Peter Halley
The Grave, 1980, acrylic on canvas, 49 1⁄2 × 60 1⁄2 inches; 125.73 × 152.4 cm
Casa Cézanne, 1981, acrylic on unprimed canvas, 42 × 42 inches; 106.7 × 106.7 cm
Day-Glo Prison, 1982, fluorescent acrylic and Roll-a-Tex on canvas, 63 × 78 inches; 160 × 198.1 cm
Prison with Conduit, 1981, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 54 × 36 inches, Collection: Addison Gallery of American Art, Andover, MA
Red Cell with Conduit, 1982, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 64 × 42 inches, Collection: Museum of Modern Art, New York
White Cell with Conduit, 1982, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 62 × 48 inches; 157.5 × 121.9 cm
Glowing and Burnt-Out Cells with Conduit, 1982, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 64 × 96 inches; 162.56 × 243.8 cm
Blue Cell with Smokestack and Conduit, 1985, acrylic, fluorescent acrylic, Flashe and Roll-a-Tex on canvas, 63 1⁄4 × 63 1⁄4 inches
Two Cells with Conduit and Underground Chamber, 1983, acrylic, fluorescent acrylic and Roll-a-Tex on unprimed canvas, 70 × 80 inches; 177.8 × 203.2 cm
Ideal City, 1984, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 63 × 72 inches; 160 × 182.8 cm
White Cell with Conduit, 1985, acrylic, fluorescent acrylic, Flashe and Roll-a-Tex on canvas, 64 × 64 inches; 162.56 × 162.56 cm
Two Cells with Circulating Conduit, 1985, acrylic, fluorescent acrylic, Flashe and Roll-a-Tex on canvas, 63 × 108 inches; 160 × 274.32 cm
Yellow Cell with Conduits, 1985, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 64 × 72 inches
Prison with Conduit, 1986, acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 58 ¼ × 112 inches, Collection: The Museum of Contemporary Art, Los Angeles
Conduit without Cell, 1986, acrylic, fluorescent acrylic, and Flashe on canvas, 64 × 64 inches; 162.56 × 162.56 cm
Day One, 1986, acrylic and fluorescent acrylic on canvas, 60 × 64 inches; 152.4 × 162.56 cm
Blue Cell with Triple Conduit, 1986, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 77 × 77 inches; 195.58 × 195.58 cm
Three Sectors, 1986, acrylic and fluorescent acrylic on canvas, 62 × 192 inches; 157.48 × 487.68 cm
Two Cells with Conduit, 1987, acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 78 × 154 ¾ in., Collection: Solomon R. Guggenheim Museum, New York
Weekend, 1988, acrylic and Flashe on canvas, 62 1⁄4 × 192 inches; 158.1 × 487.68 cm
A Monstrous Paradox, 1989, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 90 1⁄4 × 195 inches; 229.23 × 495.3 cm
The Moment Passed, 1989, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 97 3⁄4 × 95 inches; 248.28 × 241.3 cm
Superdream, 1991, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 93 × 95 inches; 236.22 × 241.3 cm
Rob and Jack, 1990, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 97.5 × 190.25 in., Collection: The Tate Modern, London
Double Elvis, 1990, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 98 × 190 inches; 248.92 × 482.6 cm
The Acid Test, 1991-92, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 90 × 182 inches; 228.6 × 462.28 cm, Collection: Whitney Museum of American Art, New York
Auto Zone, 1992, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 96 × 97 inches; 243.84 × 246.38 cm
Terminal, 1993, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 97 × 84 inches; 246.38 × 213.36 cm, Collection: Murderme Collection, London
The Fast and the Furious, 2000, acrylic, pearlescent acrylic, and Roll-a-Tex on canvas, 89 × 82 inches; 226 × 208.28 cm
The Outer Limit, 1994, acrylic, fluorescent acrylic, metallic acrylic and Roll-a-Tex on canvas, 121 × 109 inches; 307.34 × 276.86 cm
Total Recall, 1990, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 85 × 97 inches; 215.9 × 246.38 cm
Cartoon Network, 1997, acrylic, fluorescent acrylic,metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 102 × 124 inches; 259 × 314.96 cm
Joy Pop, 1998, metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 75 × 74 inches; 190.5 × 187.96 cm
Sixth Sense, 1999, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic, and Roll-a-Tex on canvas, 72 × 72 in., Collection: Centre Pompidou, Paris
Figuration, 1998, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 92 × 133 inches; 233.68 × 337.82 cm
Anti-Trust, 2000, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 103 × 66 inches; 261.62 × 167.64 cm
Twisted Metal, 1998, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 92 × 69 inches; 233.68 × 175.26 cm
Human Nature, 2001, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic and Roll-a-Tex on canvas, 88 × 72 inches; 223.52 × 182.88 cm
Blowout, 2000, acrylic, fluorescent acrylic, metallic acrylic, pearlescent acrylic, and Roll-a-Tex on canvas, 96 × 85 in., Collection: The Essl Collection, Albertina Museum, Vienna, Austria
Condition, 2001, acrylic, metallic acrylic, pearlescent acrylic, and Roll-a-Tex on canvas, 73 × 72 inches; 185.42 × 182.88 cm
Personalization, 2002, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 96 × 115 inches; 241.3 × 292.1 cm, Collection: Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Lost Signal, 2006, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 80 × 75 inches; 203.2 × 190.5 cm
Indexed, 2007, acrylic, fluorescent acrylic, pearlescent acrylic, and Roll-a-Tex, 96 × 150 inches; 243.84 × 381 cm
Abstruse Character, 2010, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 80 × 90 inches; 203.2 × 228.6 cm
Thinking Speed, 2010, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 75 × 72 inches; 190.5 × 182.88 cm
The Science of Cool, 2011, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 72 × 80 inches; 182.88 × 203.2 cm, Collection: Museé d’art modern, Saint Étienne Métropole, France
Win Win, 2011, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 72 × 80 inches; 182.88 × 203.2 cm
Mystica, 2012, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 78 × 83 inches; 198.1 × 210.82 cm
Entourage, 2015, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 96 × 84 inches; 243.84 × 213.36 cm
The 5th Wave, 2016, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 72 × 75 1⁄2 inches; 182.88 × 191.77 cm
Scandal, 2013, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 53 × 52 inches; 134.62 × 132 cm
The Choice, 2016, acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 71 1⁄2 × 78 inches; 181.6 × 198.1 cm
Association IV, 2016, acrylic, fluorescent acrylic, Flashe, and Roll-a-Tex on canvas, 77 × 77 1⁄2 inches; 195.58 × 196.85 cm
The Intervention, 2016, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 45 3⁄4 × 47 inches; 116.2 × 119.38 cm
The Line, 2017, acrylic, fluorescent acrylic, Flashe and Roll-A-Tex on canvas, 72 1⁄2 × 77 inches; 184.15 × 195.58 cm
Here and Now, 2018, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 70 × 108 in., Collection: Sprengel Museum, Hannover, Germany
The Warning, 2018, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 99 1⁄4 × 102 1⁄2 inches; 252 × 260.35 cm
Bright, 2018, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 72 × 74 inches; 182.88 × 187.96 cm
959, 2018, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 83 1⁄2 × 80 inches; 212 × 203.2 cm
646, 2018, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 83 × 104 inches; 210.82 × 264.16 cm
Against the Clock, 2019, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 80 1⁄2 × 74 inches; 204.47 × 187.96 cm
The Outpost, 2019, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 83 1⁄2 × 76 1⁄2 inches; 212 × 184.31 cm
