Frieze New York
The Shed
545 W 30th St
New York, NY 10001
Preview: May 17
May 18 – 21
Karma’s Frieze New York presentation brings together historic works by Lynne Drexler, Hughie Lee-Smith, Alan Saret, Matthew Wong, and Manoucher Yektai, alongside recent works by Henni Alftan, Alvaro Barrington, Dike Blair, Will Boone, Peter Bradley, Mathew Cerletty, Andrew Cranston, Ann Craven, Verne Dawson, Jane Dickson, Marley Freeman, Sanaa Gateja, Robert Grosvenor, Reggie Burrows Hodges, Keith Mayerson, Thaddeus Mosley, Woody De Othello, Maja Ruznic, Kathleen Ryan, Arthur Simms, Mungo Thomson, Tabboo! and Ouattara Watts.
Frieze New York
The Shed
545 W 30th St
New York, NY 10001
Preview: May 17
May 18 – 21
Karma’s Frieze New York presentation brings together historic works by Lynne Drexler, Hughie Lee-Smith, Alan Saret, Matthew Wong, and Manoucher Yektai, alongside recent works by Henni Alftan, Alvaro Barrington, Dike Blair, Will Boone, Peter Bradley, Mathew Cerletty, Andrew Cranston, Ann Craven, Verne Dawson, Jane Dickson, Marley Freeman, Sanaa Gateja, Robert Grosvenor, Reggie Burrows Hodges, Keith Mayerson, Thaddeus Mosley, Woody De Othello, Maja Ruznic, Kathleen Ryan, Arthur Simms, Mungo Thomson, Tabboo! and Ouattara Watts.
Henni Alftan, Fur III, 2022, oil on canvas, 36¼ × 28¾ inches; 92 × 73 cm
Henni Alftan, Smile, 2021, seven-color lithograph on white Somerset satin, 15 × 22 inches; 38.1 × 55.88 cm, 17⅝ × 24⅝ inches; 45.72 cm (framed)
Henni Alftan, The Next Day, 2021, four-color lithograph on White Arches Cover, 33 × 45½ inches; 83.82 × 115.57 cm, 35⅜ × 48¼ inches; 91.44 cm (framed)
Alvaro Barrington, Banana Fall On You, NYC 2023, 2023, acrylic and enamel paint on plastic laundry bags in oak frame, 68 × 68 inches; 172.72 × 172.72 cm, 77 1⁄4 × 77 1⁄4 inches; 196.22 × 196.22 cm (framed)
Dike Blair, Untitled, 2020, oil on aluminum, 10 × 7½ inches; 25.4 × 19.1 cm
Dike Blair, Untitled, 2022, oil on aluminum panel, 14 × 10½ inches; 35.56 × 26.67 cm
Dike Blair, Untitled, 2022, gouache and pencil on paper, 7½ × 10 inches; 19.1 × 25.4 cm, 9⅛ × 11⅝ inches; 23.2 × 29.5 cm (framed)
Dike Blair, Untitled, 2022, charcoal, gesso on paper, 20 × 15 inches; 50.8 × 38.1 cm, 21⅝ × 16⅝ inches; 54.94 × 42.24 cm (framed)
Dike Blair, Untitled, 2022, charcoal, gesso on paper, 10 × 7½ inches; 25.4 × 19.1 cm, 11⅝ × 9⅛ inches; 29.54 × 23.19 cm (framed)
Dike Blair, Untitled, 2022, charcoal, gesso on paper, 20 × 15 inches; 50.8 × 38.1 cm, 21⅝ × 16⅝ inches; 54.94 × 42.24 cm (framed)
Will Boone, Good Boy, 2022, bronze and enamel, 19 × 27 × 10 inches; 48.26 × 68.58 × 25.4 cm
