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Get Lifted!
organized by Hilton Als
August 19-October 2, 2021

Karma
22 East 2nd Street
New York, NY, 10003

Diane Arbus, Anthony Barboza, Peter Bradley, Jared Buckheister, Alice Coltrane, Somaya Critchlow, Brett Goodroad, Louise Fishman, Marley Freeman, Lee Friedlander, Reggie Burrows Hodges, Andrew Lamar Hopkins, Peter Hujar, Siobhan Liddell, Glenn Ligon, Jesse Murry, Ana Mendieta, Alice Neel, Senga Nengundi, Dan Nicoletta, Edward Owens, Paul Pfeiffer, Ntozake Shange, Gertrude Stein & Virgil Thomson, Tabboo!, Paul Thek, James Van Der Zee, Stacy Lynn Waddell, Kelley Walker, Frank Walter, and Jack Whitten

Get Lifted!
organized by Hilton Als
August 19-October 2, 2021

Karma
22 East 2nd Street
New York, NY, 10003

Diane Arbus, Anthony Barboza, Peter Bradley, Jared Buckheister, Alice Coltrane, Somaya Critchlow, Brett Goodroad, Louise Fishman, Marley Freeman, Lee Friedlander, Reggie Burrows Hodges, Andrew Lamar Hopkins, Peter Hujar, Siobhan Liddell, Glenn Ligon, Jesse Murry, Ana Mendieta, Alice Neel, Senga Nengundi, Dan Nicoletta, Edward Owens, Paul Pfeiffer, Ntozake Shange, Gertrude Stein & Virgil Thomson, Tabboo!, Paul Thek, James Van Der Zee, Stacy Lynn Waddell, Kelley Walker, Frank Walter, and Jack Whitten

Peter Hujar, Sheryl Sutton, 1977, gelatin-silver print, 20 x 16 inches, 51 x 41 cm; 22¾ x 22¾ inches, 57.8 x 57.8 cm (framed)

Peter Hujar, Sheryl Sutton, 1977, gelatin-silver print, 20 × 16 inches, 51 × 41 cm; 22¾ × 22¾ inches, 57.8 × 57.8 cm (framed)

Peter Hujar, Sheryl Sutton (II), 1977, gelatin silver print, 14 ¾ × 14 ¾ inches, 37.5 × 37.5 cm; 22 ¾ × 22 ¾ inches, 57.8 × 57.8 cm (framed) © The Estate of Peter Hujar, courtesy Fraenkel Gallery, San Francisco

Peter Hujar, Sheryl Sutton (II), 1977, gelatin silver print, 14 ¾ × 14 ¾ inches, 37.5 × 37.5 cm; 22 ¾ × 22 ¾ inches, 57.8 × 57.8 cm (framed) © The Estate of Peter Hujar, courtesy Fraenkel Gallery, San Francisco

Frank Walter, Untitled, ND, oil on back of a photograph, 8 x 10¼ inches, 20.2 x 26 cm; 10½ x 12½ inches, 26.7 x 31.8 cm (framed)

Frank Walter, Untitled, ND, oil on back of a photograph, 8 × 10¼ inches, 20.2 × 26 cm; 10½ × 12½ inches, 26.7 × 31.8 cm (framed)

Stacy Lynn Waddell, Components and a View of Catskill Creek (for T. M. & T. C.), 2020, burned handmade paper with blue pencil and composition and variegated gold leaf, 16 x 16 inches, 41 x 41 cm; 21 x 21 inches, 53.3 x 53.3 cm (framed)

Stacy Lynn Waddell, Components and a View of Catskill Creek (for T. M. & T. C.), 2020, burned handmade paper with blue pencil and composition and variegated gold leaf, 16 × 16 inches, 41 × 41 cm; 21 × 21 inches, 53.3 × 53.3 cm (framed)

Brett Goodroad, Untitled, After u, 2019, monotype, 8¼ x 9¼ inches, 21 x 23.5 cm; 10¼ x 10⅞ inches, 26 x 27.6 cm (framed)

Brett Goodroad, Untitled, After u, 2019, monotype, 8¼ × 9¼ inches, 21 × 23.5 cm; 10¼ × 10⅞ inches, 26 × 27.6 cm (framed)

Brett Goodroad, Untitled, After U 2019, monotype, 8¼ x 9¼ inches, 21 x 23.5 cm; 10¼ x 10⅞ inches, 26 x 27.6 cm (framed)

