FIAC Paris 2019
Stand J05
October 17–20, 2019
Gertrude Abercrombie, Henni Alftan, Dike Blair, Mathew Cerletty, Ann Craven, Alex Da Corte, Louise Fishman, Marley Freeman, Paul Mogensen, Thaddeus Mosley, Woody De Othello
For the 2019 Foire Internationale d’Art Contemporain Karma will present a range of recent and historical works by Gertrude Abercrombie, Henni Alftan, Dike Blair, Mathew Cerletty, Ann Craven, Alex Da Corte, Louise Fishman, Paul Mogensen, Thaddeus Mosley, and Woody De Othello. The presentation, in booth J05, will also highlight a focused selection of oil and acrylic paintings by Marley Freeman (b. 1981). Drawing from the combined disciplines of abstract and representational painting, Freeman’s unique facture is characterized by the hand-mixed gesso, acrylic, and oil paints she uses to create meticulous, psychologically-charged color fields. She completed her MFA at the Milton Avery Graduate School of Arts at Bard College, New York, and her BFA at the School of the Art Institute of Chicago. Recent solo exhibitions include Karma, New York (2019); Janice Guy at MBnb, New York (2018); Parker Gallery, Los Angeles (2018); PSM, Berlin (2017); and Cleopatra’s, Brooklyn (2015), among others.
FIAC Paris 2019
Stand J05
October 17–20, 2019
Gertrude Abercrombie, Henni Alftan, Dike Blair, Mathew Cerletty, Ann Craven, Alex Da Corte, Louise Fishman, Marley Freeman, Paul Mogensen, Thaddeus Mosley, Woody De Othello
For the 2019 Foire Internationale d’Art Contemporain Karma will present a range of recent and historical works by Gertrude Abercrombie, Henni Alftan, Dike Blair, Mathew Cerletty, Ann Craven, Alex Da Corte, Louise Fishman, Paul Mogensen, Thaddeus Mosley, and Woody De Othello. The presentation, in booth J05, will also highlight a focused selection of oil and acrylic paintings by Marley Freeman (b. 1981). Drawing from the combined disciplines of abstract and representational painting, Freeman’s unique facture is characterized by the hand-mixed gesso, acrylic, and oil paints she uses to create meticulous, psychologically-charged color fields. She completed her MFA at the Milton Avery Graduate School of Arts at Bard College, New York, and her BFA at the School of the Art Institute of Chicago. Recent solo exhibitions include Karma, New York (2019); Janice Guy at MBnb, New York (2018); Parker Gallery, Los Angeles (2018); PSM, Berlin (2017); and Cleopatra’s, Brooklyn (2015), among others.
Henni Alftan, Stay up, Hold up, 2019, oil on canvas, 21 1⁄4 × 25 ½ inches
Dike Blair, Untitled, 2019, gouache, pastel, and pencil on paper, 24 × 18 inches
Dike Blair, Untitled, 2019, oil on aluminum panel, 20 × 15 inches
Mathew Cerletty, Nike, 2019, oil on linen, 46 × 69 inches
Ann Craven, Moon (Bright Manganese Fade, with Purple Sky), 2018, 2018, Oil on canvas, 84 × 60 inches
Alex Da Corte, If I Was Your Vampire, 2015, neon, hardware, 15 × 172 inches
Louise Fishman, CHORAL FANTASY, 2018 oil on linen, 66 × 55 inches
Marley Freeman, Untitled, 2015, acrylic on canvas, 48 × 40 inches
Thaddeus Mosley, Masked Extension, 2011, Walnut, cherry, 48 × 52 × 26 inches