Peter Bradley, My Favorite Things, 2020, acrylic on canvas, 51 × 62 inches; 129.5 × 157.5 cm
Peter Bradley, Nardis, 2020, acrylic on canvas, 21½ × 22½ inches; 54.6 × 57.2 cm
Mathew Cerletty, Palette, 2022, oil on linen, 64 × 55 inches; 162.56 × 139.70 cm
Andrew Cranston, Fruit as Metaphor, 2023, acrylic on hardback book cover, 10½ × 8 inches; 30.48 × 22.86 cm
Ann Craven, Horizontal Red Singing Finch (on Blue, with Spring Blossoms), 2023, 2023, oil on linen, 60 × 84 inches; 152.4 × 213.36 cm
Ann Craven, Horizontal Pink Canary (on Black), 2023, 2023, oil on linen, 18 × 24 inches; 45.72 × 60.96 cm
Verne Dawson, Turtles, 2023, oil on canvas, 32 × 28¼ inches; 81.28 × 71.75 cm
Lynne Drexler, Paper Work #187, 1959, mixed media on paper, 8½ × 13 inches; 21.59 × 33.02 cm, 15⅜ × 20 inches; 39.07 × 50.80 cm (framed)
Lynne Drexler, Paper Work #186, 1959, mixed media on paper, 8½ × 13 inches; 21.59 × 33.02 cm, 15⅜ × 20 inches; 39.07 × 50.80 cm (framed)
Jane Dickson, Open, 2022, oil stick on linen, 72 × 36 inches; 182.88 × 91.44 cm
Jane Dickson, Liquors Conversation, 2020, oil stick on linen, 56 × 36 inches; 142.24 × 91.44 cm
Marley Freeman, ruin as a heuristic, 2023, acrylic and oil on canvas, 56¾ × 56 inches; 144.14 × 142.24 cm
Marley Freeman, presenting film and dance work, 2022, oil and acrylic on linen, 24⅛ × 20 inches; 61.29 × 50.80 cm, 25¼ × 21¼ inches; 76.84 × 43.81 cm (framed)
Sanaa Gateja, Soils of Fertility, 2023, paper beads on barkcloth, 49¾ × 59½ inches; 126.36 × 151.13 cm
Sanaa Gateja, After the Birds, 2023, paper beads on barkcloth, 58¾ × 27¾ inches; 149.22 × 70.48 cm
Robert Grosvenor, Untitled, 2020, 2020, Valmobile scooter circa 1961 with Nason acrylic enamel paint, rabbit’s foot keychain, key, 27 ½ × 24 ½ × 14 inches; 70 × 62 × 36 cm
Hughie Lee-Smith, Untitled, 1954, oil on masonite, 10 × 14 inches; 25.4 × 35.6 cm, 17 × 21 inches; 43.18 × 53.34 cm (framed)
Keith Mayerson, Kermit Entering Town, 2023, oil on linen, 60 × 95 inches; 152.4 × 241.3 cm
Thaddeus Mosley, Tubular State, 2017, walnut in 4 parts, 62½ × 38½ × 21 inches; 158.75 × 97.79 × 53.34 cm
Woody De Othello, Hold me down, keep me up, 2023, ceramic, glaze, red oak, paint and enamel, 56 × 16 × 16 inches ; 142.24 × 40.64 × 40.64 cm
Woody De Othello, Lately, 2022, watercolor and colored pencil on paper, 22½ × 30½ inches; 57.15 × 77.47 cm, 24¼ × 32⅛ inches; 61.59 × 81.61 cm (framed)
Woody De Othello, Steppin Through The Night, 2021, color softground etching with aquatint, 43½ × 37 inches; 110.5 × 94 cm, 46 × 39½ Inches; 116.8 × 100.3 cm (framed)
