Thaddeus Mosley

Following Space: Thaddeus Mosley and Alexander Calder, installation view, Seattle Art Museum, November 20, 2024–June 1, 2025. Photography by Ian Baker

Outdoor Sculpture Exhibition, installation view, Anderson Ranch Arts Center, Snowmass Village, Colorado. Courtesy of Anderson Ranch Arts Center

Cross Current, Interior Decipher, Rhizogenic Rhythms, and Illusory Progression by Thaddeus Mosley, installation view, 8th and Penn, Pittsburgh, August 29, 2024 –August 31, 2025. Courtesy the Pittsburgh Cultural Trust. Photography by Chris Uhren

Recent Sculpture, installation view, Karma, Los Angeles, July 15–September 9, 2023

Thaddeus Mosley: Forest, installation view, Nasher Sculpture Center, Dallas, May 13–August 20, 2023. Courtesy the Nasher Sculpture Center, photo by Kevin Todora

Recent Sculpture, installation view, Karma, New York, March 4–April 22, 2023

Elegiac Stanza for Sam Gilliam, 2022, walnut and cherry, 93½ x 33 x 42 inches; 237.49 x 83.82 x 106.68 cm

Elegiac Stanza for Sam Gilliam, 2022, walnut and cherry, 93½ × 33 × 42 inches; 237.49 × 83.82 × 106.68 cm

Air Step - for Fayard and Harold Nicholas, 2021, walnut, 103½ x 55 x 27 inches; 243.84 x 91.44 x 91.44 cm

Air Step - for Fayard and Harold Nicholas, 2021, walnut, 103½ × 55 × 27 inches; 243.84 × 91.44 × 91.44 cm

Southwestern Suite, 2021, walnut, 104½ x 72 x 45 inches; 265.43 x 182.88 x 114.3 cm

Southwestern Suite, 2021, walnut, 104½ × 72 × 45 inches; 265.43 × 182.88 × 114.3 cm

Circular Fable, 2021, walnut, 48½ x 17¼ x 16½ inches; 121.92 x 50.8 x 2.54 cm

Circular Fable, 2021, walnut, 48½ × 17¼ × 16½ inches; 121.92 × 50.8 × 2.54 cm

Thaddeus Mosley: Forest , installation view, Art + Practice, Los Angeles, September 17, 2022–January 21, 2023. Courtesy Art + Practice and the California African American Museum. Photo by Joshua White.

Symbiosis, installation view, Berkshire Botanical Garden, Stockbridge, Massachusetts, June 10–October 28, 2022

La Suite de l’Histoire, curated by Annabelle Ténèze, installation view, Musée National Eugène-Delacroix, Paris, France, October 19–24, 2022

Courage Before Expectation, installation view, The FLAG Art Foundation, New York, March 12–June 4, 2022. Photo by Steven Probert

File Under Freedom, installation view, Bergen Kunsthall, Bergen, Norway,February 5–27 March, 2022. Photo by Thor Brødreskift

Illusory Progression, 2020, and Rhizogenic Rhythm, 2020, Installation view, Schwartz Common, Harvard Business School. Photo by Steve Briggs

Thaddeus Mosley: Forest, installation view, Baltimore Museum of Art, October 17, 2021–March 27, 2022

Frieze Sculpture at Rockefeller Center, installation view, New York, September 1–October 2, 2020

Region in Suspension, 1996, walnut, 88 x 72 x 48 inches; 223.5 × 182.8 × 121.9 cm

Region in Suspension, 1996, walnut, 88 × 72 × 48 inches; 223.5 × 182.8 × 121.9 cm

Repetitive Reference, 2015, walnut, 88 x 52 x 26 inches; 223.5 × 132.1 × 66 cm

Repetitive Reference, 2015, walnut, 88 × 52 × 26 inches; 223.5 × 132.1 × 66 cm

Propelled Simulation, 2001, railroad switch, walnut, red sandstone, 101 x 74 x 18 inches; 256.5 × 187.9 × 45.7 cm

Propelled Simulation, 2001, railroad switch, walnut, red sandstone, 101 × 74 × 18 inches; 256.5 × 187.9 × 45.7 cm