Brett Goodroad, Untitled, After U 2019, monotype, 8¼ × 9¼ inches, 21 × 23.5 cm; 10¼ × 10⅞ inches, 26 × 27.6 cm (framed)

Stacy Lynn Waddell, Oval Continuity in a Romantic Landscape (for T. M. & T. C.), 2021, burned handmade paper with blue pencil and composition and variegated gold leaf, 16 x 16 inches, 40.6 x 40.6 cm; 21 x 21 inches, 53.3 x 53.3 cm (framed)

Stacy Lynn Waddell, Oval Continuity in a Romantic Landscape (for T. M. & T. C.), 2021, burned handmade paper with blue pencil and composition and variegated gold leaf, 16 × 16 inches, 40.6 × 40.6 cm; 21 × 21 inches, 53.3 × 53.3 cm (framed)

Paul Thek, Untitled (FIREFLY), 1977, ink on paper, 9¾ x 7⅝ inches, 24.8 x 19.4 cm; 11⅜ x 9¼ inches, 28.9 x 23.5 cm (framed)

Paul Thek, Untitled (FIREFLY), 1977, ink on paper, 9¾ × 7⅝ inches, 24.8 × 19.4 cm; 11⅜ × 9¼ inches, 28.9 × 23.5 cm (framed)

Stacy Lynn Waddell, Closed Chimes rising from a Lake with Dead Trees in the Catskills (for T. M. & T. C.), 2021, burned handmade paper with blue pencil and composition and variegated gold leaf, 16 x 16 inches, 40.6 x 40.6 cm; 21 x 21 inches, 53.3 x 53.3 cm (framed)

Stacy Lynn Waddell, Closed Chimes rising from a Lake with Dead Trees in the Catskills (for T. M. & T. C.), 2021, burned handmade paper with blue pencil and composition and variegated gold leaf, 16 × 16 inches, 40.6 × 40.6 cm; 21 × 21 inches, 53.3 × 53.3 cm (framed)

Andrew LaMar Hopkins, The Black Dutchess, 2021, acrylic on canvas board, 14 x 11 inches; 35.6 x 27.9 cm

Andrew LaMar Hopkins, The Black Dutchess, 2021, acrylic on canvas board, 14 × 11 inches; 35.6 × 27.9 cm

Jesse Murry, Untitled, 1989, watercolor on paper, 22 1⁄2 × 30 inches, 57.2 × 76.2 cm; 30 1/4 × 38 1/8 inches, 76.8 × 96.9 cm (framed)

Jesse Murry, Untitled, 1989, watercolor on paper, 22 1⁄2 × 30 inches, 57.2 × 76.2 cm; 30 1⁄4 × 38 1⁄8 inches, 76.8 × 96.9 cm (framed)

Brett Goodroad, Untitled (Kiss), 2019, oil on silk over linen, 14 ¼ x 10 inches; 36.2 x 25.4 cm

Brett Goodroad, Untitled (Kiss), 2019, oil on silk over linen, 14 ¼ × 10 inches; 36.2 × 25.4 cm

Marley Freeman, Patience nurtures magnanimity, 2020, watercolor on watercolor paper, 10¼ x 7 inches, 26 x 17.8 cm; 15¾ x 12 5/8 inches, 40 x 32.1 cm (framed)

Marley Freeman, Patience nurtures magnanimity, 2020, watercolor on watercolor paper, 10¼ × 7 inches, 26 × 17.8 cm; 15¾ × 12 5⁄8 inches, 40 × 32.1 cm (framed)

Jared Buckheister, Untitled (cowboy weeping), 2017, ink on paper, 9 7⁄8 × 7 7⁄8 inches, 25 × 20 cm; 28 ¾ × 23 ¾ inches, 73 × 60.3 cm (framed)

Jared Buckheister, Untitled (cowboy weeping), 2017, ink on paper, 9 7⁄8 × 7 7⁄8 inches, 25 × 20 cm; 28 ¾ × 23 ¾ inches, 73 × 60.3 cm (framed)

Frank Walter, Untitled, ND, oil on cardstock, 13⅞ x 8⅜ inches, 35.2 x 21.3 cm; 16⅜ x 10⅞ inches, 41.6 x 27.6 cm (framed)

