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The De Luxe Show

Karma
August 12–September 25, 2021
188 East 2nd Street
New York, NY 10009

Parker Gallery
August 12–September 18, 2021
2441 Glendower Avenue
Los Angeles, CA 90027

 

Darby Bannard, Peter Bradley, Anthony Caro, Dan Christensen, Ed Clark, Sam Gilliam, Robert Gordon, Richard Hunt, Virginia Jaramillo, Daniel LaRue Johnson, Craig Kauffman, Al Loving, Kenneth Noland, Jules Olitski, Larry Poons, Michael Steiner, William T. Williams, and James Wolfe

Darby Bannard, The Plains #2, 1970, alkyd resin on canvas, 78 x 93 inches, 198.1 x 236.2 cm; 79¼ x 94¼ inches, 201.3 x 239.4 cm (framed)

Darby Bannard, The Plains #2, 1970, alkyd resin on canvas, 78 × 93 inches, 198.1 × 236.2 cm; 79¼ × 94¼ inches, 201.3 × 239.4 cm (framed)

Darby Bannard, Cherokee Blanket #4, 1970, alkyd resin on canvas, 65¼ x 98¼ inches, 165.7 x 249.6 cm; 66½ x 99½ inches, 168.9 x 252.7 cm (framed)

Darby Bannard, Cherokee Blanket #4, 1970, alkyd resin on canvas, 65¼ × 98¼ inches, 165.7 × 249.6 cm; 66½ × 99½ inches, 168.9 × 252.7 cm (framed)

Darby Bannard, Blue Paris, 1971, alkyd resin on canvas, 51 x 55 inches, 129.5 x 139.7 cm;
52 x 56 inches, 132.1 x 142.2 cm (framed)

Darby Bannard, Blue Paris, 1971, alkyd resin on canvas, 51 × 55 inches, 129.5 × 139.7 cm; 52 × 56 inches, 132.1 × 142.2 cm (framed)

Darby Bannard, Summer Joys No. 2, 1970, alkyd resin on canvas, 30 x 45 inches; 76.2 x 114.3 cm

Darby Bannard, Summer Joys No. 2, 1970, alkyd resin on canvas, 30 × 45 inches; 76.2 × 114.3 cm

Peter Bradley, Circle of Fifths, 1973, acrylic on canvas, 66¼ x 131 inches, 168.3 x 332.7 cm; 67½ x 132¼ inches, 171.5 x 335.9 cm (framed)

Peter Bradley, Circle of Fifths, 1973, acrylic on canvas, 66¼ × 131 inches, 168.3 × 332.7 cm; 67½ × 132¼ inches, 171.5 × 335.9 cm (framed)

Peter Bradley, Midnight Moon, 2020, acrylic, pumice and sponge on canvas, 46¼ x 65 inches; 117.5 x 165.1 cm

Peter Bradley, Midnight Moon, 2020, acrylic, pumice and sponge on canvas, 46¼ × 65 inches; 117.5 × 165.1 cm

Peter Bradley, Barbantum, 1972, acrylic on canvas, 117 x 41 inches; 297 x 104 cm

Peter Bradley, Barbantum, 1972, acrylic on canvas, 117 × 41 inches; 297 × 104 cm

Peter Bradley, Winged Goddess, 2019, acrylic and sand on canvas, 37 x 20 inches; 94 x 50.8 cm

Peter Bradley, Winged Goddess, 2019, acrylic and sand on canvas, 37 × 20 inches; 94 × 50.8 cm

Anthony Caro, The Bull, 1970, steel, 31¾ x 116¼ x 56¼ inches; 80.6 x 295.3 x 142.9 cm

Anthony Caro, The Bull, 1970, steel, 31¾ × 116¼ × 56¼ inches; 80.6 × 295.3 × 142.9 cm

Anthony Caro, Rondo, 1966/1976, painted steel, 47 x 103 x 26 inches; 119.4 x 261.6 x 66 cm

Anthony Caro, Rondo, 1966/1976, painted steel, 47 × 103 × 26 inches; 119.4 × 261.6 × 66 cm

Dan Christensen, SouthDelray Way, 1970, acrylic on canvas, 65½ x 83¾ inches, 166.4 x 212.7 cm;
66½ x 85 inches, 168.9 x 215.9 cm (framed)

