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FOG Design+Art 2024
Fort Mason Center
San Francisco, CA
January 18–21, 2024
Booth 302

Gertrude Abercrombie, Chamber, 1952. Oil on Masonite, 5 x 6⅜ inches; 12.7 x 16.21 cm), 9 x 10 in. (22.86 x 25.40 cm) (framed)

Gertrude Abercrombie, Chamber, 1952. Oil on Masonite, 5 × 6⅜ inches; 12.7 × 16.21 cm), 9 × 10 in. (22.86 × 25.40 cm) (framed)

Peter Bradley, I See The Moon and The Moon Sees Me, 2020. Acrylic, pumice and mica on canvas, 62 x 67 in. (157.48 x 170.18 cm), 63 x 68⅛ in. (160.02 x 173.05 cm) (framed)

Peter Bradley, I See The Moon and The Moon Sees Me, 2020. Acrylic, pumice and mica on canvas, 62 × 67 in. (157.48 × 170.18 cm), 63 × 68⅛ in. (160.02 × 173.05 cm) (framed)

Jane Dickson, Big Terror, 2020. Acrylic on linen, 65¾ x 73 in. (167 x 185.42 cm)

Jane Dickson, Big Terror, 2020. Acrylic on linen, 65¾ × 73 in. (167 × 185.42 cm)

Marley Freeman, draws special attention, 2023. Oil and acrylic on linen, 72 x 60 1/8 in. (182.88 x 152.73 cm)

Marley Freeman, draws special attention, 2023. Oil and acrylic on linen, 72 × 60 18 in. (182.88 × 152.73 cm)

Jeremy Frey, Déjà vu, 2023. Sweet grass, synthetic dye, 7 5/8 x 4 x 4 in. (19.38 x 10.16 x 10.16 cm)

Jeremy Frey, Déjà vu, 2023. Sweet grass, synthetic dye, 7 58 × 4 × 4 in. (19.38 × 10.16 × 10.16 cm)

Sanaa Gateja, Help, 2021. Paper beads on barkcloth, 54 x 37¾ in. (137.16 x 95.89 cm)

Sanaa Gateja, Help, 2021. Paper beads on barkcloth, 54 × 37¾ in. (137.16 × 95.89 cm)

Reggie Burrows Hodges, For the Greater Good: Purple Ground, 2022. Acrylic on linen, 72⅛ x 84⅛ in. (183.21 x 213.69 cm), 72¾ x 84⅝ in. (184.78 x 214.96 cm) (framed)

Reggie Burrows Hodges, For the Greater Good: Purple Ground, 2022. Acrylic on linen, 72⅛ × 84⅛ in. (183.21 × 213.69 cm), 72¾ × 84⅝ in. (184.78 × 214.96 cm) (framed)

Hughie Lee-Smith, Indecision II, 1980. Oil on canvas, 32 x 34 in. (81.28 x 86.36 cm), 39 x 41 in. 99.06 x 104.14 cm) (framed)

Hughie Lee-Smith, Indecision II, 1980. Oil on canvas, 32 × 34 in. (81.28 × 86.36 cm), 39 × 41 in. 99.06 × 104.14 cm) (framed)

Calvin Marcus, Untitled (Patch), 2023. Oil on canvas, 36¼ x 54 in. (92.08 x 137.16 cm)

Calvin Marcus, Untitled (Patch), 2023. Oil on canvas, 36¼ × 54 in. (92.08 × 137.16 cm)

Richard Mayhew, Montauk, 2004. Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm), 30⅝ x 30⅝ in. (77.80 x 77.80 cm) (framed)

Richard Mayhew, Montauk, 2004. Oil on canvas, 30 × 30 in. (76.2 × 76.2 cm), 30⅝ × 30⅝ in. (77.80 × 77.80 cm) (framed)

Thaddeus Mosley, Katz Kurve, 2021. Walnut, 60 × 36 × 18 in. (152 x 91 x 46 cm)

Thaddeus Mosley, Katz Kurve, 2021. Walnut, 60 × 36 × 18 in. (152 × 91 × 46 cm)

Woody De Othello, Light ground, 2023. Oil on canvas, 48 x 36 in. (121.92 x 91.44 cm)

