Kinder Gentler Nation
January 7–February 11, 2018
188 E 2nd Street
New York, NY 10009
Kinder Gentler Nation
January 7–February 11, 2018
188 E 2nd Street
New York, NY 10009
William N. Copley, What To Do Until The Call Girl Comes, 1985, acrylic and chalk on canvas, 60 × 77 inches
Derrick Alexis Coard, Decoded Image Of King David, 2015, acrylic on canvas, 20 × 16 inches
Cheyenne Julien, On the Trail, 2017, oil on canvas, 60 × 52 inches
Paweł Althamer, ZOMBIE, 2017, mixed media, 74 4⁄5 × 23 1⁄2 × 13 3⁄4 inches
Marie Laurencin, Deux femmes au rideau, 1924, oil on canvas, 28 3⁄4 × 21 1⁄4 inches
Joan Brown, New Year’s Eve #2, 1973, enamel on canvas, 72 × 84 inches
Derrick Alexis Coard, Almost Winter (Travels of Solomon) Piece #2, 2012, pastel on paper,. 24 × 18 inches
Derrick Alexis Coard, The Healing Power Of The Leaf, 2013, pastel on paper, 24 × 18 inches
Derrick Alexis Coard, The Word Heals The Being, 2013, pastel and graphite on paper, 18 × 24 inches
Derrick Alexis Coard, Untitled, 2006, marker and pastel on paper, 21 × 18 inches
Derrick Alexis Coard, Untitled, 2007, pastel on paper, 18 × 12 inches
Derrick Alexis Coard, The Black Awe Profit, 2006, pastel and graphite on paper, 22 1⁄2 × 16 inches
Derrick Alexis Coard, O Holy Spirit, 2013, pastel on paper, 24 × 18 inches
Derrick Alexis Coard, He Loves Nature, 2013, pastel on paper, 24 × 18 inches
Derrick Alexis Coard, Look Up To The Sky, 2012, pastel and graphite on paper, 24 × 18 inches
Derrick Alexis Coard, All Praises Due to Yahweh, 2011, graphite and pastel on paper, 18 × 24 inches
Derrick Alexis Coard, Untitled, 2008, pastel on paper, 18 × 12 inches
Derrick Alexis Coard, The Cooling, 2013, pastel and graphite on paper, 24 × 18 inches
Derrick Alexis Coard, Diary of Sarah Lateef, 2015, graphite on paper, 24 × 18 inches
William N. Copley, A Kinder, Gentler Nation, 1988, acrylic on canvas, 60 × 77 inches
Joseph Raffael, Lipstick and Braces, 1965, oil on canvas, 55 3⁄4 × 45 3⁄4 inches
Robert Hudson, Untitled Jug, 2001, porcelain, found objects, 30 × 7 × 7 inches
Robert Hudson, Blue Rope Jar, 2000, porcelain, found objects, 12 × 11 × 8 inches
Robert Hudson, Ghost Jar, 2003, porcelain, found objects, 36 × 16 × 13 inches
Marie Laurencin, Buste de femme aux seins nus, n.d., oil on canvas, 24 × 19 3⁄4 inches
Rita Ackermann, Do’s and Dont’s Nurses (United),, 2008–2009, acrylic, oil, sand, printed paper and printed canvas on linen , 67 1⁄2 × 85 1⁄2 inches
Barbara Nessim, Escaping the Fire, 1963, 36 × 30 inches
Michael Williams, Small GW 4, 2017, oil on canvas, 24 × 18 inches
Richard Prince, Untitled, 2014, inkjet and acrylic on paper mounted on canvas, 48 × 61 inches
Barkley L. Hendricks, Stanley, 1971, oil on canvas, 72 × 50 inches
Rita Ackermann, I’m a Vegetable, 2010, oil, enamel, spray paint, glass and molding paste on canvas, 101 × 81 inches
Barbara Nessim, Brown Sole, Half Cylinders and Dots, 1969, pen & ink and watercolor on paper, 10 1⁄2 × 14 inches
Barbara Nessim, Saw Heel + 15, 1969, pen & ink and watercolor on paper, 14 × 20 inches
Barbara Nessim, Plaid Platform, 1972, pen & ink and watercolor on paper, 12 × 16 inches
Barbara Nessim, Split Heel with Yellow Polka-Dot Platform, 1972, pen & ink and watercolor on paper, 12 × 16 inches
Barbara Nessim, Rainbow Vamp with Balancing Black Ball, 1969, pen & ink and watercolor on paper, 14 × 20 inches
Irving Marcus, Bigger than Expected, 1980, oil on canvas, 73 × 48 inches
Joan Brown, The Party, 1975, graphite, oil pastel, graphite on paper, 24 × 36 inches
Joan Brown, Intruders, 1975, graphite, oil pastel, graphite on paper, 24 × 36 inches
Joan Brown, The Life Drawing Class #1, 1975, graphite, charcoal, oil pastel on paper, 36 × 24 inches
Woody De Othello, Holding Myself Down, 2017, ceramic, underglaze, glaze, urethane rubber, 33 × 16 × 19 inches
Irving Marcus, The End of Law, 1982, oil on canvas, 55 × 64 3⁄4 inches
Joseph Raffael, Untitled, 1965, oil and collage on canvas, 55 × 75 1⁄2 inches
Marie Laurencin, Anémones dans un vase bleu, 1933, oil on canvas, 19 1⁄4 × 25 1⁄4 inches
Woody De Othello, Ahead Searching for Gold, 2017, ceramic, underglaze, glaze, latex, 34 1⁄2 × 22 × 23 inches
Rita Ackermann, Heroines in Bluegreen, 2010-2011, oil, enamel, molding paste, spray paint, pigment and acrylic on canvas, 68 × 86 inches
Joseph Raffael, Tarsier Man, 1965, oil on canvas, 74 1⁄4 × 56 inches
Marie Laurencin, Le Cirque, 1920, oil on canvas, 30 × 22 inches
Cheyenne Julien, Park Closes at Dusk, 2017, oil on canvas, 60 × 52 inches