Dan Christensen, SouthDelray Way, 1970, acrylic on canvas, 65½ × 83¾ inches, 166.4 × 212.7 cm; 66½ × 85 inches, 168.9 × 215.9 cm (framed)

Dan Christensen, Ocean Mouth, 1970, enamel and acrylic on canvas, 102⅛ x 55⅛ inches, 259.4 x 140 cm; 103¼ x 56¼ inches, 262.3 x 142.9 cm (framed)

Dan Christensen, Ocean Mouth, 1970, enamel and acrylic on canvas, 102⅛ × 55⅛ inches, 259.4 × 140 cm; 103¼ × 56¼ inches, 262.3 × 142.9 cm (framed)

Dan Christensen, Solar Scope, 1969,
enamel on canvas, 66 x 38 inches, 167.6 x 96.5 cm;
67 x 39 inches, 170.2 x 99.1 cm (framed)

Dan Christensen, Solar Scope, 1969, enamel on canvas, 66 × 38 inches, 167.6 × 96.5 cm; 67 × 39 inches, 170.2 × 99.1 cm (framed)

Dan Christensen, Weehawken, 1970, acrylic on canvas, 7 × 61 inches, 17.8 × 154.9 cm; 8½ × 62 inches, 21.6 × 157.5 × 4.1 cm (framed)

Dan Christensen, Weehawken, 1970, acrylic on canvas, 7 × 61 inches, 17.8 × 154.9 cm; 8½ × 62 inches, 21.6 × 157.5 × 4.1 cm (framed)

Ed Clark, Paris, 1971,
dry pigment on paper, 29½ x 41⅜ inches, 74.9 x 105.1 cm; 35¾ x 47⅝ inches, 90.8 x 121 cm (framed)

Ed Clark, Paris, 1971, dry pigment on paper, 29½ × 41⅜ inches, 74.9 × 105.1 cm; 35¾ × 47⅝ inches, 90.8 × 121 cm (framed)

Ed Clark, Black Daylight Paris, 1966, acrylic on canvas, 32 x 39½ inches; 81.3 x 100.3 cm

Ed Clark, Black Daylight Paris, 1966, acrylic on canvas, 32 × 39½ inches; 81.3 × 100.3 cm

Ed Clark, Untitled, 1982, color etching with hand-coloring in acrylic, on wove paper, 24 x 28⅝ inches, 61 x 72.6 cm; 30½ x 35½ inches, 77.5 x 90.2 cm (framed)

Ed Clark, Untitled, 1982, color etching with hand-coloring in acrylic, on wove paper, 24 × 28⅝ inches, 61 × 72.6 cm; 30½ × 35½ inches, 77.5 × 90.2 cm (framed)

Sam Gilliam, Drape, 1970, acrylic on canvas, 94 x 84 inches; 239 x 213 cm (as installed)

Sam Gilliam, Drape, 1970, acrylic on canvas, 94 × 84 inches; 239 × 213 cm (as installed)

Sam Gilliam, Along, 1968, acrylic on canvas, 30⅛ x 54⅛ inches; 76.5 x 137.5 cm

Sam Gilliam, Along, 1968, acrylic on canvas, 30⅛ × 54⅛ inches; 76.5 × 137.5 cm

Robert Gordon, Untitled, 1966, stretched fabric, cotton and brocade, 138¼ x 144½ inches; 351.2 x 367 cm

Robert Gordon, Untitled, 1966, stretched fabric, cotton and brocade, 138¼ × 144½ inches; 351.2 × 367 cm

Robert Gordon, Untitled, c. 1965, ink on graph paper, 9 x 16¾ inches; 22.9 x 42.6 cm

Robert Gordon, Untitled, c. 1965, ink on graph paper, 9 × 16¾ inches; 22.9 × 42.6 cm

Robert Gordon, Unknown title, c. 1965-1975, ink on graph paper, 22 x 17½ inches; 55.9 x 44.5 cm

Robert Gordon, Unknown title, c. 1965-1975, ink on graph paper, 22 × 17½ inches; 55.9 × 44.5 cm

Richard Hunt, Model for "Of the River Mounds and Bridges" in East St. Louis, 2010, welded stainless steel, 18 x 23 x 15 inches; 45.7 x 58.4 x 38.1 cm