Woody De Othello, Light ground, 2023. Oil on canvas, 48 × 36 in. (121.92 × 91.44 cm)

Woody De Othello, underneath the surface changes occur that we cannot bear witness to, 2023. Ceramic and glaze, 51 x 15 x 15 in. (78.74 x 38.10 x 38.10 cm)

Woody De Othello, underneath the surface changes occur that we cannot bear witness to, 2023. Ceramic and glaze, 51 × 15 × 15 in. (78.74 × 38.10 × 38.10 cm)

Ryan Preciado, Pope Cabinet, 2023. MDF and auto paint, 70 x 48⅝ x 20⅝ in. (177.8 x 123.52 x 52.4 cm)

Ryan Preciado, Pope Cabinet, 2023. MDF and auto paint, 70 × 48⅝ × 20⅝ in. (177.8 × 123.52 × 52.4 cm)

Ryan Preciado, Duke of Earl, 2023. Powder coated aluminum and steel, 63 x 15 x 15 in. (160.02 x 38.1 x 38.1 cm)

Ryan Preciado, Duke of Earl, 2023. Powder coated aluminum and steel, 63 × 15 × 15 in. (160.02 × 38.1 × 38.1 cm)

Maja Ruznic, The Player Inside the Game, 2023. Oil on linen, 60¼ x 48 in. (153.03 x 121.92 cm)

Maja Ruznic, The Player Inside the Game, 2023. Oil on linen, 60¼ × 48 in. (153.03 × 121.92 cm)

Kathleen Ryan, Bad Lemon (Desert), 2023. Citrine, jasper, agate, smoky quartz, quartz, carnelian, calcite, labradorite, amber, sunstone, garnet, unakite, red aventurine, tiger's eye, tourmaline, hessonite garnet, chrysoprase, lodolite, lepidolite, serpentine, shell, freshwater pearl, glass, steel pins on coated polystyrene, 16½ x 17 x 14 in. (41.91 x 43.18 x 35.56 cm)

Kathleen Ryan, Bad Lemon (Desert), 2023. Citrine, jasper, agate, smoky quartz, quartz, carnelian, calcite, labradorite, amber, sunstone, garnet, unakite, red aventurine, tiger's eye, tourmaline, hessonite garnet, chrysoprase, lodolite, lepidolite, serpentine, shell, freshwater pearl, glass, steel pins on coated polystyrene, 16½ × 17 × 14 in. (41.91 × 43.18 × 35.56 cm)

Matthew Wong, August Sky, 2016. Acrylic on canvas, 12 1/8 x 16 in. (30.81 x 40.64 cm), 13½ x 17⅜ in. 34.29 x 44.15 x 3.81 cm (framed)

Matthew Wong, August Sky, 2016. Acrylic on canvas, 12 18 × 16 in. (30.81 × 40.64 cm), 13½ × 17⅜ in. 34.29 × 44.15 × 3.81 cm (framed)

Matthew Wong, The Climb, 2018. Gouache on paper, 16 x 12 in. (40.6 x 30.5 cm), 22 x 18⅛ in. (55.88 x 46.05 cm) (framed)

Matthew Wong, The Climb, 2018. Gouache on paper, 16 × 12 in. (40.6 × 30.5 cm), 22 × 18⅛ in. (55.88 × 46.05 cm) (framed)

Manoucher Yektai, Untitled, 1960. Oil on canvas, 28¾ x 36 in. (73 x 91.4 cm), 30¼ x 37⅝ in. (76.84 x 95.58 cm) (framed)

Manoucher Yektai, Untitled, 1960. Oil on canvas, 28¾ × 36 in. (73 × 91.4 cm), 30¼ × 37⅝ in. (76.84 × 95.58 cm) (framed)

Norman Zammitt, NEWBLUE 7, 1984. Acrylic on canvas board, 14 x 10 in. (35.56 x 25.40 cm), 14¾ x 10¾ in. (37.47 x 27.30 cm) (framed)

Norman Zammitt, NEWBLUE 7, 1984. Acrylic on canvas board, 14 × 10 in. (35.56 × 25.40 cm), 14¾ × 10¾ in. (37.47 × 27.30 cm) (framed)

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