Frank Walter, Untitled, ND, oil on cardstock, 13⅞ × 8⅜ inches, 35.2 × 21.3 cm; 16⅜ × 10⅞ inches, 41.6 × 27.6 cm (framed)

Jack Whitten, Space Garden (Flower #1), 2006, powdered mylar, acrylic, powdered pigment on rice paper, 17 ¼ × 16 ½ inches, 43.8 × 41.9 cm; 20 × 19 inches, 51.8 × 50.5 cm (framed)

Jack Whitten, Space Garden (Flower #1), 2006, powdered mylar, acrylic, powdered pigment on rice paper, 17 ¼ × 16 ½ inches, 43.8 × 41.9 cm; 20 × 19 inches, 51.8 × 50.5 cm (framed)

Paul Thek, Untitled (swan and teapot), 1975, ink on paper, 3¼ x 5¾ inches, 8.3 x 14.6 cm; 9 x 11¾ inches, 22.9 x 29.8 cm (framed)

Paul Thek, Untitled (swan and teapot), 1975, ink on paper, 3¼ × 5¾ inches, 8.3 × 14.6 cm; 9 × 11¾ inches, 22.9 × 29.8 cm (framed)

Virgil Thomson, Gertrude Stein, Four Saints in Three Acts, 1934, film

Virgil Thomson, Gertrude Stein, Four Saints in Three Acts, 1934, film

Peter Hujar, Harvey Perr and Evan Lurie, 1984, gelatin silver print, 16 × 20 inches, 40.6 × 50.8 cm; 21 7⁄8 × 21 inches, 55.6 × 53.3 cm (framed)

Peter Hujar, Harvey Perr and Evan Lurie, 1984, gelatin silver print, 16 × 20 inches, 40.6 × 50.8 cm; 21 7⁄8 × 21 inches, 55.6 × 53.3 cm (framed)

Alice Neel, Steven Dunn, ND, oil on canvas, 24 x 20 inches, 61 x 50.8 cm; 27 x 22¾ inches; 68.6 x 57.8 cm (framed)

Alice Neel, Steven Dunn, ND, oil on canvas, 24 × 20 inches, 61 × 50.8 cm; 27 × 22¾ inches; 68.6 × 57.8 cm (framed)

Tabboo!, Whispers Flyer, 1989, offset on cardstock, 5½ x 8½ inches; 14 x 21.6 cm

Tabboo!, Whispers Flyer, 1989, offset on cardstock, 5½ × 8½ inches; 14 × 21.6 cm

Tabboo!, Wild and Wonderful Flyer Drawing, 1982, acrylic, pen, and tape on paper, 11 x 8½ inches; 27.9 x 21.6 cm

Tabboo!, Wild and Wonderful Flyer Drawing, 1982, acrylic, pen, and tape on paper, 11 × 8½ inches; 27.9 × 21.6 cm

Tabboo!, Stardust Flyer, 1982, black and white photocopy, 11 x 8½ inches; 27.9 x 21.6 cm

Tabboo!, Stardust Flyer, 1982, black and white photocopy, 11 × 8½ inches; 27.9 × 21.6 cm

Tabboo!, Pyramid Club Flyer, 1987, black and white photocopy, 8½ x 11 inches; 21.6 x 27.9 cm

Tabboo!, Pyramid Club Flyer, 1987, black and white photocopy, 8½ × 11 inches; 21.6 × 27.9 cm

Tabboo!, Wild and Wonderful Flyer, 1982, black and white photocopy, 11 x 8½ inches; 27.9 x 21.6 cm

Tabboo!, Wild and Wonderful Flyer, 1982, black and white photocopy, 11 × 8½ inches; 27.9 × 21.6 cm

Tabboo!, Wild and Wonderful Flyer Drawing, c. 1982, acrylic on paper, 12 x 7 inches; 30.5 x 17.8 cm

Tabboo!, Wild and Wonderful Flyer Drawing, c. 1982, acrylic on paper, 12 × 7 inches; 30.5 × 17.8 cm

Glenn Ligon, Warm Broad Glow, 2005, neon and paint, 4 x 48 inches; 10.2 x 121.9 cm

Glenn Ligon, Warm Broad Glow, 2005, neon and paint, 4 × 48 inches; 10.2 × 121.9 cm

Somaya Critchlow, Little Jungle, 2021, oil on canvas, 8¼ x 5⅞ x ¾ inches; 21 x 15 x 2 cm

