary Art, Los Angeles
Yellow Cell with Conduits, 1985, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 64 × 72 inches
Blue Cell with Smokestack and Conduit, 1985, acrylic, fluorescent acrylic, Flashe and Roll-a-Tex on canvas, 63 1⁄4 × 63 1⁄4 inches
Two Cells with Circulating Conduit, 1985, acrylic, fluorescent acrylic, Flashe and Roll-a-Tex on canvas, 63 × 108 inches; 160 × 274.32 cm
White Cell with Conduit, 1985, acrylic, fluorescent acrylic, Flashe and Roll-a-Tex on canvas, 64 × 64 inches; 162.56 × 162.56 cm
Ideal City, 1984, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 63 × 72 inches; 160 × 182.8 cm
Two Cells with Conduit and Underground Chamber, 1983, acrylic, fluorescent acrylic and Roll-a-Tex on unprimed canvas, 70 × 80 inches; 177.8 × 203.2 cm
White Cell with Conduit, 1982, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 62 × 48 inches; 157.5 × 121.9 cm
Red Cell with Conduit, 1982, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 64 × 42 inches, Collection: Museum of Modern Art, New York
Glowing and Burnt-Out Cells with Conduit, 1982, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 64 × 96 inches; 162.56 × 243.8 cm
Prison with Conduit, 1981, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 54 × 36 inches, Collection: Addison Gallery of American Art, Andover, MA
Day-Glo Prison, 1982, fluorescent acrylic and Roll-a-Tex on canvas, 63 × 78 inches; 160 × 198.1 cm
Casa Cézanne, 1981, acrylic on unprimed canvas, 42 × 42 inches; 106.7 × 106.7 cm
The Grave, 1980, acrylic on canvas, 49 1⁄2 × 60 1⁄2 inches; 125.73 × 152.4 cm