Richard Hunt, Model for "Of the River Mounds and Bridges" in East St. Louis, 2010, welded stainless steel, 18 × 23 × 15 inches; 45.7 × 58.4 × 38.1 cm

Richard Hunt, Out Reach, 2019, welded stainless steel, 28 x 38 x 23 inches; 71.1 x 96.5 x 58.4 cm

Richard Hunt, Out Reach, 2019, welded stainless steel, 28 × 38 × 23 inches; 71.1 × 96.5 × 58.4 cm

Virginia Jaramillo, Site: No. 12 38.4824° N, 22.5010° E, 2018, acrylic on canvas, 78 x 54 inches; 198.1 x 137.2 cm

Virginia Jaramillo, Site: No. 12 38.4824° N, 22.5010° E, 2018, acrylic on canvas, 78 × 54 inches; 198.1 × 137.2 cm

Virginia Jaramillo, Site No. 14, 31.7781° N, 35.2360° E, 2018, acrylic on canvas, 36 x 32 inches; 91.4 x 81.3 cm

Virginia Jaramillo, Site No. 14, 31.7781° N, 35.2360° E, 2018, acrylic on canvas, 36 × 32 inches; 91.4 × 81.3 cm

Daniel LaRue Johnson, Untitled, 1971, oil on canvas, 60 x 60 inches; 152.4 x 152.4 cm

Daniel LaRue Johnson, Untitled, 1971, oil on canvas, 60 × 60 inches; 152.4 × 152.4 cm

Daniel LaRue Johnson, Untitled, 1972, acrylic on canvas, 60 x 60 inches, 152.4 x 152.4 cm; 61½ x 61½ inches, 156.2 x 156.2 cm (framed)

Daniel LaRue Johnson, Untitled, 1972, acrylic on canvas, 60 × 60 inches, 152.4 × 152.4 cm; 61½ × 61½ inches, 156.2 × 156.2 cm (framed)

Craig Kauffman, Untitled, 1964/1974, sprayed acrylic lacquer on vacuum formed Plexiglass, 48 x 36 inches; 121.9 x 91.4 cm

Craig Kauffman, Untitled, 1964/1974, sprayed acrylic lacquer on vacuum formed Plexiglass, 48 × 36 inches; 121.9 × 91.4 cm

Craig Kauffman, Untitled, 1968, vacuum-formed Plexiglass, 22½ x 52¼ x 13 inches; 57.2 x 132.7 x 33 cm

Craig Kauffman, Untitled, 1968, vacuum-formed Plexiglass, 22½ × 52¼ × 13 inches; 57.2 × 132.7 × 33 cm

Al Loving, Bowery Morning, 1971, acrylic on canvas, dimensions variable, four elements, 58 x 50¼ inches; 147.3 x 127.6 cm

Al Loving, Bowery Morning, 1971, acrylic on canvas, dimensions variable, four elements, 58 × 50¼ inches; 147.3 × 127.6 cm

Al Loving, Gray Cube, 1969, acrylic on canvas, 30 x 25 inches; 76.2 x 63.5 cm

Al Loving, Gray Cube, 1969, acrylic on canvas, 30 × 25 inches; 76.2 × 63.5 cm

Kenneth Noland, Sky Island, 1969, acrylic on canvas, 41⅞ x 163 inches, 106.4 x 414 cm; 43⅛ x 164¼ inches, 109.6 x 417.2 cm (framed)

Kenneth Noland, Sky Island, 1969, acrylic on canvas, 41⅞ × 163 inches, 106.4 × 414 cm; 43⅛ × 164¼ inches, 109.6 × 417.2 cm (framed)

Kenneth Noland, Lift Off, 1970, acrylic on canvas,
75 x 138 inches; 190.5 x 350.5 cm

Kenneth Noland, Lift Off, 1970, acrylic on canvas, 75 × 138 inches; 190.5 × 350.5 cm

Kenneth Noland, Trail Mark, 1969, acrylic on canvas, 4¾ x 138 inches; 12.1 x 350.5 cm

Kenneth Noland, Trail Mark, 1969, acrylic on canvas, 4¾ × 138 inches; 12.1 × 350.5 cm

Kenneth Noland, Natural Way, 1969, acrylic on canvas, 5⅝ x 138 inches; 14.3 x 350.5 cm