Somaya Critchlow, Little Jungle, 2021, oil on canvas, 8¼ × 5⅞ × ¾ inches; 21 × 15 × 2 cm

Somaya Critchlow, Untitled (Not Tonight), 2021, watercolor on paper, 9 ½ x 6 ¾ inches, 24 x 17 cm; 16 ¼ x 13 ½ inches, 41.3 x 34.3 cm (framed)

Somaya Critchlow, Untitled (Not Tonight), 2021, watercolor on paper, 9 ½ × 6 ¾ inches, 24 × 17 cm; 16 ¼ × 13 ½ inches, 41.3 × 34.3 cm (framed)

Diane Arbus, Boy stabbed with a fake knife, N.Y.C. 1961, 1961, gelatin silver print, 14 x 11 inches, 35.6 x 27.9 cm; 15¾ x 12⅝ inches, 40 x 32.1 cm (framed)

Diane Arbus, Boy stabbed with a fake knife, N.Y.C. 1961, 1961, gelatin silver print, 14 × 11 inches, 35.6 × 27.9 cm; 15¾ × 12⅝ inches, 40 × 32.1 cm (framed)

Diane Arbus, Teenager with a baseball bat, N.Y.C. 1962, 1962, gelatin-silver print, 14 x 11 inches; 35.6 x 27.9 cm

Diane Arbus, Teenager with a baseball bat, N.Y.C. 1962, 1962, gelatin-silver print, 14 × 11 inches; 35.6 × 27.9 cm

Frank Walter, Untitled, ND, drawing on blue cardstock, 4¾ x 3½ inches; 12 x 8.8 cm (framed)

Frank Walter, Untitled, ND, drawing on blue cardstock, 4¾ × 3½ inches; 12 × 8.8 cm (framed)

Frank Walter, Untitled, 1984, oil on white cardstock, 3⅞ x 3 inches, 9.7 x 7.5 cm; 11¾ x 8⅝ inches, 29.8 x 21.9 cm (framed)

Frank Walter, Untitled, 1984, oil on white cardstock, 3⅞ × 3 inches, 9.7 × 7.5 cm; 11¾ × 8⅝ inches, 29.8 × 21.9 cm (framed)

Kelley Walker, Maui 1988, 2002, scanned image, signed digital print on archival watercolor paper, 25¾ x 33⅞ inches, 65.4 x 86.1 cm; 28½ x 36½ inches; 72.4 x 92.7 cm (framed)

Kelley Walker, Maui 1988, 2002, scanned image, signed digital print on archival watercolor paper, 25¾ × 33⅞ inches, 65.4 × 86.1 cm; 28½ × 36½ inches; 72.4 × 92.7 cm (framed)

Daniel Nicoletta, Castro Street Fair, (l to r: Leon Lott, December Wright, Larry Williams, August 1976), photographed 1976, printed 2021, silver gelatin print, 10 ½ x 11 inches, 26.7 x 27.9 cm; 16 7/8 x 17 3⁄8 inches, 42.9 x 44.2 cm (framed)

Daniel Nicoletta, Castro Street Fair, (l to r: Leon Lott, December Wright, Larry Williams, August 1976), photographed 1976, printed 2021, silver gelatin print, 10 ½ × 11 inches, 26.7 × 27.9 cm; 16 7⁄8 × 17 3⁄8 inches, 42.9 × 44.2 cm (framed)

Frank Walter, CRICKET BOWLER WITH RED CAP, ND, oil on card in artist frame painted black, 17⅜ x 11¼ inches, 44 x 28.5 cm; 21 x 15 inches, 53.3 x 38.1 cm (framed)

Frank Walter, CRICKET BOWLER WITH RED CAP, ND, oil on card in artist frame painted black, 17⅜ × 11¼ inches, 44 × 28.5 cm; 21 × 15 inches, 53.3 × 38.1 cm (framed)

Jared Buckheister, Twelve Bullies and a Bucket Revised, 2012, watercolor on paper, 25 ½ × 40 inches, 64.8 × 101.6 cm; 28 ¼ × 42 3/8 inches, 71.8 × 107.7 cm (framed)

Jared Buckheister, Twelve Bullies and a Bucket Revised, 2012, watercolor on paper, 25 ½ × 40 inches, 64.8 × 101.6 cm; 28 ¼ × 42 3⁄8 inches, 71.8 × 107.7 cm (framed)