Woody De Othello, Shifting Through Space, 2021, color softground etching with aquatint, 43½ × 37 inches; 110.5 × 94 cm, 46 × 39½ Inches; 116.8 × 100.3 cm (framed)
Maja Ruznic, Lila, 2023, oil on linen, 100 × 76 inches; 254 × 193.04 cm
Maja Ruznic, Heart, 2023, gouache on paper, 16⅝ × 11¾ inches; 42.24 × 29.84 cm, 24 × 19⅛ inches; 60.96 × 48.59 cm (framed)
Maja Ruznic, Lungs, 2022, gouache on paper, 21⅞ × 16⅛ inches; 55.58 × 40.97 cm, 29⅜ × 23½ inches; 74.63 × 59.69 cm (framed)
Maja Ruznic, Untitled, 2022, gouache on paper, 12 × 8½ inches; 30.18 × 21.29 cm, 17½ × 14inches; 44.45 × 35.56 cm (framed)
Maja Ruznic, Liver, 2023, gouache on paper, 16½ × 11¾ inches; 41.91 × 29.84 cm, 24 × 19⅛ inches; 60.96 × 48.59 cm (framed)
Kathleen Ryan, Generator IX, 2023, quartz crystal, silver-plated stainless steel cable, silver crimps, steel, Volkswagen trunks, 38 × 31½ × 18½ inches; 96.52 × 80.01 × 46.99 cm
Alan Saret, Swan, 2002, 2018, stainless steel and tin coated copper wire, 37 × 28 × 19 inches; 94 × 71.1 × 48.3 cm
Alan Saret, Heal Seat Trace, 1989, 2005, pencil and colored pencil on gray paper, 18¾ × 11½ inches; 47.63 × 29.21 cm, 22¼ × 15 inches; 56.52 × 38.1 cm (framed)
Arthur Simms, Brown Light in Dublin, 2008, wire, feathers, stones, cloth, bottle, wood, screws and plastic, 11 × 4¾ × 6½ inches; 28.00 × 12.00 × 16.50 cm
Arthur Simms, Bolt, 2021, metal, wire, balls, wood, screws, glue, stone, wheels, nails, pencil, 14 × 18 × 9 inches; 35.56 × 45.72 × 22.86 cm
Tabboo!, 101 Ave A NYC, 2020, acrylic on canvas, 60 × 50 inches; 152.4 × 127 cm
Tabboo!, Looking out my window on Good Friday at the Church on E.3rd St., 2018, acrylic and glitter on paper, 22⅜ × 29⅞ inches; 56.9 × 75.9 cm, 26 × 33½ inches; 66 × 85.1 cm (framed)
Tabboo!, Union Square, Empire building and Zeckendorf Towers, 2018, acrylic on paper, 29⅞ × 22⅜ inches; 75.9 × 56.9 cm, 33⅝ × 26 inches; 85.42 × 66 cm (framed)
Mungo Thomson, July 4 - July 11 2022 (The Ocean), 2022, enamel on low-iron mirror, poplar and aluminum, 74¼ × 56⅜ × 2⅜ inches; 188.59 × 143.21 × 6.05 cm
Mungo Thomson, Snowman, 2023, painted bronze, 31½ × 14¾ × 19 inches; 80.01 × 37.47 × 48.26 cm
Ouattara Watts, The Bleu Head, 2023, mixed media on canvas, 58 × 78 inches; 147.32 × 198.12 cm
Matthew Wong, Late, 2017, watercolor on paper, 12⅛ × 9 inches; 30.8 × 22.9 cm, 18⅝ × 15½ inches; 47.3 × 39.4 cm (framed)
Xiao Jiang, Reservoir in the Afternoon, 2023, oil on burlap, 47¼ × 39⅜ inches; 120 × 100 cm
Xiao Jiang, In the Studio, 2023, oil on burlap, 21¾ × 17¾ inches; 55.24 × 45.09 cm
Manoucher Yektai, Composition, 1961, oil on canvas, 31 7⁄8 × 25 5⁄8 inches; 81 × 65.1 cm, 32¼ × 25⅞ inches; 81.92 × 65.74 cm (framed)