Perge Modo, 2005, walnut, 96 x 55 x 24 inches; 243.8 × 139.7 × 60.9 cm

Perge Modo, 2005, walnut, 96 × 55 × 24 inches; 243.8 × 139.7 × 60.9 cm

Thaddeus Mosley, installation view, Karma, New York, February 29–July 24, 2020

Misterioso - T. Sphere Monk, 2008, locust, 78 x 28 x 24 inches; 198.1 × 71.1 × 60.9 cm

Misterioso - T. Sphere Monk, 2008, locust, 78 × 28 × 24 inches; 198.1 × 71.1 × 60.9 cm

Thaddeus Mosley, First Port, 2008, walnut, 79 x 51 x 17 inches; 200.6 × 129.5 × 43.1 cm

Thaddeus Mosley, First Port, 2008, walnut, 79 × 51 × 17 inches; 200.6 × 129.5 × 43.1 cm

Georgia Gate #1, 1975, pine, marble, 132 x 134 inches; 335.2 × 340.3 cm, Collection of The Carnegie Museum of Art, Pittsburgh

Georgia Gate #1, 1975, pine, marble, 132 × 134 inches; 335.2 × 340.3 cm, Collection of The Carnegie Museum of Art, Pittsburgh

Cross Current 2014, walnut, cherry, 90 x 42 x 19 inches; 228.6 × 106.6 × 48.2 cm

Cross Current 2014, walnut, cherry, 90 × 42 × 19 inches; 228.6 × 106.6 × 48.2 cm

Countee's Leaf—for Countee Cullen, 1992, carved walnut and cherry, 79 x 30 x 20 inches; 200.6 × 76.2 × 50.8 cm

Countee's Leaf—for Countee Cullen, 1992, carved walnut and cherry, 79 × 30 × 20 inches; 200.6 × 76.2 × 50.8 cm

The Carnegie International, 57th Edition, curated by Ingrid Schaffner, installation view, The Carnegie Museum of Art, Pittsburgh, October 13, 2018–March 25, 2019

Invictus, 2019, walnut, 75 x 29 x 24 inches; 190.5 × 73.6 × 60.9 cm

Invictus, 2019, walnut, 75 × 29 × 24 inches; 190.5 × 73.6 × 60.9 cm

Aero Allegory and Interior Decipher, installation view, Pittsburgh International Airport, Pennsylvania, 2018

Masked Extension, 2011, walnut, cherry, 48 x 52 x 26 inches; 121.9 × 132.1 × 66 cm

Masked Extension, 2011, walnut, cherry, 48 × 52 × 26 inches; 121.9 × 132.1 × 66 cm

Opposing Parallels - Blues Up and Down for G. Ammons and S. Stitt, 2015, walnut, 88 x 36 x 28 inches; 223.5 × 91.4 × 71.1 cm

Opposing Parallels - Blues Up and Down for G. Ammons and S. Stitt, 2015, walnut, 88 × 36 × 28 inches; 223.5 × 91.4 × 71.1 cm

Inverted Dancer, 2007, bass, hickory, 102 x 36 x 18 inches; 259.1 × 91.4 × 45.7 cm

Inverted Dancer, 2007, bass, hickory, 102 × 36 × 18 inches; 259.1 × 91.4 × 45.7 cm

Ovals as Boulders, 1976, sycamore, 82 × 26 × 20 inches; 208.2 × 66 × 50.8 cm

Cove for Chillida, 1994, walnut, 114 x 37 x 30 inches; 289.5 × 93.9 × 76.2 cm

Cove for Chillida, 1994, walnut, 114 × 37 × 30 inches; 289.5 × 93.9 × 76.2 cm

Thaddeus Mosley studio, Pittsburgh

News

Marley Freeman in Woman in a Rowboat
at The Olivia Foundation
February 5–September 28, 2025

Ann Craven in A Rose Is
at The FLAG Art Foundation
February 27–June 21, 2025

In Conversation: Woody De Othello, Ruby Neri, and Sterling Ruby, moderated by Margot Norton
at Karma Los Angeles
Wednesday, February 19, 4–6 pm

A Conversation and Book Launch
with Verne Dawson and Jennifer Krasinski
at Karma, New York
Thursday, February 13, 6–7 pm