Peter Hujar, Cockette Link Martin (Drag Queen in Fashion Pose), 1971, gelatin silver print, 14 5⁄8 x 14 5⁄8 inches, 37.2 x 37.2 cm; 22 ¾ x 22 ¾ inches; 57.8 x 57.8 cm (framed) © The Estate of Peter Hujar, courtesy Fraenkel Gallery, San Francisco

Peter Hujar, Cockette Link Martin (Drag Queen in Fashion Pose), 1971, gelatin silver print, 14 5⁄8 × 14 5⁄8 inches, 37.2 × 37.2 cm; 22 ¾ × 22 ¾ inches; 57.8 × 57.8 cm (framed) © The Estate of Peter Hujar, courtesy Fraenkel Gallery, San Francisco

James Van Der Zee, Untitled, 1931, gelatin silver print with hand-coloring, 10 x 8 inches, 25.4 x 20.3 cm; 12¼ x 10½ inches, 31.1 x 26.7 cm (framed)

James Van Der Zee, Untitled, 1931, gelatin silver print with hand-coloring, 10 × 8 inches, 25.4 × 20.3 cm; 12¼ × 10½ inches, 31.1 × 26.7 cm (framed)

Lee Friedlander, Esther Phillips, 1966, iris print on rag paper, 10 x 15 inches, 25 x 38 cm; 14 x 19 x 1¼ inches, 35.6 x 48.3 x 3.2 cm (framed)

Lee Friedlander, Esther Phillips, 1966, iris print on rag paper, 10 × 15 inches, 25 × 38 cm; 14 × 19 × 1¼ inches, 35.6 × 48.3 × 3.2 cm (framed)

Siobhan Liddell, Untitled (Red and Gold), 2015, acrylic and paper on canvas, 20 x 20 inches; 50.8 x 50.8 cm

Siobhan Liddell, Untitled (Red and Gold), 2015, acrylic and paper on canvas, 20 × 20 inches; 50.8 × 50.8 cm

Jared Buckheister Cheerleader on Grass, 2012, watercolor on paper, 29¾ x 22½ inches, 75.6 x 57.2 cm; 35 x 27½ x 1⅝ inches; 88.9 x 69.9 x 4.1 cm (framed)

Jared Buckheister Cheerleader on Grass, 2012, watercolor on paper, 29¾ × 22½ inches, 75.6 × 57.2 cm; 35 × 27½ × 1⅝ inches; 88.9 × 69.9 × 4.1 cm (framed)

Anthony Barboza, Ntozake Shange, 1977, vintage gelatin silver print, 14⅛ x 14⅜ inches, 35.9 x 36.5 cm; 26⅛ x 22⅛ inches, 66.4 x 56.2 cm (framed)

Anthony Barboza, Ntozake Shange, 1977, vintage gelatin silver print, 14⅛ × 14⅜ inches, 35.9 × 36.5 cm; 26⅛ × 22⅛ inches, 66.4 × 56.2 cm (framed)

Jack Whitten, Study For Circles #7, 1983, pastel, pencil, compressed charcoal on Ingres, 19 × 18 7⁄8 inches, 48.3 × 48 cm; 22 1⁄8 × 22 1⁄4 inches, 56.2 × 56.5 cm (framed)

Jack Whitten, Study For Circles #7, 1983, pastel, pencil, compressed charcoal on Ingres, 19 × 18 7⁄8 inches, 48.3 × 48 cm; 22 1⁄8 × 22 1⁄4 inches, 56.2 × 56.5 cm (framed)

Louise Fishman, Untitled, 2020, watercolor on paper, 5 x 7 inches, 12.7 x 17.8 cm; 10¼ x 12½ inches, 26 x 31.8 cm (framed)

Louise Fishman, Untitled, 2020, watercolor on paper, 5 × 7 inches, 12.7 × 17.8 cm; 10¼ × 12½ inches, 26 × 31.8 cm (framed)

Louise Fishman, Untitled, 2020, watercolor, color pencil, and pencil on paper, 4 x 6 inches, 10.2 x 15.2 cm; 9 3⁄8 x 11 3⁄8 inches, 23.8 x 28.9 cm (framed)

Louise Fishman, Untitled, 2020, watercolor, color pencil, and pencil on paper, 4 × 6 inches, 10.2 × 15.2 cm; 9 3⁄8 × 11 3⁄8 inches, 23.8 × 28.9 cm (framed)