Kenneth Noland, Natural Way, 1969, acrylic on canvas, 5⅝ × 138 inches; 14.3 × 350.5 cm

Jules Olitski, Eighth Loosha, 1970, acrylic on canvas, 115¼ x 68¾ inches, 292.7 x 174.6 cm;
116⅜ x 69⅝ inches, 295.6 x 176.9 cm (framed)

Jules Olitski, Eighth Loosha, 1970, acrylic on canvas, 115¼ × 68¾ inches, 292.7 × 174.6 cm; 116⅜ × 69⅝ inches, 295.6 × 176.9 cm (framed)

Jules Olitski, Before Loosha, 1970, acrylic on canvas, 103½ x 149¼ inches, 262.9 x 379.1 cm; 105½ x 150½ x 2 inches, 268 x 382.3 x 5.1 cm (framed)

Jules Olitski, Before Loosha, 1970, acrylic on canvas, 103½ × 149¼ inches, 262.9 × 379.1 cm; 105½ × 150½ × 2 inches, 268 × 382.3 × 5.1 cm (framed)

Jules Olitski, Game Hootch, 1967, acrylic on canvas, 26 x 116 inches; 66 x 294.6 cm

Jules Olitski, Game Hootch, 1967, acrylic on canvas, 26 × 116 inches; 66 × 294.6 cm

Larry Poons, Henry - Michael, 1971, acrylic on canvas, 86 x 113 inches, 218.4 x 287 cm; 87½ x 114 inches, 222.3 x 289.6 cm (framed)

Larry Poons, Henry - Michael, 1971, acrylic on canvas, 86 × 113 inches, 218.4 × 287 cm; 87½ × 114 inches, 222.3 × 289.6 cm (framed)

Larry Poons, Untitled LP 1 (#4), 1975, acrylic on canvas, 86 × 42 inches; 218.4 × 106.7 cm

Larry Poons, Untitled LP 1 (#4), 1975, acrylic on canvas, 86 × 42 inches; 218.4 × 106.7 cm

Michael Steiner, LARSA, 1978, corten steel, 21¾ x 72 x 31 inches; 55.3 x 182.9 x 78.7 cm

Michael Steiner, LARSA, 1978, corten steel, 21¾ × 72 × 31 inches; 55.3 × 182.9 × 78.7 cm

Michael Steiner, Dan's Piece, 1969, corten steel, 81 x 65 x 3 inches; 205.7 x 165.1 x 7.6 cm

Michael Steiner, Dan's Piece, 1969, corten steel, 81 × 65 × 3 inches; 205.7 × 165.1 × 7.6 cm

William T. Williams, Water Witch (Drawing After Sophia Jackson), 1970, acrylic on paper, 39 x 30 inches, 99.1 x 76.2 cm; 41½ x 32¼ inches, 105.4 x 81.9 cm (framed)

William T. Williams, Water Witch (Drawing After Sophia Jackson), 1970, acrylic on paper, 39 × 30 inches, 99.1 × 76.2 cm; 41½ × 32¼ inches, 105.4 × 81.9 cm (framed)

William T. Williams, Bus to Somewhere, 2018, acrylic on two joined plywood panels and wood strip, 20¼ x 24⅞ inches, 51.4 x 63.2 cm; 21 x 25⅝ inches, 53.3 x 65.1 cm (framed)

William T. Williams, Bus to Somewhere, 2018, acrylic on two joined plywood panels and wood strip, 20¼ × 24⅞ inches, 51.4 × 63.2 cm; 21 × 25⅝ inches, 53.3 × 65.1 cm (framed)

William T. Williams, On Time, 1970, acrylic and graphite on paper, 36¾ x 50 inches; 93.3 x 127 cm

William T. Williams, On Time, 1970, acrylic and graphite on paper, 36¾ × 50 inches; 93.3 × 127 cm

James Wolfe, Untitled, 1971, steel, 48¼ x 77 x 56 inches; 122 x 122 x 107 cm

James Wolfe, Untitled, 1971, steel, 48¼ × 77 × 56 inches; 122 × 122 × 107 cm

James Wolfe, Scorpio, 1971, steel, 44 x 124 x 106 inches; 111.8 x 315 x 269.2 cm (overall)

James Wolfe, Scorpio, 1971, steel, 44 × 124 × 106 inches; 111.8 × 315 × 269.2 cm (overall)

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