Woody De Othello
Outdoor Sculpture Exhibition, installation view, Anderson Ranch Arts Center, Snowmass Village, Colorado. Courtesy of Anderson Ranch Arts Center
Outdoor Sculpture Exhibition, installation view, Anderson Ranch Arts Center, Snowmass Village, Colorado. Courtesy of Anderson Ranch Arts Center
Poke in the Eye: Art of the West Coast Counterculture, installation view, Seattle Art Museum, June 21–September 2, 2024, Photograph by Scott Leen
Hear Me Now: The Black Potters of Old Edgefield, South Carolina, installation view, High Museum of Art, Atlanta, February 16–May 12, 2024
Faith Like a Rock, installation view, Stephen Friedman Gallery, London, March–13 April, 2024. Photo by Mark Blower
Faith Like a Rock, installation view, Stephen Friedman Gallery, London, March–13 April, 2024. Photo by Mark Blower
Faith Like a Rock, installation view, Stephen Friedman Gallery, London, March–13 April, 2024. Photo by Mark Blower
Vague Promises, 2023. Glazed ceramic and enamel paint, 19¼ × 12 × 8 in. (48.9 × 30.48 × 20.32 cm)
Wisdom From Below, 2023. Ceramic, glaze, and enamel paint, 40 3⁄4 × 14 1⁄4 × 14 3⁄4 in. (103.5 × 36.2 × 37.47 cm)
Prayer Messenger, 2023. Glazed ceramic, 41 × 31 × 31 in. (104.14 × 78.74 × 78.74 cm) (overall)
thought in mind, 2023. Bronze, 82¾ × 32½ × 50½ in. (210.19 × 82.55 × 128.27 cm)
underneath the surface changes occur that we cannot bear witness to, 2023. Ceramic and glaze, 51 × 15 × 15 in. (78.74 × 38.10 × 38.10 cm)
WARES!, installation view, Santa Barbara Museum of Art, Santa Barbara, California, June 18–September 17, 2023. Courtesy of the Santa Barbara Museum of Art, photo by Ian Byers-Gamber
passing through, 2023. Ceramic and glaze, 46 × 19 × 18 in. (116.84 × 48.26 × 45.72 cm)
Blues corner, 2023. Oil on canvas, 48⅛ × 36⅛ in. (122.25 × 91.77 cm)
Dwelling, installation view, Canal Projects, New York, June 16–July 29, 2023. Image courtesy of Canal Projects and Izzy Leung
Dwelling, installation view, Canal Projects, New York, June 16–July 29, 2023. Image courtesy of Canal Projects and Izzy Leung
Hear Me Now: The Black Black Potters of Old Edgefield, South Carolina, installation view, Museum of Fine Art, Boston, March 4–July 9, 2023. Photograph © Museum of Fine Arts, Boston
Strange Clay: Ceramics in Contemporary, installation view, Hayward Gallery, London. October 26, 2022–January 8, 2023. Photo by Mark Blower
Strange Clay: Ceramics in Contemporary, installation view, Hayward Gallery, London. October 26, 2022–January 8, 2023. Photo by Mark Blower
Maybe tomorrow, installation view, Karma, New York, September 24–November 5, 2022
Maybe tomorrow, installation view, Karma, New York, September 24–November 5, 2022
Tools, 2022, bronze, ceramic, and glaze, 48 × 32½ × 61 inches; 121.92 × 82.55 × 154.94 cm
Every last drop, 2022, ceramic and glaze, 47 × 21 × 21 inches; 119.38 × 53.34 × 53.34 cm
Whitney Biennial: Quiet as It’s Kept, installation view, Whitney Museum of American Art, New York, April 6–October 16, 2022. Photo by Raul Valverde
Whitney Biennial: Quiet as It’s Kept, installation view, Whitney Museum of American Art, New York, April 6–October 16, 2022. Photo by Raul Valverde
Some Time Moves Fast, Some Time Moves Slow, installation view, Miami Worldcenter, Miami, Florida, 2021–22
Missed calls, unread messages, 2022, ceramic and glaze, 41 × 22 × 15 inches; 104.1 × 55.9 × 38.1 cm
Fountain, installation view, painted bronze, 93 × 92 × 32 inches; 236.22 × 233.62 × 81.28 cm, 2019
Growing Out Of, 2021, oil on canvas, 50 × 40 inches; 127 × 101.6 cm
Still on Hold, 2021, ceramic and glaze, 61 × 29 × 29 inches; 154.9 × 73.7 × 73.7 cm
Sleep Patterns, 2020, oil on canvas, 16 × 20 inches; 41 × 51 cm