Brett Goodroad, Untitled (Seascape 1), 2021, oil on silk over linen, 30 x 36 inches, 76.2 x 91.4 cm; 31½ x 37½ inches, 80 x 95.3 cm (framed)

Brett Goodroad, Untitled (Seascape 1), 2021, oil on silk over linen, 30 × 36 inches, 76.2 × 91.4 cm; 31½ × 37½ inches, 80 × 95.3 cm (framed)

Stacy Lynn Waddell, Untitled (Three Friends Smiling and Striking a Pose), 2021, 22 karat and composition gold leaf on canvas, 60 x 48 inches; 152.4 x 121.9 cm

Stacy Lynn Waddell, Untitled (Three Friends Smiling and Striking a Pose), 2021, 22 karat and composition gold leaf on canvas, 60 × 48 inches; 152.4 × 121.9 cm

Brett Goodroad, Untitled (Kiss), 2020, oil on silk over linen, 26½ x 31¾ inches; 67.3 x 80.7 cm

Brett Goodroad, Untitled (Kiss), 2020, oil on silk over linen, 26½ × 31¾ inches; 67.3 × 80.7 cm

Louise Fishman, Untitled, 2020, watercolor on paper, 6 x 9 inches, 15.2 x 22.9 cm; 11 3⁄8 x 14 3⁄8 inches, 28.9 x 36.5 cm (framed)

Louise Fishman, Untitled, 2020, watercolor on paper, 6 × 9 inches, 15.2 × 22.9 cm; 11 3⁄8 × 14 3⁄8 inches, 28.9 × 36.5 cm (framed)

Marley Freeman, The ringing of the ring, 2020, watercolor on watercolor paper, 10 x 7 inches, 25 x 18 cm; 15¾ x 12½ inches, 40 x 31.8 cm (framed)

Marley Freeman, The ringing of the ring, 2020, watercolor on watercolor paper, 10 × 7 inches, 25 × 18 cm; 15¾ × 12½ inches, 40 × 31.8 cm (framed)

Reggie Burrows Hodges, Electric Mauve, 2021, acrylic on canvas, 14 x 11 inches, 35.6 x 27.9 cm; 14½ x 11½ inches, 36.8 x 29.2 cm (framed)

Reggie Burrows Hodges, Electric Mauve, 2021, acrylic on canvas, 14 × 11 inches, 35.6 × 27.9 cm; 14½ × 11½ inches, 36.8 × 29.2 cm (framed)

Reggie Burrows Hodges, Electric Lady, 2021, acrylic on canvas, 14 x 11 inches, 35.6 x 27.9 cm; 14½ x 11⅜ inches, 36.8 x 28.9 cm (framed)

Reggie Burrows Hodges, Electric Lady, 2021, acrylic on canvas, 14 × 11 inches, 35.6 × 27.9 cm; 14½ × 11⅜ inches, 36.8 × 28.9 cm (framed)

Reggie Burrows Hodges, Electric Honey, 2021, acrylic on canvas, 14 x 11 inches, 35.6 x 27.9 cm; 14½ x 11½ inches, 36.8 x 29.2 cm (framed)

Reggie Burrows Hodges, Electric Honey, 2021, acrylic on canvas, 14 × 11 inches, 35.6 × 27.9 cm; 14½ × 11½ inches, 36.8 × 29.2 cm (framed)

Louise Fishman, Untitled, 2020, watercolor on paper, 4¾ x 9½ inches, 12 x 24.1 cm; 10 1⁄8 × 15 inches, 25.7 x 38.1 cm (framed)

Louise Fishman, Untitled, 2020, watercolor on paper, 4¾ × 9½ inches, 12 × 24.1 cm; 10 1⁄8 × 15 inches, 25.7 × 38.1 cm (framed)

Edward Owens, Remembrance: A Portrait Study, 1967, film/video, sound, duration: 6 minutes

Edward Owens, Remembrance: A Portrait Study, 1967, film/video, sound, duration: 6 minutes

Edward Owens, Private Imaginings And Narrative Facts, 1966, film/video, color, silent, duration: 9 minutes

Edward Owens, Private Imaginings And Narrative Facts, 1966, film/video, color, silent, duration: 9 minutes

