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Paris+ par Art Basel
Grand Palais Éphémère
Paris, France
October 18—22, 2023
Booth E25

Karma is pleased to present a selection of work for Paris+ par Art Basel by artists Gertrude Abercrombie, Andrew Cranston, Reggie Burrows Hodges, and Alan Saret.

Gertrude Abercrombie, Shell and Drape, 1952, oil on canvas, 24 x 36 inches; 61 x 91.4 cm, 29⅞ x 42⅛ inches; 75.90 x 107.01 cm (framed)

Gertrude Abercrombie, Shell and Drape, 1952, oil on canvas, 24 × 36 inches; 61 × 91.4 cm, 29⅞ × 42⅛ inches; 75.90 × 107.01 cm (framed)

Gertrude Abercrombie, The Pink Tent, 1954, oil on masonite, 4½ x 6½ inches; 11.43 x 16.51 cm, 8⅞ x 10⅞ inches; 22.56 x 27.64 cm (framed)

Gertrude Abercrombie, The Pink Tent, 1954, oil on masonite, 4½ × 6½ inches; 11.43 × 16.51 cm, 8⅞ × 10⅞ inches; 22.56 × 27.64 cm (framed)

Gertrude Abercrombie, Encampment (White Mountain), 1948, oil on masonite, 4 1/4 x 5 1/2 inches; 10.8 x 14 cm, 10⅜ x 11⅝ inches; 26.37 x 29.54 cm (framed)

Gertrude Abercrombie, Encampment (White Mountain), 1948, oil on masonite, 4 14 × 5 12 inches; 10.8 × 14 cm, 10⅜ × 11⅝ inches; 26.37 × 29.54 cm (framed)

Andrew Cranston, Missing persons, 2023, acrylic on canvas ,27⅝ x 23⅝ inches; 70.3 x 60.1 cm, 29⅛ x 25⅛ inches; 74.10 x 63.90 cm (framed)

Andrew Cranston, Missing persons, 2023, acrylic on canvas ,27⅝ × 23⅝ inches; 70.3 × 60.1 cm, 29⅛ × 25⅛ inches; 74.10 × 63.90 cm (framed)

Andrew Cranston, First flame, 2023, acrylic on canvas, 33½ x 19¾ inches; 85 x 50.1 cm, 35 x 21¼ inches; 88.80 x 53.90 cm (framed)

Andrew Cranston, First flame, 2023, acrylic on canvas, 33½ × 19¾ inches; 85 × 50.1 cm, 35 × 21¼ inches; 88.80 × 53.90 cm (framed)

Andrew Cranston, Partick Heron, 2023, acrylic on canvas, 35½ x 25¾ inches; 90.2 x 65.3 cm, 37 x 27¼ inches; 94.00 x 69.10 cm (framed)

Andrew Cranston, Partick Heron, 2023, acrylic on canvas, 35½ × 25¾ inches; 90.2 × 65.3 cm, 37 × 27¼ inches; 94.00 × 69.10 cm (framed)

Reggie Burrows Hodges, Big Wheels: Reverse of a Nation, 2022, acrylic and pastel on linen, 52 1/4 x 63 1/4 inches; 132.72 x 160.66 cm, 53 x 64¼ inches; 134.62 x 163.19 cm (framed)

Reggie Burrows Hodges, Big Wheels: Reverse of a Nation, 2022, acrylic and pastel on linen, 52 14 × 63 14 inches; 132.72 × 160.66 cm, 53 × 64¼ inches; 134.62 × 163.19 cm (framed)

Reggie Burrows Hodges, Big Wheels: Authorship, 2022, acrylic and pastel on linen, 51 1/2 x 58 3/4 inches; 130.81 x 149.22 cm, 52½ x 59¾ inches; 133.35 x 151.77 cm (framed)

Reggie Burrows Hodges, Big Wheels: Authorship, 2022, acrylic and pastel on linen, 51 12 × 58 34 inches; 130.81 × 149.22 cm, 52½ × 59¾ inches; 133.35 × 151.77 cm (framed)

Reggie Burrows Hodges, Big Wheels, 2022, acrylic and pastel on linen, 57 3/4 x 57 3/4 inches; 146.69 x 146.69 cm, 58¾ x 58¾ inches; 149.22 x 149.22 cm (framed)

Reggie Burrows Hodges, Big Wheels, 2022, acrylic and pastel on linen, 57 34 × 57 34 inches; 146.69 × 146.69 cm, 58¾ × 58¾ inches; 149.22 × 149.22 cm (framed)

Alan Saret, Ovan, ca. 1985-2005, various steel alloys, 57 x 42 x 51 inches; 144.8 x 106.7 x 129.5 cm

Alan Saret, Ovan, ca. 1985-2005, various steel alloys, 57 × 42 × 51 inches; 144.8 × 106.7 × 129.5 cm

Alan Saret, Looping Lively, ca. 1990-2023, magnet wire, tinned copper, and Teflon coated wire, 44 x 19 x 17 inches; 111.76 x 48.26 x 43.18 cm

Alan Saret, Looping Lively, ca. 1990-2023, magnet wire, tinned copper, and Teflon coated wire, 44 × 19 × 17 inches; 111.76 × 48.26 × 43.18 cm

Alan Saret, Ensoulment of Will, 1989, 1996, pencil and colored pencil on mauve paper, 18¼ x 24⅛ inches; 46.4 x 61.29 cm

Alan Saret, Ensoulment of Will, 1989, 1996, pencil and colored pencil on mauve paper, 18¼ × 24⅛ inches; 46.4 × 61.29 cm

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