Phone Jug, 2020, ceramic and glaze, 43 × 16 × 16 inches; 109 × 41 × 41 cm
Speak Up, 2020, ceramics, underglaze and glaze, 44 × 16 × 16 inches; 111.76 × 40.64 × 40.64 cm
Outward and Bound, 2020, ceramic, underglaze, and glaze, 13 × 12 × 10 inches; 33 × 30.5 × 25.4 cm
Brushing the Kinks Out, 2020, acrylic, gouache, watercolor and crayon on paper, 20 × 14 inches, 50.8 × 35.6 cm; 22¾ × 16⅞ inches, 57.8 × 42.9 cm (framed)
Cool Composition, 2019, painted bronze, 93 × 92 × 32 inches; 236.22 × 233.62 × 81.28 cm, installation view
Cool Composition, installation view, 2019 Art Basel Miami Beach, Meridians, December 5–8, 2019
Cool Composition, installation view, 2019 Art Basel Miami Beach, Meridians, December 5–8, 2019
Cool Composition, installation view, 2019 Art Basel Miami Beach, Meridians, December 5–8, 2019
Cool Composition, installation view, 2019 Art Basel Miami Beach, Meridians, December 5–8, 2019
DoubleTime, 2019, ceramic, glaze, overall: 37 1⁄2 × 22 × 17 inches
To Live in Hope, installation view, Karma, New York, June 27–August 2, 2019
Sun Don’t Shine Here, 2018, ceramic, glaze, carved wood, overall: 45 × 29 × 29 inches
Breathing Room, installation view, San Jose Museum of Art, November 1, 2019–April 5, 2020
Breathing Room, installation view, San Jose Museum of Art, November 1, 2019–April 5, 2020
Breathing Room, installation view, San Jose Museum of Art, November 1, 2019–April 5, 2020
At Night I Can’t Sleep, 2018, ceramic, glaze, carved wood, glass, 50 × 28 × 16 inches; 127 × 71.1 × 40.6 cm
Front International: Cleveland Triennial for Contemporary Art, installation view, Akron Art Museum, July 14–September 30, 2018, curated by Michelle Grabner
Woody De Othello, Searching, 2018, ceramic, glaze, 11 × 9 × 6 inches; 27.9 × 22.8 × 15.2 cm
Woody De Othello, Listening, 2018, ceramic, glaze, 8 × 7 × 8 inches; 20.3 × 17.7 × 20.3 cm
Woody De Othello, Telling Time, 2018, ceramic, glaze, 8 × 8 × 7 inches; 20.3 × 20.3 × 17.7 cm
Woody De Othello Finding a Way, 2018, ceramic, glaze, paint and carved wood, overall: 54 × 19 × 19 inches; 137.1 × 48.2 × 48.2 cm
Kinder Gentler Nation, installation view, Karma, New York, January 7–February 11, 2018
Kinder Gentler Nation, installation view, Karma, New York, January 7–February 11, 2018
Collar and Receiver (alternate view), 2017, ceramic and glaze, 32 × 19 × 19 inches; 81.2 × 48.2 × 48.2 cm
Hanging Light, 2017, ceramic and glaze, 22 × 9 × 12 inches; 55.8 × 22.8 × 30.4 cm
Vamp, 2017, ceramic, underglaze, glaze, lightbulbs, socket, 50 × 17 × 14 inches; 127 × 43.1 × 35.5 cm
Vent, 2017, ceramic, underglaze, glaze, 30 × 16 1⁄2 × 13 1⁄2 inches; 76.2 × 40.6 × 33 cm
Wig Holder, 2017, ceramic, underglaze, glaze, 50 × 17 × 11 inches; 127 × 43.1 × 27.9 cm
Wig Holder (detail), 2017, ceramic, underglaze, glaze, 50 × 17 × 11 inches; 127 × 43.1 × 27.9 cm
No Nose Knows, 2017, ceramic, underglaze, glaze, 56 × 17 × 17 inches; 142.2 × 43.1 × 43.1 cm
I Can See You But I Don't Hear You, 2016, ceramic, underglaze, glaze, 42 × 32 × 20 inches; 106.6 × 81.2 × 50.8 cm
I Can See You But I Don't Hear You (detail), 2016, ceramic, underglaze, glaze, 42 × 32 × 20 inches; 106.6 × 81.2 × 50.8 cm
Faceless Jug, 2016, ceramic, underglaze, glaze and paint, 48 × 31 × 16 inches; 121.9 × 78.7 × 40.6 cm
Time, installation view, Collection of the City and County of San Francisco, 2019. Courtesy of San Francisco Arts Commission, photo by Ethan Kaplan Photography
Turn, installation view, Collection of the City and County of San Francisco, 2019. Courtesy of San Francisco Arts Commission, photo by Ethan Kaplan Photography
Light, installation view, Collection of the City and County of San Francisco, 2019. Courtesy of San Francisco Arts Commission, photo by Ethan Kaplan Photography