Brett Goodroad, Untitled, 2019, oil on copper, 11¾ x 15¼ inches, 29.9 x 38.7 cm; 12⅞ x 16¼ inches, 32.7 x 41.3 cm (framed)

Brett Goodroad, Untitled, 2019, oil on copper, 11¾ × 15¼ inches, 29.9 × 38.7 cm; 12⅞ × 16¼ inches, 32.7 × 41.3 cm (framed)

Peter Bradley, Kind of Blue, 2020, acrylic on canvas, 38 x 46 x 1 inches; 96.5 x 116.8 x 2.5 cm

Peter Bradley, Kind of Blue, 2020, acrylic on canvas, 38 × 46 × 1 inches; 96.5 × 116.8 × 2.5 cm

Siobhan Liddell, Untitled, 1998, solid glass, three elements; installation configuration variable, 24 x 2.75 inches (blue), 17.5 x 2.25 inches (black), 15.5 x 2 inches (pink)

Siobhan Liddell, Untitled, 1998, solid glass, three elements; installation configuration variable, 24 × 2.75 inches (blue), 17.5 × 2.25 inches (black), 15.5 × 2 inches (pink)

Senga Nengudi, Flying, 1982/2014, 9 digital prints, 7 horizontal prints: 15 × 22 7⁄8 inches; 38 × 58 cm each; 2 vertical prints: 23 × 15 inches; 58 × 38 cm each, 7 horizontal prints: 15 3⁄4 × 23 5⁄8 inches; 40 × 60 cm each (framed); 2 vertical prints: 23 5⁄8 × 15 3⁄4 inches; 60 × 40 cm each (framed)

Senga Nengudi, Flying, 1982/2014, 9 digital prints, 7 horizontal prints: 15 × 22 7⁄8 inches; 38 × 58 cm each; 2 vertical prints: 23 × 15 inches; 58 × 38 cm each, 7 horizontal prints: 15 3⁄4 × 23 5⁄8 inches; 40 × 60 cm each (framed); 2 vertical prints: 23 5⁄8 × 15 3⁄4 inches; 60 × 40 cm each (framed)

Paul Pfeiffer, Live Evil (Kuala Lumpur), 2003, digital video loop, LCD monitor, cast armature, 2½ x 3 x 3½ inches; 6.4 x 7.6 x 8.9 cm

Paul Pfeiffer, Live Evil (Kuala Lumpur), 2003, digital video loop, LCD monitor, cast armature, 2½ × 3 × 3½ inches; 6.4 × 7.6 × 8.9 cm

Ana Mendieta, Untitled: Silueta Series, 1978, super-8mm film transferred to high definition digital media, color, silent, running time: 3:14 minutes

Ana Mendieta, Untitled: Silueta Series, 1978, super-8mm film transferred to high definition digital media, color, silent, running time: 3:14 minutes

Right vitrine

Right vitrine

Ntozake Shange, Emory Owens, Julia Fortes Owens, circa 1980s-90s

Ntozake Shange, Emory Owens, Julia Fortes Owens, circa 1980s-90s

Ntozake Shange, circa 1980s-90s

Ntozake Shange, circa 1980s-90s

Ntozake Shange, "Borders" manuscript, 1988, 2 pages

Ntozake Shange, "Borders" manuscript, 1988, 2 pages

Jill Freedman, The cast of the Broadway show 'For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf' by Ntozake Shange, in New York City, 1977, 1977, color photographs

Jill Freedman, The cast of the Broadway show 'For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf' by Ntozake Shange, in New York City, 1977, 1977, color photographs

Jill Freedman, The cast of the Broadway show 'For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf' by Ntozake Shange, in New York City, 1977, 1977, color photographs

Jill Freedman, The cast of the Broadway show 'For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf' by Ntozake Shange, in New York City, 1977, 1977, color photographs

Jill Freedman, The cast of the Broadway show 'For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf' by Ntozake Shange, in New York City, 1977, 1977, color photographs

Jill Freedman, The cast of the Broadway show 'For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf' by Ntozake Shange, in New York City, 1977, 1977, color photographs

George Joseph, Scene from the stage production 'For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf', 1976, black and white photograph

George Joseph, Scene from the stage production 'For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf', 1976, black and white photograph

Ntozake Shange, "rise up fallen fighters", typewritten manuscript photocopy, 1978

Ntozake Shange, "rise up fallen fighters", typewritten manuscript photocopy, 1978

