Andrew Cranston
The Inner Island, 2023, curated by Jean-Marie Gallais, The Fondation Carmignac, Villa Carmignac, Porquerolles Island, France, installation view. Photo by Nicolas Brasseur
Let’s talk about this story of yours, 2021, rabbit skin glue and pigment on canvas, 70⅞ × 55⅛ inches; 180 × 140 cm
It was your birthday (and a seagull shat on your head), 2021, rabbit skin glue and pigment on bleached canvas, 82⅝ × 70⅞ inches; 210 × 180 cm. Portland Art Museum, Portland ME
Assembly (Three musicians), 2020-2021, rabbit skin glue and pigment on bleached canvas, 90½ × 66⅞ inches; 230 × 170 cm
Deja vu, 2021, rabbit skin glue and pigment on canvas, 78¾ × 90½ inches; 200 × 230 cm. Collection of the Los Angeles County Museum of Art, Los Angeles CA
Waiting for the Bell, 2021, rabbit skin glue and pigment on bleached canvas, 66 7⁄8 × 51 1⁄8 inches; 170 × 130 cm. Collection of Intitute of Contemporary Arts, Miami FL
Landscape with Rangers players, 2021, rabbit skin glue and pigment on canvas, 74 3⁄4 × 55 7⁄8 inches; 190 × 142 cm
House of the famous poet, 2020-2021, oil on hardback book cover, 11¾ × 8⅞ inches; 30 × 22.5 cm
Border lament, 2018-2021, oil and varnish on hardback book cover, 7½ × 10 inches; 19 × 25.4 cm
Harvest of a quiet eye, 2019-2021, oil and varnish on hardback book cover, 12¼ × 9⅞ inches; 31 × 25 cm
The flux of the river Clyde, 2021, oil on bleached hardback book cover, 10⅝ × 11⅜ inches; 27 × 29 cm
Madam deux cent, 2020-2021, oil and varnish on hardback book cover, 9 × 6 3⁄4 inches; 22.9 × 17.1 cm
Supper, 2021, oil on hardback book cover, 9 7⁄8 × 8 1⁄8 inches; 25.1 × 20.6 cm
One day this will be a long time ago, 2018-2021, oil and varnish on hardback book cover, 8⅝ × 6⅞ inches; 21.9 × 17.5 cm
Waiting for the Bell, 2021, Karma, New York, installation view
Waiting for the Bell, 2021, Karma, New York, installation view
Waiting for the Bell, 2021, Karma, New York, installation view
Waiting for the Bell, 2021, Karma, New York, installation view
A house is not a home, 2020, oil and distemper on hardback book cover, 9⅞ × 8⅞ inches; 25 × 22.5 cm
Bavarian Residency, 2020, oil and varnish on canvas mounted on panel, 16⅞ × 10¼ inches; 43 × 26 cm
Adders, Mushrooms, Thistles and Poppies, 2020, oil and varnish on hardback book, 11 × 13⅜ inches; 28 × 34 cm
Ginger in Africa, 2020, oil and varnish on hardback book cover, 7 3⁄8 × 10 inches; 19 × 25.5 cm
Bunker, 2019, distemper and oil on hardback book cover, 12 × 9 inches; 30.5 × 23 cm
Oberammergau, 2019, distemper on hardback book cover, 8 1⁄2 × 11 5⁄8 inches; 21.7 × 29.4 cm
Birthday, 2019, oil and varnish on hardback book cover, 7 7⁄8 × 6 3⁄4 inches; 20 × 17 cm
You don't need to be strange to be strange, 2019, oil on hardback book cover, 8 1⁄4 × 5 1⁄8 inches; 21 × 13 cm
Stranger Danger, 2020, distemper and varnish on hardback book cover, 8 1⁄2 × 11 3⁄8 inches; 21.7 × 26.8 cm
Borges and me, 2018, oil and varnish on hardback book cover, 13 × 9 inches; 33 × 23 cm
I am more comfortable, 2018, oil and varnish on hardback book cover, 5 × 8 2⁄3 inches; 12.7 × 22 cm
Jason, 2018, oil and varnish on hardback book cover, 10 1⁄8 × 12 1⁄8 inches; 25.5 × 30.5 cm
Poster for Benjamin Britten, 2018, oil on hardback book cover, 5 1⁄3 × 9 3⁄4 inches; 13.5 × 24.8 cm
Andrew Cranston: But the dream had no sound, 2018, Ingleby Gallery, Edinburgh, installation view
Andrew Cranston: But the dream had no sound, 2018, Ingleby Gallery, Edinburgh, installation view