Martha Swope, Actors La Tanya Richardson and Avery Brooks in a scene from the New York Shakespeare Festival production of the play "spell #7." (New York) 1979, 1979, color photograph

Martha Swope, Actors La Tanya Richardson and Avery Brooks in a scene from the New York Shakespeare Festival production of the play "spell #7." (New York) 1979, 1979, color photograph

Adal Maldonado, Portraits of Ntozake Shange, ND, kodak film strip

Adal Maldonado, Portraits of Ntozake Shange, ND, kodak film strip

Adal Maldonado, Portraits of Ntozake Shange, ND, kodak film strip

Adal Maldonado, Portraits of Ntozake Shange, ND, kodak film strip

Ntozake Shange, Layla's Dream, handwritten manuscript, 5 pages

Ntozake Shange, Layla's Dream, handwritten manuscript, 5 pages

Ntozake Shange, Layla's Dream, handwritten manuscript, 5 pages

Ntozake Shange, Layla's Dream, handwritten manuscript, 5 pages

Ntozake Shange Teaching, circa 1980s-90s

Ntozake Shange Teaching, circa 1980s-90s

Polaroid of Ntozake, possibly Savannah, and Khalil - "Us with Khalil at [illegible]", ND

Polaroid of Ntozake, possibly Savannah, and Khalil - "Us with Khalil at [illegible]", ND

Portrait of Ntozake seated, circa 2010s

Portrait of Ntozake seated, circa 2010s

Left vitrine

Left vitrine

Akiyoshi Miyashita, Alice Coltrane in a recording studio, basement of The Coltrane Home NY in 1969, 1969 Color photograph

Akiyoshi Miyashita, Alice Coltrane in a recording studio, basement of The Coltrane Home NY in 1969, 1969 Color photograph

Sri Hari Moss, Sai Anantam Ashram in Aguora Hills, c. 2005, color photograph

Sri Hari Moss, Sai Anantam Ashram in Aguora Hills, c. 2005, color photograph

Alice Coltrane, Divine Revelations, 1995, hardcover book

Alice Coltrane, Divine Revelations, 1995, hardcover book

Alice Coltrane, Yoga Journal, "The Spiritual Journey of Alice Coltrane", Nov/Dec 1982, article by Virginia Lee, magazine

Alice Coltrane, Yoga Journal, "The Spiritual Journey of Alice Coltrane", Nov/Dec 1982, article by Virginia Lee, magazine

Sri Hari Moss, Ashram Steps, c. 2005, color photograph

Sri Hari Moss, Ashram Steps, c. 2005, color photograph

Alice Coltrane, pamphlet

Alice Coltrane, pamphlet

Alice Coltrane, Swamini Turiyasangitananda pamphlet

Alice Coltrane, Swamini Turiyasangitananda pamphlet

Polaroid of Alice Coltrane, ND

Polaroid of Alice Coltrane, ND

Alice Coltrane, MONUMENT ETERNAL, 1977, book

Alice Coltrane, MONUMENT ETERNAL, 1977, book

Divine Discourses (Turiya Speaks), vol.1, 2007, paperback book, 7 x 5 inches; 17.8 x 12.7 cm

Divine Discourses (Turiya Speaks), vol.1, 2007, paperback book, 7 × 5 inches; 17.8 × 12.7 cm

Alice Coltrane, ENDLESS WISDOM, 1998, hardcover book

Alice Coltrane, ENDLESS WISDOM, 1998, hardcover book

Alice Coltrane, Reflection on Creation and Space (A Five Year View), 1973, vinyl record, duration: 1 hour, 20 minutes, produced by Alice Coltrane, Bob Theile, Ed Michel

Alice Coltrane, Reflection on Creation and Space (A Five Year View), 1973, vinyl record, duration: 1 hour, 20 minutes, produced by Alice Coltrane, Bob Theile, Ed Michel

Alice Coltrane, Alice Coltrane with Strings: World Galaxy, 1972, vinyl record, duration: 40 minutes, produced by Alice Coltrane and Ed Michel

Alice Coltrane, Alice Coltrane with Strings: World Galaxy, 1972, vinyl record, duration: 40 minutes, produced by Alice Coltrane and Ed Michel

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A Conversation: Ouattara Watts

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Book Launch: Five Stories for Philip Guston

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A Conversation: Robert Grosvenor NY 2024

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